Alain Delon
Alain Delon (born
8 November,
1935) is a
French actor, one of the best known outside his native country. Delon's star rose quickly, and by the age of twenty-three he was garnering comparisons to French screen legends such as
Gérard Philipe and
Jean Marais, as well as American actor
James Dean. He was even called the male
Brigitte Bardot. Not wanting to fall back on his looks, Delon tried to take roles that presented him with more of a challenge. In particular he took parts playing a thief or gangster. One of the remarkable qualities about Delon's performances is that despite the immorality of many of the characters he plays, he manages to make them charming, and even likeable. Over the course of his career, Delon has worked with legendary directors, including
Luchino Visconti,
Jean-Luc Godard,
Jean-Pierre Melville,
Michaelangelo Antonioni, and
Louis Malle.
Delon was born in
Sceaux, a
Paris suburb, on November 8, 1935. His parents, Fabien and Édith, divorced when Delon was young. Both remarried, and Delon has a half-sister, and two half-brothers.He attended a
Catholic boarding school, the first of several schools from which he was expelled, due to unruly behavior. Despite this behavior he was more than competent as a student. Teachers once tried to convince him to enter the priesthood due to his aptitude in religious studies.
At fourteen Delon left school, and worked for a brief time at his stepfather's butcher shop. He enlisted in the army three years later, and in 1953 was sent to fight in the
First Indochina War. Delon has said that out of his five years of military service he spent 11 months in prison for being "undisciplined." After being dishonorably discharged from the army he returned to Paris. He had no money, and got by on whatever employment he could find. He spent time working as a waiter, a porter, and a sales clerk. During this time he became friends with the actress
Brigitte Auber, and joined her on a trip to the
Cannes Film Festival, where his film career would begin.
At Cannes, Delon was seen by a talent scout for
David O. Selznick. After a successful screen test Selznick offered him a contract, provided he learn English. Delon returned to Paris to study English, but when he met French director
Yves Allegret, he was convinced that he should stay in
France to begin his career. Selznick allowed Delon to cancel his contract, and Allegret gave him his debut in the film
Quand la Femme s'en Mele (
When the Woman Butts In). Delon then got to show a comedic aspect of himself in the film
Faibles Femmes (
Women Are Weak). This was also the first of his films to be seen in America, where it became a success.
The first role to really test Delon as a serious actor was in
René Clement's
Purple Noon, which was based on the
Patricia Highsmith novel
The Talented Mr. Ripley. Delon played killer Tom Ripley, and the film went on to be very well received.
But it was Visconti's
Rocco and His Brothers that helped solidify Delon's status as an important new actor. Critic Bosley Crowther of the
New York Times said Delon's work was: "touchingly pliant and expressive." John Beaufort, in the
Christian Science Monitor said: "Rocco's heartbroken steadfastness furnishes the film with the foremost of its ironic tragedies... Its believability rests finally on Mr. Delon's compelling performance." In 1964, the
Cinematheque francaise held a showcase of Delon's films. That he received this honor so soon into his career distinguished him from most other young stars.
Delon's stage debut came in 1961. He performed
John Ford's play,
'Tis Pity She's a Whore co-starring
Romy Schneider in Paris. The production was directed by Visconti, who Delon would work with again for
Il Gattopardo (
The Leopard).
Many directors chose to work with Delon time and time again. Among these is
Jean-Pierre Melville. Melville directed Delon in
Un Flic,
Le Cercle Rouge, and most notably in
Le Samourai, which is widely regarded as one of Delon's finest performances.
In 1964, Delon started a production company, Delbeau Production, with
Georges Beaume. They produced a film called
L'insoumis, which had to be re-edited due to legal issues. Delon then started his own production company, Adel. He produced and starred in the company's first film,
Jeff. Delon followed the success of the film with
Borsalino, which became one of France's highest grossing films of the time.
In 1973, he made a
duet with the French
pop singer Dalida on "
Paroles, paroles", which was a big hit in France,
Japan,
Canada, and many other countries.
He awarded the Best Actor
César Awards (equivalent of French
Oscars) for his role in
Bertrand Blier's "
Notre histoire" (1984). But, after a string of
box office failures in the late 80s and 90s, culminating in the surprising box-office failure of
Patrice Leconte's
Une chance sur deux, Delon announced his decision to give up acting in 1997. Now in his early 70's, Delon occasionally accepts roles. In 1990, he worked with
auteur Jean-Luc Godard, on a film called
Nouvelle vague in which he played twins.
In 2003, the
Walter Reade Theater did a series entitled "Man in the Shadows: The Films of Alain Delon."
