Anthropomorphism
Anthropomorphism is the attribution of
human characteristics and qualities to non-human beings, objects, natural, or supernatural phenomena. A form of
personification (applying human or animal qualities to inanimate objects), anthropomorphism is similar to
prosopopoeia (adopting the persona of another person).
Animals, forces of
nature, and unseen or unknown authors of chance are frequent subjects of anthropomorphosis.
The term comes from two
Greek words, άνθρωπος (
anthrōpos), meaning "human", and μορφή (
morph"), meaning "shape" or "form". The suffix '-ism' originates from the
morpheme '-isma' in the Greek language.
In
religion and
mythology, "anthropomorphism" refers to the perception of a divine being or beings in human form, or the recognition of human qualities generally, in these beings. Many mythologies are almost entirely concerned with anthropomorphic
deities who express human characteristics such as
jealousy,
hatred, or
love. The
Greek gods such as
Zeus and
Apollo were often depicted in human form exhibiting both commendable and despicable human traits.
Biblical literalism
Numerous different sects throughout history have been called
anthropomorphites, including a
sect in
Egypt in the
4th century, and a group in the
Roman Catholic Church in the
10th century. Such sects were considered
heretical for their
biblical literalism, taking everything written and spoken of God in the
Bible in a literal sense. This included attributing to God a human form, human parts, and human passions. The passage they chiefly referred to was
Genesis 1:27, listed below in the original
Hebrew, and in the
New American Standard Bible translation into
English.
וַיִּבְרָא אֱלֹ"ִים אֶת-"ָאָ"ָם בְּצַלְמוֹ, בְּצֶלֶם אֱלֹ"ִים בָּרָא אֹתוֹ: זָכָר וּנְקֵבָ", בָּרָא אֹתָם."God created man in His own image, in the image of God He created him; male and female He created them."
Hinduism
The ten
avatars of the
Hindu supreme God
Vishnu possess both human and divine forms and qualities, although their divinity varies in degree. In
Vaishnavism, a monotheistic faith, Vishnu is
omniscient and
benevolent, unlike gods of the
Greek and
Roman religions. See
Conceptions of God in Hinduism.
Condemnation
Numerous religions and philosophies have condemned anthropomorphism for various reasons. Some
Ancient Greek philosophers did not condone, and were explicitly hostile to, their people's mythology. These philosophers often developed monotheistic views.
Plato's (427–347
BCE)
Demiurge (craftsman) in the
Timaeus and
Aristotle's (384–322 BCE)
prime mover in his
Physics are examples. The Greek philosopher
Xenophanes (570–480 BCE) said that "the greatest God" resembles man "neither in form nor in mind." (
Clement of Alexandria,
Miscellanies V xiv 109.1-3). The similarity of these philosophers' concepts of God to that of the
Bible's facilitated the incorporation of much pre-Christian Greek philosophy into the
Medieval Christian
world view by the
Scholastics, notably
Thomas Aquinas.
From the perspective of believers of a religion where the deity or deities have human characteristics, it may be more accurate to describe the phenomenon as
theomorphism, or the giving of divine qualities to humans, instead of anthropomorphism, the giving of human qualities to the divine. The reason for this being that according to their beliefs, the deity or deities usually existed before humans, and therefore humans were created in the form of the divine, not vice versa. However, for those who do not subscribe to the beliefs of the religion, the phenomenon can be considered anthropomorphism.
Anthropomorphism in the form of personification consists of creating imaginary persons who are the embodiment of an abstraction such as
Death, Lust or War. See the article on the
Four Horsemen of the Apocalypse for notable examples.
In classical
rhetoric, personification is a
figure of speech (more specifically a
trope) that employs the deliberate use of anthropomorphism, often to make an emotional appeal. In rhetorical theory, a distinction is often drawn between personification (anthropomorphism of inanimate, but real, objects) and figures such as
apostrophe, in which an absent people or abstract concepts are addressed.
