Fujin
For the Mortal Kombat character, see Fujin (Mortal Kombat). |
The Japanese wind god Fujin, 17th century. |
Fujin is the
Japanese god of the
wind and one of the eldest
Shinto gods. He was present at the creation of the world and when he first let the winds out of his bag, they cleared the morning mists and filled the space between heaven and earth so the sun shone.
He is portrayed as a terrifying dark
demon wearing a
leopard skin, carrying a large bag of winds on his shoulders.
A legend of Chinese
Buddhism states that Fujin and
Raijin, the god of thunder, were both originally evil demons who opposed Buddha. They were captured in battle with Buddha's army of heaven, and have worked as gods since then.
[[Image:WindGods.JPG|thumb|401px|Iconographical evolution of the Wind God.
Left: Greek Wind God ({{Greco-Buddhist art}} of {{Gandhara}}), {{Hadda}}, 2nd century.
Middle: Wind God from {{Kizil}}, {{Tarim Basin}}, 7th century.
Right: Japanese Wind God {{Fujin}}, 17th century.]]The iconography of Fujin seems to have its origin in the cultural exchanges along the
Silk Road. Starting with the
Hellenistic period when Greek occupied parts of
Central Asia and
India, the
Greek wind god
Boreas became the god
Wardo in
Greco-Buddhist art, then a wind deity in China (frescoes of the
Tarim Basin, and finally the Japanese Wind God Fujin .
The Wind God kept its symbol, the windbag, and its dishevelled appearance throughout this evolution.
The name "Fujin" has appeared as characters in several video games and anime, including
Mortal Kombat,
Kenyu Densetsu Yaiba, and
Final Fantasy VIII. He (or she) is always associated with the
element of wind, and have ties to the god of thunder (at least in name) in their respective incarnations. In
Naruto there are the Legendary Stupid Brothers and one of them is named Fuujin.
# "The Japanese wind god images do not belong to a separate tradition apart from that of their Western counter-parts but share the same origins. (...) One of the characteristics of these Far Eastern wind god images is the wind bag held by this god with both hands, the origin of which can be traced back to the shawl or mantle worn by
Boreas/ Oado." (Katsumi Tanabe, "Alexander the Great, East-West cultural contacts from Greece to Japan", p21)
*{{cite book
last = Boardman | first = John | authorlink = | coauthors = | title = The Diffusion of Classical Art in Antiquity | year = 1994 | publisher = Princeton University Press | location = Princeton, NJ | id = ISBN 0691036802 *{{cite book | last = Tokyo Kokuritsu Hakubutsukan; Hyogo Kenritsu Bijutsukan | first = | authorlink = | coauthors = | title = Alexander the Great : East-West cultural contacts from Greece to Japan | year = 2003 | publisher = Tokyo Kokuritsu Hakubutsukan | location = Tokyo | id = OCLC 53886263 * {{cite book | last = Bopearachchi | first = Osmund | authorlink = Bopearachchi | coauthors = | title = De l'Indus à l'Oxus, Archéologie de l'Asie Centrale | year = 2003 | publisher = Association imago-musée de Lattes | location = Lattes | language = French | id = ISBN 2951667922 *{{cite book | last = Errington | first = Elizabeth | authorlink = | coauthors = Joe Cribb; Maggie Claringbull; Ancient India and Iran Trust; Fitzwilliam Museum | title = The Crossroads of Asia : transformation in image and symbol in the art of ancient Afghanistan and Pakistan | year = 1992 | publisher = Ancient India and Iran Trust | location = Cambridge | id = ISBN 0951839918
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