Most recently, it has been announced that he will play a role in a film called
L'Ennemi public n. 1, a project to which French actor
Vincent Cassel is also attached.
In January 2007, he will perform stage
The Bridge of Madison County with
Mireille Darc at
Théâtre Marigny in Paris.
*
L'Instinct de mort (2007, by
Jean-Francois Richet)
*
Astérix aux Jeux Olympiques (2006, by
Thomas Langmann) -
Jules César*
Frank Riva (2004, TV - Saison 2) - Frank Riva
*
Frank Riva (2003, TV - Saison 1) - Frank Riva
*
Les Acteurs (1999, by
Bertrand Blier) - Himself
*
Une Chance sur deux (1997, by
Patrice Leconte) - Julien Vignal
*
Le Jour et la nuit (1996, by
Bernard-Henri Lévy) - Alexandre
*
Les Cent et une nuits (1994, by
Agnès Varda) - L'acteur d'un jour
*
L'Ours en peluche (1993, by
Jacques Deray) - Jean Rivière
*
Un Crime (1992, by
Jacques Deray) - Maitre Charles Durand
*
Le Retour de Casanova (1992, by
Edouard Niermans) -
Casanova*
Nouvelle vague (1990, by
Jean-Luc Godard) - L'homme
*
Dancing machine (1990, by
Gilles Béhat) - Alan Wolf
*
Ne réveillez pas un flic qui dort (1988, by
José Pinheiro) - commissaire Eugène Grindel
*
Parole de flic (1985, by
José Pinheiro) - Daniel Pratt
*
Notre histoire (1984, by
Bertrand Blier) - Robert Avranche
*
Le Passage (1984, by
René Manzor) - Jean Diaz
*
Le Battant (1983, by
Alain Delon) - Jacques Darnay
*
Un amour de Swann (1983, by
Volker Schlöndorff) - Baron de Charlus
*
Le Choc (1982, by
Robin Davis) - Martin Terrier
*
Pour la peau d'un flic (1981, by
Alain Delon) - Choucas
*
Trois hommes à abattre (1980, by
Jacques Deray) - Michel Gerfaut
*
Teheran 43. Nid d'espions (1980, by
Aleksandr Alov) - Foche
*
Le Toubib (1979, by
Pierre Granier-Deferre) - Jean-Marie Desprès
*
Airport 80 Concorde (1979, by
David Lowell Rich)
*
Ce film est projeté dans 1 salle(s)) - Capitaine Paul Metrand
*
Attention, les enfants regardent (1978, by
Serge Leroy) - L'homme
*
Le Gang (1977, by
Jacques Deray) - Robert le Dingue
*
Mort d'un pourri (1977, by
Georges Lautner) - Xavier Maréchal
*
Monsieur Klein (1976, by
Joseph Losey) - Robert Klein
*
Armaguedon (1976, by
Alain Jessua) - Dr. Michel Ambrose
*
Comme un boomerang (1976, by
José Giovanni) - Jacques Batkin
*
L'Homme pressé (1976, by
Edouard Molinaro) - Pierre Niox
*
Flic story (1975, by
Jacques Deray) - Roger Borniche
*
Le Gitan (1975, by
José Giovanni) - Le Gitan
*
Zorro (1974, by
Duccio Tessari) - Diegp/Zorro
*
Les Seins de glace (1974, by
Georges Lautner) - Marc Rilsen
*
Borsalino & Co. (1974, by
Jacques Deray) - Roch Siffredi
*
Deux hommes dans la ville (1973, by
José Giovanni) - Gino Strabliggi
*
La Race des seigneurs (1973, by
Pierre Granier-Deferre) - Julien Dandieu
*
Les Granges brûlées (1973, by
Jean Chapot) - Le juge Larcher
*
Scorpio (1973, by
Michael Winner) - Jean Laurier, alias Scorpio
*
Les Grands fusils (1973, by
Duccio Tessari) - Tony Arzenta
*
Traitement de choc (1972, by
Alain Jessua) - Le docteur Devillers
*
Il était une fois un flic (1972, by
Georges Lautner) - l'homme qui cherche Rodriguez
*
Le Professeur (1972, by
Valerio Zurlini) - Daniele Dominici
*
Un Flic (1971, by
Jean-Pierre Melville) - Le commissaire Coleman
*
La Veuve Couderc (1971, by
Pierre Granier-Deferre) - Jean
*
Soleil Rouge (1971, by
Terence Young) - Gauche
*
Fantasia chez les ploucs (1971, by
Gérard Pirès) - un caïd
*
L'Assassinat de Trotsky (1971, by
Joseph Losey) - Frank Jackson
*
Le Cercle rouge (1970, by
Jean-Pierre Melville) - Corey
*
Borsalino (1970, by
Jacques Deray) - Roch Siffredi
*
Doucement les basses (1970, by
