Engraving
Engraving is the practice of incising a design onto a hard, flat surface, by cutting grooves into it. The result may be a decorative object in itself, as when
silver or
gold are engraved, or may provide an
intaglio plate, when
copper is engraved, or a
relief print block when
wood is engraved.
|
An assortment of hand engraving tools |
Engravers use a hardened
steel tool called a
burin to cut the design into the surface, most traditionally a copper plate. Gravers come in a variety of shapes and sizes that yield different line types. The burin produces a unique and recognizable quality of line that is characterized by its steady, deliberate appearance and clean edges. The angle tint tool has a slightly curved tip that is commonly used in printmaking. Florentine liners are flat-bottomed tools with multiple lines incised into them, used to do fill work on larger areas. Flat gravers are used for doing fill work on letters, as well as most musical instrument engraving work. Round gravers are commonly used on silver to create bright cuts (also called
bright-cut engraving), as well as other hard-to-cut metals such as nickel and steel. Burins are either square or elongated diamond-shaped and used for cutting straight lines. Other tools such as mezzotint rockers, roulets and burnishers are used for texturing effects.
In
antiquity, the only engraving that could be carried out is evident in the shallow grooves found in some jewellery after the beginning of the 1st Millennium B.C. The majority of so-called engraved designs on ancient gold rings or other items were produced by
chasing or sometimes a combination of
lost-wax casting and chasing.
Before the advent of
photography, engraving used to reproduce other forms of
art, for example
paintings. Engravings continued to be common in newspapers and many books into the early
20th century, as they were long cheaper to mass reproduce than photo images. Engraving has also always been used as a method of original artistic expression.
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Sudarium of Saint Veronica by Claude Mellan (1649) |
Traditionally, engravers created darker areas by having thin lines intersect each other at high density.
Claude Mellan is well-known for his technique of using parallel lines of varying thickness. One notable example is his
Sudarium of Saint Veronica (1649), an engraving of the face of Jesus from a single spiralling line that starts at the tip Jesus's nose.
Because of the high level of microscopic detail that can be achieved by a master engraver,
counterfeiting of engraved designs is well-nigh impossible, and modern
banknotes are almost always engraved. Many classic
postage stamps were engraved, although the practice is now mostly confined to particular countries, and/or used when a more "elegant" design is desired and a limited color range is acceptable.
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An example of an ornately-engraved Conn tenor saxophone by Jason DuMars |
The modern discipline of hand engraving survives largely in a few specialized fields. The highest levels of the art are found on firearms and other metal weaponry, jewelry and musical instruments. In most of industrial uses like production of Intaglio plates for commercial applications hand engraving was replaced with milling using
CNC engraving/
milling machines.
*
William Blake (
1757 -
1827)
*
Abraham Bosse (
1604 -
1676)
*
Johan Frederik Clemens (
1749 -
1831)
*
Albrecht Dürer*
Maso Finiguerra (
1426-
1464)
*
Paul Gauguin*
Hendrick Goltzius (c.
1558-
1617)
*
Francisco Goya*
William Hogarth (
1697 â€"
1764)
*
Ken Hunt (Gun engraver)
*
Gerard de Jode*
Harry Kell (Gun engraver)
*
Lucas van Leyden*
Matthäus Merian (
1593 -
1650)
*
Paul Revere*
Jan Saenredam (
1565-
1607)
*
Bertil Schmüll*
Martin Schöngauer (c.
1450-
1491)
*
Czesław Słania*
Jack Sumner (Gun engraver)
*
Maerten de Vos (
1532-
1603)
*
Anthonie Wierix (
1552-
1624)
*
Hieronymus Wierix (
1553-
1619)
*
Claude Mellan (
1598-
1688)
*
Hristofor Zhefarovich (unknown-
1753)
* A. M. Hind (1923, repr. 1963).
History of Engraving and Etching. Dover.
* A. Gross (1970).
Etching, Engraving, and Intaglio Printing. * G. Duplessis (1989).
Wonders of Engraving.*
Laser engraving*
Drypoint*
Music engraving*
Photogravure*
Photoengraving*
Printmaking*
Relief engraving*
Resingrave*
Steel engraving*
Chalcography*
Sugar lift*
Line engraving
