Drum kit
A
drum kit (or
drum set or
trap set) is mostly a collection of
drums,
cymbals and sometimes other
percussion instruments arranged for convenient playing by a
drummer, usually for
jazz,
rock, or other types of
contemporary music.
The drummer uses
drum sticks to strike the drum skin and to create a vibration. Drum sticks come in all different weights and sizes.
Early drum kits were known as
trap kits (short for
contraption) and are one of the most contemporary members of the
membranophone family. They usually consisted of a
bass drum, a
snare drum on a stand, a small
cymbal and other small
percussion instruments mounted on the bass drum or a small table, all played with
drum sticks or
brushes except for the bass drum. The bass drum was sometimes kicked to produce a sound, and is occasionally still called a
kick drum, though bass drums are now nearly always pedal-operated, and sometimes even played with two pedals to allow for greater speed.
Trap set survives in the term
trap case still given to a case used to transport stands, pedals, sticks, and miscellaneous percussion instruments.
The exact collection of components to a drum kit varies greatly according to musical style, personal preference, financial resources, and transportation options of the drummer. At a minimum a kit usually contains 4 basic "pieces":
bass drum sitting on the floor and played with a pedal, a
snare drum on a stand, one
tom-tom, mounted on top of the bass drum, and a floor tom (on the floor - hence the word "
floor tom"), a
hi-hat (sometimes known as a 'sock' cymbal) comprising two small cymbals played by means of pedal usually with the left foot for a right handed player. The set may also contain "crash" and "ride" cymbals.
Kit variations come along with different playing styles and levels of playing. Some drummers may add a second bass drum (played by whichever foot that controls the hi-hat), double bass pedals (a single unit setup employing two pedals hooked together and two beaters fixed up to a single bass drum, which is played with both feet), additional toms, auxillary drums, more cymbals,
tambourines,
wood blocks,
cowbells, electronic pads that trigger sampled sounds, or any of a whole galaxy of accessory instruments. Some drummers, such as
Billy Cobham,
Dave Lombardo,
Virgil Donati,
Neil Peart,
Terry Bozzio,
Keith Moon and
Mike Portnoy have gone to extreme lengths and built massive kits including features such as ranges of tuned tom-toms, allowing them to contribute melodically as well as rhythmically. These huge kits reached their zenith in the arena rock of the 1980s, and the trend since then has been towards a smaller instrument such as
John Bonham's five-piece set.
Electronic drums
The first electronic drums were used in the early 1970's (and recorded by
Carl Palmer of
Emerson, Lake and Palmer) with the development of the synthesiser, it was inevitable that the drums would eventually be incorporated into the electronic sound. During the early 1980's drummers such as
Bill Bruford of
King Crimson incorporated large electronic setups within their acoustic setups and in Bruford's case almost completely diminished the need for acoustic drums. These drums were primarily made by the now defunct Simmons company and later by
Tama of
Japan. Although many criticised the use of electronic drums; there is a wider level of acceptance now and indeed some drummers such as
Akira Jimbo and
Tony Verderosa incorporate electronics into their sets in an interesting and innovative way.
Yamaha, Roland and many others have created
electronic drum sets which use pads or triggers (mounted on acoustic drums) to play
sampled or
synthesized sounds (see
DTX). The trend in electronics since the late 1980s has been away from overtly electronic sounds and more towards an intensified acoustic sound.
Not only has the sound of electronic drums changed considerably towards a more naturalistic approach, indeed the 'feel' of electronic pads has also changed. With companies like
Roland and Pintech offering their popular 'Mesh' or 'V-drum' pads; designed to emulate the 'feel' of a real drum head. Yamaha offers rubber pads also designed to mimic the feel of 'real' drums. Originally, the feel of electronic pads was very hard and unforgiving and as a result many drummers suffered from wrist pains and other related injuries. On the plus side, these surfaces offered a high level of rebound, making it easier to play double stroke rolls up and down the toms. Some drummers looked down opon this, while others took advantage.
Rick Allen, drummer of hard rock band
Def Leppard, had a custom electronic drum kit made after a car accident in 1984 in which he lost his left arm. A later kit was made, one that played back the sound of the pre-recorded components of his acoustic drum kit whenever he struck each respective pad.
Omar Hakim (Sting, Bruce Springsteen, Maria Carey, Madonna, David Bowie, etc) was one of the first mainstream drummers to really take the electronic drums seriously. He toured to promote Roland's vDrum line of electronic drums for several years, and continues to promote them to this day.
Drum set notation
Notation of drum kit music once commonly employed the
bass clef, but a neutral staff of two parallel vertical lines is usually preferred now. Many different conventions exist for the notation of different elements of the kit on the
stave, and it is usual to label each instrument and technique mark the first time it is introduced, or to add an explanatory footnote, on any score to clarify this. Below is common convention. Most variations follow a similar style.
Drums
|
Bass drum: low A. Snare: E. Floor tom: C. Middle tom: high F. High tom: high G. |
Cymbals
|
Hi-hat with foot: low F with X. Hi-hat with stick, mallet, brush, or hand: high G with X. Ride cymbal: high A with X. Bell of ride: circle high-A X. Crash cymbal: high B with unfilled-in diamond. China cymbal and splash cymbal: high B with filled-in diamond. |
Other
Mounted triangle: leger-line high C with X. Maraca: high-B with "+" replacing notehead. Mounted tambourine: high-B with "x" through notehead.
Techniques
Rolls: diagonal lines across stem (or above whole note); a roll is played by leting the stick bounce on the skin before playing the next stroke. Open hi-hat: o above high-G X. Closed hi-hat: + above high-G X. Rim click: X in E snare space. Stick shot: diagonal slash through note head. Brush sweep: horizontal line (replacing note head) in E snare space with slur to show brush is not lifted.
Dynamic accents
|
Light: -- (tenuto). Medium: >. Heavy: ^ (marcato). |
Anti-accents
# significantly softer than surrounding notes: ( ) (note head in parentheses)# also known as "ghost notes" on the drum set.
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Drummania| Audio samples | | Component | Content | Audio (Ogg Vorbis) |
|---|
| Snare | Unmuffled snare drum | |
| Muffled snare drum | |
| Rim click on a snare | |
| Bass drum | Muffled bass drum | |
| Toms | 8-inch rack tom | |
| 12-inch rack tom | |
| Floor tom | |
| Hi-hat | Closed hi-hat | |
| Open hi-hat | |
| Hi-hat being opened and closed by its foot pedal | |
| Crash | Crash cymbal | |
| Ride | Hit normally | |
| Hit on the bell of the cymbal | |
| Hit on the rim | |
| Beat | A typical rock beat on hi-hat | |
| Typical rock beat on ride cymbal | |
| See the Drums category at Wikipedia Commons for more |
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