An example of rhetorical personification:A tree whose hungry mouth is prestAgainst the earth's sweet-flowing breast. Joyce Kilmer,
TreesAn example of rhetorical apostrophe:O eloquent, just, and mighty Death! Walter Raleigh,
History of the World |
Peter Rabbit and wife being importuned by Benjamin and Flopsy Bunny - anthropomorphic characters from Beatrix Potter books |
Anthropomorphism is a well established device in literature, notably in books for children, such as those by
C.S. Lewis,
Beatrix Potter,
Roald Dahl and
Lewis Carroll, which involve characters such as
Peter Rabbit, the
Cheshire Cat, and the fantastical talking animals of
The Chronicles of Narnia. Also,
Rev. W. Awdry's Railway Series depicts steam locomotives with human-like faces and personalities.
Terry Pratchett is notable for having several anthropomorphic personifications in his
Discworld books. Perhaps best known is the character
Death.
Piers Anthony also wrote a series regarding the seven
incarnations of Death, Time, Fate, War, Nature, Evil, and Good.
Neil Gaiman is notable for anthropomorphising seven aspects of the world in his series
Sandman - they are called
the Endless:
Destiny,
Death,
Dream,
Destruction,
Desire,
Despair, and
Delirium.
The Indian books
Panchatantra (The Five priniciples) and
The Jataka tales employ this trick of anthropomorphized animals very effectively to illustrate various principles of life.
It may be noted that the majority of monsters and fantastical beings portrayed in Science Fiction and Fantasy, are extremely anthropomorphic, having only superficial details (such as ears or colour of skin) that differ from normal humans.
It is a common tendency for people to think of inanimate objects as having human-like characteristics. Few, if any people, believe this to have real significance. Common examples of this tendency include naming one's car or begging a machine to work. Advances in
artificial intelligence are beginning to identify such foibles as a potentially more significant phenomenon as
computers begin to reach the point where they can recognize spoken language. Some computers are already very good at displaying very specific and specialized categories of human-like behaviour, such as learning from their mistakes or anticipating certain input, playing
chess and other games with which require human-like intelligence; evenpotentially taking on humanlike form.
Anthropomorphobia, a
phobia traditionally associated with anxiety responses to nonhuman living things displaying human behavior, is now used to define the phobia of nonliving things that exhibit human qualities.
Technical use
Hackers and
programmers have always anthropomorphised technology, mostly as a time-saving metaphorical device. Complex technology, specifically
computers, can exhibit complicated behavior that can be lengthy to describe in purely inanimate terms. Hackers, therefore, may use human actions and even emotions to describe a computer system's behavior. For example, in a situation where a program encounters minor errors but can still accomplish its task, it may do so but emit an error message. Especially in cases where the error encountered is thought to be trivial, a hacker might say that the computer is complaining. This human action (complaining) conveys that there is a difficulty while acknowledging the triviality of the difficulty, and perhaps the fact that the program does what was required despite the difficulty. See the
section on anthropomorphism in the
Jargon File for more information, including the self-referentially hackish joke on the topic "Don't anthropomorphize computers: they hate that."
This form of anthropomorphism is common in other technical fields as well. For example, a
chemist might casually explain an
ionic bond between
sodium and
chlorine by asserting that the sodium atom "wants" to merge with the chlorine atom, even though atoms are incapable of having a preference. On the other hand, in
finance, when a
financial market rises and falls, it might be described as "fickle", but because it is a human-driven process based on human reactions to market forces, it
is capable of reflecting, if not having, human emotions. If the criterion for anthropomorphism is that the subject is ascribed human attributes it does not have, then financial markets and other demographic forces may not qualify. However, they might be considered true personifications of human emotion, and qualify the same way as the personification of desire does.
However, such uses might better be described as
animism, since the features falsly attributed to inanimate objects are those of sentient beings (animals) rather than just those of humans.
Modern occurrences
|
Characters from the television sitcom, Dinosaurs |
The use of anthropomorphized animals has a long tradition in art and literature. Frequently they are used to portray stereotypical characters, in order to quickly convey the characteristics the author or artist intends for them to possess. Examples include
Aesop's fables,
George Orwell's
Animal Farm and political cartoons, e.g.
