Constructed world
 |
A rendered conworld, as would be seen from space by an observer. |
A
constructed world (or
conworld) is a
fictional world, often created for a
novel,
video game, or
role-playing game, but sometimes for personal enjoyment or its own sake (see
geofiction). A constructed world typically has a number of
constructed cultures and
constructed languages associated with it. The practice of constructing worlds is also known as
world building or
conworlding.
Worlds are often developed only to the extent needed to complete a single work or series, but there may be considerable detail in a world designed for its own sake.
There are two generally accepted methods for world-building: top-down and bottom-up.
In the
top-down approach, the
designer first creates a general overview of the world, determining broad characteristics such as the inhabitants,
technology-level, major
geographic features,
climate, global
history, and other details of
strategic importance. Once this is complete, the details of the world are developed by gradually focusing on smaller and smaller details, such as
continents,
civilizations,
nations,
cities, and
towns.
A world constructed using this method is generally well-integrated and the individual components fit together in an appropriate manner. However it can require considerable work before enough detail is completed for the setting is useful at a
tactical level, such as for use in creating a story.
The alternative method is the
bottom-up approach where the designer begins with a focus on one small part of the world, possibly with a few elements, not necessarily consistent, needed for fictional purposes. This location is given considerable detail, adding in important facts about the local geography,
culture,
social structure,
government,
politics,
commerce, and
history. Many of the prominent locals are described, and their
interrelationships determined. The surrounding areas are then described in a lower level of detail, with the information growing more general and less detailed with increasing distance from the focus location. Later when the designer needs to use other parts of the world, the descriptions of these other locations are then enhanced.
The benefit of a bottom-up approach is the almost immediate applicability of the setting. The details pertinent to a story or situation are rapidly developed, and the information can be used without waiting for the remainder of the world to be detailed. The draw-back of this approach, however, is the world is designed in an unfocused manner and the setting can develop inconsistencies on a global scale.
An uninhabited world can be useful for certain purposes, but the large majority of constructed worlds are inhabited by one or more
intelligent species. The designer usually selects these creatures prior to the start of the world-building process, although less significant species can be merged in at a later stage of the development.
Map construction is usually begun in the early stages of world-building. The maps are used to determine the location of key
terrain features, and the significant
civilizations,
nations and
settlements. When a realistic world setting is a design goal, the
physical geography of the map is considered when determining
weather patterns and the location of weather-dependent features such as
deserts,
rivers,
swamps, and
forests. These in turn affect the growth and interaction of the various
societies, including the
trade routes, locations of important
cities, and places of likely .
Some designers use software programs that can create
random terrain using
fractal algorithms. Sophisticated programs can apply geologic effects such as
tectonic plate movement and the
erosion due to
climate and
water flow. The resulting world can be
rendered in great detail, providing a degree of realism to the result.
With a map under assembly, the various places are given names appropriate for their native society. Location names are often used to provide atmosphere to the world setting. When the civilization of an area is modeled after a human society, the
place names can be chosen to match the style of the language of the model society. In other cases, the place names may be developed using a
constructed language (perhaps a minimal one used only for devising names), or the names may be made up from scratch, hopefully with a consistent style that suggests they originated in a single language.
The use of past human civilizations as a model for societies in a constructed world is a commonly-employed method to aid in the construction of constructed-world societies. The audience for the constructed world can usually relate more readily to a well-known civilization than to a novel
culture. But this approach can become problematic when forming a society of non-human beings. Building a satisfying and self-consistent
alien culture is a distinct design challenge.
With the establishment of societies and nations in place, the interaction of these groups becomes an important factor in the history and development of the world. A history is constructed to explain the current circumstances of the various
nation-states, including the location of the borders and the various
alliances and
enmities. Conflicts are typically a key element of a story, and these provide a method for placing notable individuals within the setting.
Settlements are a significant component of most constructed worlds. Typically the description of a settlement includes the location,
rulers and
political organization,
population size and composition,
economic situation,
military defenses, and whether the settlement forms part of a greater political body, or exists as an independent state. Significantly more detail can be added to this description, and for many purposes a large settlement can even serve as an entire world unto itself, with only marginal attention paid by the developer to the outlying world.
At some point the designer must determine a place for the world in the wider context of the system in which it is located. If a realistic world-setting is intended, the designer can choose to develop detailed
astronomical parameters for the
orbit of the world, and to define the physical characteristics of the other bodies in the system. This will establish
chronological parameters, including the length of the day and the durations of the seasons. This can lead to cultural aspects of time-keeping, including names for sub-divisions of the
calendar and important
anniversaries.
