Brian Wilson
Brian Douglas Wilson (born
June 20,
1942, in
Hawthorne, California) is an
American pop musician, best known as a founding member of and the main
producer,
composer, and
arranger for
The Beach Boys. Although changing trends in music sometimes rendered Wilson's earlier work unfashionable, he is now acknowledged as one of the most significant and innovative musicians and composers of 20th century
popular music.
Wilson showed an early talent for music and quickly developed into a skilled singer, songwriter, arranger, and musician despite almost total deafness in his right ear.
Early influences included
The Four Freshmen and
Chuck Berry, among others. Wilson admired
Phil Spector, considering Spector both a mentor and rival. (The two collaborated on one song, which was never completed; the backing track was later used for a
public service announcement, featuring The Blossoms. Brian released it in 1964 as "Don't Hurt My Little Sister.")
Wilson was a perfectionist in the studio, and often upset the other members of the Beach Boys with this incessant drive for perfection. Though one of the first users of an eight-channel
multitrack tape recorder, he shunned
stereophonic sound, preferring (as Spector did) to work in
monaural — not because of his partial deafness, but because he believed stereo gave an incomplete "sound picture" if the listener wasn't directly between the speakers.
The Beach Boys
After forming The Beach Boys in the early 1960s with his brothers
Carl and
Dennis, his cousin
Mike Love and schoolfriend
Al Jardine, Wilson steered the group to huge success around the world, and they scored a string of international hits between 1962 and 1967, including pop classics such as "Surfin' USA," "Fun, Fun, Fun"," "I Get Around," "Help Me Rhonda," "California Girls," "Wouldn't It Be Nice," "Good Vibrations," and "Heroes and Villains." He also produced records for other artists, including
Glen Campbell and
the Honeys, but with nowhere near the success he had with the Beach Boys. He also co-wrote many of the biggest hits for
Jan and Dean during this period.
Until mid-1967, the international success and popularity of the Beach Boys put them among the world's biggest acts of the time, such as
the Beatles, who later cited Wilson's work as a major influence. Wilson in turn considered the Beatles his other chief rivals, though he and fellow bassist-keyboardist
Paul McCartney, born only two days earlier than himself, became friends.
Wilson's creativity reached its apex during the mid-1960s with the
Pet Sounds album (which, according to Paul McCartney, inspired the Beatles'
Sgt. Pepper's Lonely Hearts Club Band). Various music polls have named
Pet Sounds one of the greatest pop albums ever recorded.
This was immediately followed by their biggest chart success, the million-selling #1 hit single "
Good Vibrations." Wilson then began work on a new album, originally called
Dumb Angel but soon re-titled
SMiLE, on which he collaborated with lyricist
Van Dyke Parks. However, the combination of resistance from within the group and Wilson's own growing personal problems led to the cancellation of the project in May of 1967.
 |
Brian Wilson, c. 1984. |
Wilson also was the owner of a health food shop in
Hollywood that lasted a year from its founding in the summer of 1969, the "Radiant Radish."
The Dark Ages
Following a breakdown, Wilson descended into
mental illness and
drug abuse in the late Sixties and 1970s, taking less and less of a role in the Beach Boys. Withdrawing into himself, he spent long periods of time sleeping, taking drugs and overeating. In a bid to help Brian, and, as a by-product, help revive the group's ailing profile, Brian's wife and family enlisted the services of controversial therapist Dr.
Eugene Landy. In 1976, Landy managed to help Brian into a more productive, social frame of mind. New albums were recorded, and, for the first time since 1964, Brian started to regularly appear live on stage with the band. This situation continued for a few years, but by 1982, his mental state had deteriorated even further; he was taking large amounts of
cocaine; he weighed over 300 lbs; and was in danger of losing his life.
Eugene Landy was once more called into action, and a more radical program was undertaken to try and restore Brian to health. This involved firing him from the Beach Boys, isolating him from his family on Hawaii and being put onto a rigorous diet and health regime. This, coupled with long, extreme counselling sessions, brought Brian back to reality. He was certainly fitter, healthier and more conversant than previously, but he was also under a strict level of control by Landy. Brian's recovery continued as he joined the band onstage in Live Aid in 1985, and recorded a new eponymous album with the Beach Boys.
