Euripides
Euripides (
Greek: Ευριπίδης) (c. 480–406
BCE) was the last of the three great
tragedians of classical
Athens (the other two being
Aeschylus and
Sophocles).
Ancient scholars thought that Euripides had written ninety-two plays, four of which were probably actually written by
Critias; eighteen of them have survived complete. It is now widely believed that what was thought to be a nineteenth,
Rhesus, was probably not by Euripides. [
1] Fragments, some of them substantial, of most of the other plays also survive. More of his plays have survived than those of
Aeschylus and
Sophocles together, partly because of the chance preservation of a manuscript that was probably part of a complete collection of his works in alphabetical order.
Euripides is known primarily for having reshaped the formal structure of traditional
Attic tragedy by showing strong women characters and smart
slaves, and by satirizing many
heroes of
Greek mythology. His plays seem modern by comparison with those of his contemporaries, focusing on the inner lives and motives of his characters in a way previously unknown to Greek audiences.
According to legend, Euripides was born in
Salamís on
September 23 480 BCE, the day of the
Persian War's greatest naval battle. Other sources estimate that he was born as early as
485 BCE.
His father's name was either Mnesarchus or Mnesarchides and his mother's name Cleito, [
2] and evidence suggests that the family was wealthy and influential. It is recorded that he served as a cup-bearer for
Apollo's dancers, but he grew to question the religion he grew up with, exposed as he was to thinkers such as
Protagoras,
Socrates, and
Anaxagoras. Anaxagorus, for example, maintained that the
sun was not a golden chariot steered across the sky by some elusive
god, but rather a fiery mass of earth or stone.
He was married twice, to Choerile and
Melito, though sources disagree as to which woman he married first. [
3] [
4] He had three sons, and it is rumored that he also had a daughter who was killed after a
rabid dog attacked her. (Some say this was merely a joke made by
Aristophanes, a comic writer who often poked fun at Euripides.)
The record of Euripides' public life, other than his involvement in dramatic competitions, is almost non-existent. The only reliable story of note is one by
Aristotle about Euripides being involved in a dispute over a liturgy - a story which offers strong proof to Euripides being a wealthy man. It has been said that he travelled to
Syracuse,
Sicily; that he engaged in various public or political activities during his lifetime; and that he left
Athens at the invitation of king
Archelaus I of Macedon and stayed with him in
Macedonia after 408 BCE. According to
Pausanias, Euripides was buried in
Macedonia.
Euripides first competed in the
Dionysia, the famous Athenian dramatic festival, in 455 BCE, one year after the death of Aeschylus. He came in third, reportedly because he refused to cater to the fancies of the judges. It was not until 441 BCE that he won first prize, and over the course of his lifetime, Euripides claimed a mere four victories. He also won one posthumous victory.
He was a frequent target of Aristophanes' humor. He appears as a character in
The Acharnians,
Thesmophoriazusae, and most memorably in
The Frogs, where
Dionysus travels to
Hades to bring Euripides back from the dead. After a competition of poetry, the god opts to bring Aeschylus instead.
Euripides' final competition in Athens was in 408 BCE; there is a story that he left Athens embittered over his defeats. He accepted an invitation by the king of Macedon in 408 or 407 BCE, and once there he wrote
Archelaus in honour of his host. He is believed to have died there in winter 407/6 BC; ancient biographers have told many stories about his death, but the simple truth was that it was probably his first exposure to the harsh Macedonia winter which killed him. (Rutherford 1996).
The Bacchae was performed after his death in 405 BCE and won first prize.
When compared with Aeschylus, who won thirteen times, and Sophocles, with eighteen victories, Euripides was the least honored of the three — at least in his lifetime. Later in the 4th century BCE, the
dramas of Euripides became the most popular. His works influenced
New Comedy and
Roman drama, and were later idolized by the
French classicists; his influence on drama reaches modern times.
Euripides' greatest works include
Alcestis,
Medea,
Electra, and
The Bacchae. Also considered notable is
Cyclops, the only complete
satyr play currently in existence.