Maus. Many of the most famous children's television characters are anthropomorphized
funny animals:
Mickey Mouse,
Kermit the Frog,
Bugs Bunny,
Daffy Duck, and
Scrooge McDuck, for example. While being "funny" is a common trait, it is not a hard rule; Bert the Turtle, star of
Duck and Cover is a children-oriented exception. While children-and-family-oriented series have often featured anthropomorphic animals, newer adult-oriented television series such as
Family Guy also make use of anthropomorphized characters. The
Playstation 2 game
Sly Cooper and the Thievius Raccoonus also features anthropomorphized characters.
Sonic The Hedgehog also features anthropomorphized animals, but with colored fur or skin unlike that of normal animals.
|
An anthropomorphic animal. |
The human characteristics commonly ascribed to animals in popular culture usually centers on either their perceived personality or disposition (for example,
owls are usually designated as
wise); their appearance alone (
penguins are usually portrayed as plump
aristocrats, because their
plumage resembles a
tuxedo); or a combination of both (
raccoons are commonly portrayed as
bandits, both because of the characteristic black stripe over their eyes, which resembles the stereotypical mask of a bandit, and because they roam at night, sometimes breaking into peoples' garbage). It should be noted, however, that such personification can be modern or ancient. For example,
foxes are portrayed as cunning and have been for thousands of years, but penguins were not widely known of before the 20th century and so all anthropomorphic behaviour associated with them is modern.
One example of modern anthropomorphism is '
OS-tan', an
Internet phenomenon on
Futaba Channel that personifies computer programs, mostly operating systems like
Windows,
Linux and
Mac OS 9.
Since the 1980s,
furry fandom has focused on the appreciation, promotion, and production of stories and art about anthropomorphic animals, as well as the exploration, interpretation and examination of humanity and human values through anthropomorphic expression. Furry fandom and the Furry subculture it is part of have only recently come to the attention of the media.
Anthropomorphism has also been frequently applied to entities other than animals in modern times. The
red blood cells in the film
Osmosis Jones and robots in
Stanisław Lem's
The Cyberiad may be considered examples of anthropomorphism. The
Discworld novels by
Terry Pratchett contain characters such as
Death and
Time, who refer to themselves as anthropomorphic personifications of fundamental forces. Similarly, the
automobiles that are the focus of the 2006
Disney/
Pixar movie
Cars can also be seen as anthropomorphic.
Using anthropomorphized caricatures or projecting human qualities on conceptual entities or inanimate objects in
reasoning is also known as committing a
pathetic fallacy (not a pejorative term).
The
Furry fandom's growing popularity has increased recognition of the word "anthropomorphism." However, as use of the word increased, the syllable "po" gradually began to fall out of use, and some furry websites and comics may use the spellings "anthromorphism" or "anthromorphic." Though technically incorrect and unrecognized by dictionaries, this spelling of the word is rarely corrected in Internet culture. It is also commonly called by the term "anthro".
*
Anthropomorphobia*
Anthropopathy*
Animals on television*
Figure of speech*
Funny animal*
Furry fandom*
Humanoid*
Kemono*
List of anthropomorphic animal superheroes*
List of anthropomorphic personifications*
Louis Wain*
Moé anthropomorphism*
National personification*
OS-tan*
Pathetic fallacy*
Rhetoric*
Uncanny Valley* Lorraine Daston & Gregg Mitman, editors,
Thinking with Animals: New Perspectives on Anthropomorphism, Columbia University Press, 2005, hardcover, ISBN 0231130384
#
Anthropomorphite.# Shipley, Orby. ed.
A glossary of ecclesiastical terms. 1872.
*
Kind I Like - A photographic collection of objects that look like people.
*
Anthropomorphism at The Encyclopedia of Astrobiology, Astronomy, & Spaceflight*
Anthropomorphic - Design Dictionary Aspect that relates with human body shapes.