It was variously reported that Wilson had either
schizophrenia or
bipolar affective disorder. Dr. Landy's treatment regime was not a recognised treatment for either of these mental illnesses. Landy had given Wilson high doses of
psychotropic drugs, which over time cause significant neurological damage. When Landy was fired again, these drugs stopped. Some years later, after his second marriage, he was diagnosed wirh Bipolar affective disorder and a schizo-affective disorder which caused him to hear outside voices like "We're coming to get you". Such ailments may be slightly more common amongst creative people and Wilson, along with others such as the artist
Vincent van Gogh, and more recently
Lenny Bruce or
Pink Floyd's
Syd Barrett can be cited as examples of this phenomenon. According to the new Peter Ames Carlin biography of Wilson, "Catch A Wave", Wilson's drug regimen has been reduced to a mild combination of antidepressants, which keep him functioning far more normally than he has in decades, enabling him to record and tour.
Solo career
|
Brian Wilson, after making a significant recovery, in 1988 |
Wilson launched a career as a solo artist in 1988 with limited success. It is possible that his efforts in this regard were both encouraged and hampered by Landy's influence. Partly due to the control that Landy exercised on his life, Wilson stopped working with the Beach Boys on a regular basis after the release of
The Beach Boys in 1985.
Brian released a solo album,
Brian Wilson, in 1988 and a memoir,
Wouldn't It Be Nice - My Own Story, in which he spoke for the first time about his troubled relationship with his abusive father Murray and his "lost years" of mental illness. It is widely understood that although it was written following interviews with Brian and others, Landy was largely responsible for the book, in conjunction with
People magazine writer
Todd Gold. The book describes Landy in terms that could be called practically messianic. In a later lawsuit over the book, Wilson testified in court that he hadn't even read the final manuscript. As a result, the book was taken out of press some years later. It should also be noted that the book used parts of other Beach Boys books written by Gaines and Leaf without crediting the sources. They also altered these "borrowings" to put other people's words into Brian's mouth.
Landy's illegal use of
psychotropic drugs on Wilson and his influence over Wilson's financial affairs was legally ended by Wilson's brother
Carl. Brian married
Melinda Ledbetter in 1995 and subsequently the couple adopted two girls, Daria and Delanie, and, in 2004, a son, Dylan. He has two daughters from his first marriage to
Marilyn Rovell,
Carnie Wilson and
Wendy Wilson, who would go on to musical success of their own in the early 1990s as two-thirds of
Wilson Phillips.
Also in 1995 he released two albums, albeit not containing any new original material, almost simultaneously. The first, the soundtrack to
Don Was' documentary
I Just Wasn't Made for These Times, consists of rerecorded versions of songs from his Beach Boys and solo catalogue produced by Was, along with a 1976-vintage demo recording. The second,
Orange Crate Art, saw Wilson as lead vocalist on an album of songs produced, arranged and (mostly) written by Van Dyke Parks, and was released as a duo album under both men's names.
His final release as part of the group was on the 1996 album
Stars and Stripes Vol. 1, a group collaboration with select country music artists singing the lead vocals. After considerable mental recovery, he mended his relationship with his daughters
Carnie and
Wendy and the three of them released an album in 1997 titled "The Wilsons."
Wilson released a second solo album of (mostly) new material,
Imagination, in 1998. Following this, he learned to cope with his
stage fright and started to play live for the first time in decades, going on to play the whole
Pet Sounds album live on his tours of the United States, United Kingdom and Europe. In 2004 Brian astounded the pop world by performing
SMiLE (his legendary unreleased
Beach Boys album abandoned in 1967) live, debuting at London's Royal Festival Hall, February 20th. The shows were immediately hailed as amongst the best live gigs ever.
A new studio album,
Gettin' in Over My Head, was released on
22 June,
2004. It featured collaborations with
Elton John,
Paul McCartney,
Eric Clapton, and his deceased brother
Carl Wilson. Eric Clapton played on the track "City Blues." The album was almost entirely composed of re-recordings of unreleased material, and was not very well received.
SMiLE resurrected
Hot on the heels of this new album, on
28 September 2004, a re-recorded version of his previously shelved
SMiLE album was released. The album had reached mythic proportions within Beach Boys fandom, and the 1966/1967 sessions had been heavily
bootlegged. The 2004 recording featured his touring band which consists of former Beach Boys guitarist
Jeff Foskett and members of
the Wondermints and others, including backup singer
Taylor Mills, and is a Brian Wilson solo album. Notably, the song "
Good Vibrations" featured
Tony Asher's original, temporary lyrics instead of the more familiar ones penned by Beach Boy
Mike Love from the 1966 single version of the song.