Many of the above considerations also apply when creating a fictional country within our own world, as
Austin Tappan Wright did in his novel
Islandia.
Almost all constructed worlds will include one or more
maps intended to portray the
geography and
political boundaries of the setting, as well as the key features and
settlements. Most such maps will be drawn in a style suitable to their
genre, with fantasy maps being highly stylized while science fiction maps will often strive for realism. If the world setting is Earth-like, a realistic map will often take into account the effects of terrain on climate, as well as the results of erosion and
tectonic mountain-building.
Here are some common rules used in the building of fictional maps:
*
Mountain ranges are formed where
tectonic plate movement causes subduction, or where plates collide. These tend to be long structures with occasional valleys and passes. Older mountain ranges will be lower, rounder, and more eroded. Solitary mountains are more likely to be
volcanic in origin.
*
Rivers always descend downhill, and join with other bodies of water or eventually evaporate. They flow precipitously in mountainous areas, sometimes forming
canyons and
waterfalls, but tend to meander and build river valleys in lowlands. Rivers often join up, but almost never split, at least until very close to their
mouths. The region around a river is usually rich in life.
*
Swamps form where the ground is level and there is a large influx of water, such as at a river delta, that drains off slowly.
* A
forest will typically form in locations with higher levels of rainfall. Where the prevailing winds cross a mountainous rise, the forest will appear on the
windward side where moisture tends to be deposited. The far side will be dryer, and may become desertified.
*
Deserts form in locations where the climate conditions limit precipitation. They can occur inland where they are sheltered behind a mountain range, or in regions that receive little humidity due to the prevailing wind conditions. Deserts can occur at any latitude, including the
arctic conditions found in a
tundra.
* Human settlements will normally form in locations where there is a suitable economic need for a population center. This could be a port along a river or coast for trading; a location that is favorable for farming or resource gathering; or a commerce center along a land trade route. Less frequently settlements may form for particular cultural reasons, such as the proximity of a
religious site.
Early maps will often be sketched out by hand in a simple fashion, drawing in the oceans, mountains, and forests, and adding in the cities, national borders, and other features of interest. When greater detail is needed, more detailed maps are then created for specific locations. If professional results are needed, the maps can then be created by an
artist. There are also special software packages available that allow the creation of good quality maps.
Professional constructed worlds
Some examples of constructed worlds in professionally published works are
Middle-earth and
Ethshar.
J.R.R. Tolkien began with creating languages, then developed peoples (the various races of ) to speak them, and much later wrote novels set there. Tolkien regarded the invention of constructed worlds (which he called "sub-creation", in imitation of God's creation of the universe) as a near-religious act, part of the process he referred to as
mythopoeia.
Other examples of worlds developed for novels include the pseudo-Earth
Hyborian Age from the
Conan series;
Arrakis from the
Dune series;
Darkover, and the broken world of the
Wheel of Time series.
Lawrence Watt-Evans says that he created
Ethshar for use in role-playing games before he started writing novels based in it.
Steven Brust used
Dragaera for role-playing games before he wrote novels set there.
M. A. R. Barker originally designed
Tekumel well before the advent of role-playing games, but Tekumel was and is used for this purpose by many
gamers including Barker himself. Barker has also written novels based in Tekumel.
There are many more commercial
campaign settings that have been developed specifically for
role-playing games. One of the oldest fantasy settings is
Oerth for the
D&D Greyhawk setting.
Forgotten Realms is another D&D setting that was originally a
homebrew campaign world by
Ed Greenwood.
Harn is a highly-detailed, very internally consistent world with a medieval feel. An example of a
science fiction setting is
Blue Planet, a water-covered world with a detailed ecology.
An example of a fictional world whose inner workings are currently under construction in the public domain is
Globus Cassus.
Amateur constructed worlds
Some constructed worlds are built as a
hobby, such as the following examples:
*
Agyris*
Almea*
Andal*
The Caligoi*
Celandra*
Eshraval*
The Ferochromon*
Onwe (ONW)*
The Town and Hearth*
Urville*
Ytherra*
CC2 Worlds*
Conlang*
Fantasy world*
List of fictional universes*
Fictional universe*
Fictional city*
Fictional country*
Geofiction*
World Builder Projects - A list of links intended to facilitate world-building.
*
Fantasy Worldbuilding Questions*
World-building article in the ConlangWiki
*
On Creating an Earthlike Planet*
Conworlds Wiki - wiki dedicated to the conworlds creation
*
A 20 part article on amateur world building*
Jacmus Prime - An amateur fantasy world building community
*
"A Conlang With A Simulated History" - A detailed Conworld experiment.