In June 2005, classicists at
Oxford University employed
infrared technology — previously used for
satellite imaging — to detect previously unknown material by Euripides in fragments of the
Oxyrhynchus papyri, [
5] a collection of ancient manuscripts held by the university. [
6]
Tragedies of Euripides
#
Alcestis (438 BCE, second prize)#
Medea (431 BCE, third prize)#
Heracleidae (c. 430 BCE)#
Hippolytus (428 BCE, first prize)#
Andromache (c. 425 BCE)#
Hecuba (c. 424 BCE)#
The Suppliants (c. 423 BCE)#
Electra (c. 420 BCE)#
Heracles (c. 416 BCE)#
Trojan Women (415 BCE, second prize)#
Iphigeneia in Tauris (c. 414 BCE)#
Ion (c. 414 BCE)#
Helen (412 BCE)#
Phoenician Women (c. 410 BCE)#
Orestes (408 BCE)#
Bacchae and
Iphigeneia at Aulis (405 BCE, posthumous, first prize)
Fragmentary tragedies of Euripides
|
A fragment of a lost Euripides play. |
The following plays have come down to us today only in fragmentary form; some consist of only a handful of lines, but with some the fragments are extensive enough to allow tentative reconstruction: see
Euripides: Selected Fragmentary Plays (Aris and Phillips 1995) ed. C. Collard, M.J. Cropp and K.H. Lee.
#
Telephus (438 BCE)#
Cretans (c. 435 BCE)#
Stheneboea (before 429 BCE)#
Bellerophon (c. 430 BCE)#
Cresphontes (ca. 425 BCE)#
Erechtheus (422 BCE)#
Phaethon (c. 420 BCE)#
Wise Melanippe (c. 420 BCE)#
Alexandros (415 BCE)#
Palamedes (415 BCE)#
Sisyphus (415 BCE)#
Captive Melanippe (412 BCE)#
Andromeda (c. 410 BCE)#
Antiope (c. 410 BCE)#
Archelaus (c. 410 BCE)#
Hypsipyle (c. 410 BCE)#
Oedipus (c. 410 BCE)#
Philoctetes (c. 410 BCE)
Satyr play
#
Cyclops (408)
Spurious plays
#
Rhesus (mid 4th century BCE, probably not by Euripides, as maintained today by most scholars)
*Croally, N.T.
Euripidean Polemic: The Trojan Women and the Function of Tragedy. Cambridge University Press, 1994.
*Ippolito, P.
La vita di Euripide. N�poles: Dipartimento di Filologia Classica dell'Universit'a degli Studi di Napoli Federico II, 1999.
*Kovacs, D.
Euripidea. Leiden: Brill, 1994.
*
Lefkowitz, M.R. The Lives of the Greek Poets. London: Duckworth, 1981.
*Rutherford, Richard.
Euripides: Medea and other plays. Penguin, 1996.
*Scullion, S.
Euripides and Macedon, or the silence of the Frogs. The Classical Quarterly, Oxford, v. 53, n. 2, p. 389-400, 2003.
*Sommerstein, Alan H.
Greek Drama and Dramatists, Routledge, 2002.
*Webster, T.B.L.,
The Tragedies of Euripides, Methuen, 1967.
*
Free ebook of Euripides at
Project Gutenberg*
Encarta's entry for Euripides*
Euripides-related materials at the Perseus Digital Library*
Useful summaries of Euripides' life, works, and other relevant topics of interest at TheatreHistory.com.*http://www.fordham.edu/halsall/ancient/eb11-euripides.html
*http://www.ac-strasbourg.fr/pedago/lettres/Victor%20Hugo/Notes/Euripide.htm
*http://www.perseus.tufts.edu/~amahoney/tragedy_dates.html
*
http://www.gpc.edu/~shale/humanities/literature/world_literature/euripides.html*
http://www.imagi-nation.com/moonstruck/clsc4.htm*
IMDBs List of movies based on Euripides plays*
Tragedy on screen