Ironically, Wilson, long known for using the human voice as an instrument (both his own, and also those of The Beach Boys), won his first Grammy award not for harmonics, but for best rock instrumental, the
SMiLE track "Mrs. O'Leary's Cow (Fire)." He released the award winning two-DVD "Smile" set, consisting of a documentary and a live presentation of the work. He toured the USA for the second half of 2005, as well as releasing a Christmas album for Arista Records, called
What I Really Want for Christmas. The release hit 200 on the Billboard chart, a rarity for a holiday offering, though its sales were meager. Wilson's remake of the classic "Deck The Halls" became a surprise Top 10 Adult Contemporary hit.
Though no longer a part of The Beach Boys touring band, Brian Wilson remains a member of the Beach Boys corporation, Brother Records Incorporated.
Tributes
Canadian rock group
Barenaked Ladies paid tribute to the Beach Boy in their hit song "
Brian Wilson," which makes reference to both his mental illness and Landy. In a weird twist, Brian Wilson actually covered this song for a live album.
John Cale had also paid tribute to Wilson in his song "Mr. Wilson", as did
Roland Orzabal in "Brian Wilson Said" from
Tears for Fears' 1993 album
Elemental. Long time fan
Elton John mentioned Wilson in his song, "Since God Invented Girls".
Jackie Deshannon not only had Brian sing with then wife
Marilyn Rovell on the song "Boat to Sail", she included a tribute to him in the lyrics "...Brian Wilson songs are never left behind...." French electronica duo
Daft Punk list Brian Wilson as an influence in their song "Teachers."
Recent events
Recently, Brian Wilson cameoed in
Duck Dodgers in the 24½th Century as Daffy Duck's spiritual surfing advisor. He also made a musical appearance on the 2005 holiday episode of
Extreme Makeover: Home Edition, performing "Deck the Halls" for a group of children with
xeroderma pigmentosum (hypersensitivity to sunlight) at
Walt Disney World, which specially opened at night for these children.
He is back on the road again performing both newer material from his solo career, as well as his classic albums 'Smile' and 'Pet Sounds' with his latter-day band.
On the U.S. Summer tour of 2005, Wilson debuted a brand new song called "Walking Down the Path of Life." The harmony laden, spiritual ode was also performed at several Hurricane Katrina benefits in the fall of 2005. The song, a medley with "Love and Mercy" by himself and band-members, has also been released as a charity CD-single for victims of the hurricane.
On
July 2,
2005 Wilson performed for the
Live 8 concert in
Berlin,
Germany.
For a brief time, Wilson organized a campaign in which he promised to telephone fans who pledged more than $100 to the Hurricane Katrina relief efforts. He also promised to match the donations himself. ("If we get $10,000 dollars, I'll give $10,000").
In 2005, former bandmate
Mike Love controversially sued Wilson over "shamelessly misappropriating... Love's songs, likeness, and the Beach Boys trademark, as well as the 'Smile' album itself" in the promotion of
SMiLE and an exclusive CD collection issued through a British magazine to promote the release. ([
1]) Wilson's representatives have responded on the official message board that the lawsuit is "meritless" and that Brian "will vigorously defend himself" in court.([
2])
Brian Wilson (July 1988) US #54
I Just Wasn't Made for These Times (August 1995) UK #59
Orange Crate Art (October 1995) (Brian Wilson and
Van Dyke Parks)
Imagination (June 1998) US #88; UK #30
Live at the Roxy Theatre (June 2000)
Pet Sounds Live (June 2002)
Gettin' in over My Head (June 2004) US #100; UK #53
Smile (September 2004) US #13; UK #7
What I Really Want for Christmas (October 2005) US #200
*
The Beach Boys*
List of Beach Boys songs by singer - Brian Wilson*
List of songs by Brian Wilson*
Theremin: An Electronic Odyssey*
Official site*
2004 Larry King Transcript where they speak about Wilson's mental illness*
Un-official fan site: "Cabinessence: web page for Brian Wilson"*
Extensive discography & timeline*
Dumb Angel Magazine: Brian Wilson, Beach Boys*
Smiley Smile Dot Net: Brian Wilson, Beach Boys, and SMiLE*
Salon review of The Pet Sounds Sessions (12 November 1997)*
"After the wipe out" by Ginny Dougary in The Guardian (1 June 2002)*
"Four Decades Later, Wilson's 'Smile' Hits London" Audio review at NPR (25 February 2004)