Jacques Deray) - Simon
*
Le Clan des Siciliens (1969, by
Henri Verneuil) - Roger Sartet
*
Madly (1969, by
Roger Kahane) - Julian
*
Jeff (1969, by
Jean Herman) - Laurent
*
La Piscine (1968, by
Jacques Deray) - Jean-Paul
*
La Motocyclette (1968, by
Jack Cardiff) - Daniel
*
Adieu l'ami (1968, by
Jean Herman) - Dino Barran
*
Histoires extraordinaires (1968, by
Louis Malle) - William Wilson (episode "William Wilson")
*
Le Samouraï (1967, by
Jean-Pierre Melville) - Jef Costello
*
Diaboliquement votre (1967, by
Julien Duvivier) - Pierre
*
Les Aventuriers (1966, by
Robert Enrico) - Manu
*
Les Centurions (1966, by
Mark Robson) - Capt. Philippe Esclavier
*
Texas nous voilà (1966, by
Michael Gordon) - Don Andrea
*
Paris brûle-t-il ? (1965, by
René Clément) - Jacques Chaban-Delmas
*
Les Tueurs de San Francisco (1965, by
Ralph Nelson) - Eddie Pedak
*
The Yellow Rolls-Royce (1965, by
Anthony Asquith) - Stefano
*
L'Insoumis (1964, by
Alain Cavalier) - Thomas
*
La Tulipe noire (1963, by
Christian-Jaque) - le Comte de Saint Preux/La tulipe noire
*
The Leopard (1963, by
Luchino Visconti) - Tancrède
*
Mélodie en sous-sol (1963, by
Henri Verneuil) - Francis
*
Les Félins (1963, by
René Clément) - Marc
*
Le Diable et les Dix Commandements (1962, by
Julien Duvivier) - Pierre Messager
*
Carambolages (1962, by
Marcel Bluwal) - Lambert
*
L'Eclipse (1962, by
Michelangelo Antonioni) - Piero
*
L'Amour à la mer (1962, by
Guy Gilles) - L'acteur du film
*
Les Amours celebres (1961, by
Michel Boisrond) - Prince Albert (episode "Agnes Bernauer")
*
Quelle joie de vivre (1961, by
René Clément) - Ulysse
*
Plein Soleil (1960, by
René Clément) - Tom Ripley
*
Rocco and His Brothers (1960, by
Luchino Visconti) - Rocco Parondi
*
Le chemin des écoliers (1959, by
Michel Boisrond) - Antoine Michaud
*
Faibles femmes (1959, by
Michel Boisrond) - Julien Fenal
*
Christine (1958, by
Pierre Gaspard-Huit) - Franz Lobheiner
*
Quand la femme s'en mêle (1957, by
Yves Allégret) - Jo
*
Sois belle et tais-toi (1957, by
Marc Allégret) - Loulou
Delon was engaged to actress
Romy Schneider, whom he met when they appeared together in the film
Christine. In August of 1964, shortly after the broken engagement, he married Nathalie Barthelemy. Their son,
Anthony Delon was born in September. The couple divorced four years later. He had a long relationship with French actress Mireille Darc over the following years. In the 1990's, he became a father again to two children, Anouchka and Alain-Fabien, with Dutch model,
Rosalie Van Breemen (they met in 1987 on the shooting of the video clip of his song
"Comme au cinéma"). Delon and Van Breeman separated in 2002.
It was speculated that he had an affair with German actress and singer
Nico. In 1962, Nico had a son, Christian Aaron Boulogne and claimed that he was fathered by Delon. Delon has stated many times that he is not the father.
In 1968, Delon's bodyguard, a Serb -
Stevan Markovic, was found shot in the head in a dumpster outside Delon's home. Delon's friend Francois Marcantoni was charged with accessory to murder. Delon himself was held by police for questioning, despite the fact that the murder took place in Paris, and Delon was filming in St. Tropez. His ex-wife Nathalie was taken in for questioning as well.
* http://alaindelon-club.tripod.com/alaindelonclubadmirador/* For further information, see http://www.alaindelon.com/e/
* With thanks to http://frenchfilms.topcities.com/nf_adelon.html
*
Classic Movies (1939 - 1969): Alain Delon*
many pictures of Alain Delon