Johnny Burnette
Johnny Burnette was a
Rockabilly pioneer in
Memphis,
Tennessee and with his older brother
Dorsey Burnette and a friend named
Paul Burlison was one of the founder members of
The Rock and Roll Trio.
John (Johnny) Joseph Burnette was born on
March 25,
1934 to Willie May and Dorsey Burnett Sr. in Memphis, Tennessee. The ‘e' at the end of the name was added later. He grew up with his parents and his older brother, Dorsey, in a public housing project in the Lauderdale Courts area of Memphis, which from
1948 until
1954, was also the home of Gladys and Vernon Presley and their son, Elvis.
Early press reports dating from
1956, claimed that Johnny attended Humes High School with
Elvis Presley, which was not true. Johnny went initially to the Blessed Sacrament Parochial School and after graduating from the eighth grade he moved on to the Catholic High School in Memphis. Here he showed an aptitude for sports, being on the school baseball team and playing as linebacker on the school's football team. In one famous incident, he was knocked out in a tackle by future singer Red West. Both he and Dorsey were also keen amateur boxers and were to become
Golden Gloves Champions. After leaving high school, Johnny tried his hand at becoming a professional boxer, but after one fight with a sixty dollar purse and a broken nose or an encounter with Norris Ray, a top paycheck of $150 and a broken nose, he decided to quit the ring. He went to work on the barges traversing the
Mississippi River, where
Dorsey Burnette also worked. Johnny worked mainly as a deck hand while Dorsey worked as an oiler.
Both of the brothers worked separately, but they would take their guitars on board and write songs during their spare time. After work they would go back to Memphis, where they would perform those and other songs at local bars, with a varying array of sidemen, including another former
Golden Gloves champion named Paul Burlison, whom Dorsey had met at an amateur boxing tournament in Memphis in
1949. In
1952 or
1953 they formed a group, which may have been called The Rhythm Rangers at the time. Johnny Burnette sang the vocals and played acoustic guitar, Dorsey played bass and Paul Burlison played lead guitar. For economic reasons, in
1956, the three young men moved to
New York, where they managed to get an audition with the
Ted Mack Original Amateur Hour. They won the competition three times in a row, which gained them a place in the finals, a recording contract with
Coral Records and they officially became
The Rock and Roll Trio. They also gained a manager, band leader
Henry Jerome, a drummer, Tony Austin, who was a cousin of
Carl Perkins.
Promotional appearances were arranged on
Dick Clark's
American Bandstand,
Steve Allen's
Tonight Show and
Perry Como's
Kraft Music Hall, together with a summer tour with
Carl Perkins and
Gene Vincent. On
September 9 1956, they appeared as finalists in the
Ted Mack Original Amateur Hour at
Madison Square Garden. Despite all of this activity, however, the three singles, which were released over this period failed to make the national charts.
In order to cover their living expenses, the Trio was forced to go on the road, completing what seemed to be an endless stream of one night stands. This exhausting regime led to squabbles, which were exacerbated in Dorsey's case by Jerome's use of the name
Johnny Burnette and the Rock and Roll Trio on records and live dates. Things finally came to a head at a gig in
Niagara Falls in the fall of
1956, when, as a result of a fight, Dorsey quit the group a week before they were to appear in
Alan Freed's film
Rock, Rock, Rock.
Johnny Black, the brother of Elvis's bassist
Bill Black, was rapidly recruited to fill Dorsey's place. Despite the film appearance and three more single releases and one
LP release, the group failed to achieve any chart success.
The Rock and Roll Trio officially disbanded in the fall of
1957.
Now unemployed in Memphis, Johnny also decided to try his luck in
California. He and a friend, Joe Campbell hitched down to the West Coast. Here they joined Dorsey and with their past differences forgotten, the brothers attempted to resurrect The Rock and Roll Trio, by sending for Paul Burlison. He joined them briefly, but decided to return to Memphis and concentrate on his electrical business. Dorsey and Johnny continued with their song writing activities, but Dorsey continued with his day job as an electrician to pay the family expenses.
The Burnette's brashness got them their first success in the music business in California. On arriving in
Los Angeles, Joe Campbell bought a copy of "A Map ToThe Stars" which showed the location of the then
teen idol Ricky Nelson's home. In an effort to get their songs to him, the Burnettes and Campbell decided to sit on the steps of the star's home until they could get a meeting with him. This persistence worked and Ricky was sufficiently impressed with their work, that he wound up recording many of their songs including,
Believe What You Say You Say,
It's Late and
Waitin' In School amongst others. Other
Imperial Records artists, such as
Roy Brown, benefited from their songwriting abilities. He successfully covered the brothers'
Hip Shakin' Baby and this led to them signing a recording contract with Imperial Records as a duo.
As the Burnette Brothers, they were to have one single release on the Imperial label,
Warm Love/My Honey (Imperial X5509), which was released on
May 5,
1958. It did not make the charts. After this failure, they continued to co-operate as songwriters, but they began to follow separate careers as performing artists. In
1961, however, Johnny and Dorsey had two instrumentals releases on the small Infinity and Gothic labels. The first single was
Green Grass Of Texas/Bloody River (Infinity INX-001), which was released on
February 20,
1961. The second single was
Rockin' Johnny Home/Ole Reb (Gothic GOX-001), which was released on
May 29 1961. Both of these records were under the name of The Texans. A further instrumental,
Lonely Island/Green Hills (Liberty 55460) under the name of The Shamrocks was to appear on
Liberty Records on
June 6,
1962.
Green Grass Of Texas/Bloody River was to be re-released in February
1965 on the Vee Jay label (VJ 658), again under the name of The Texans.
Whilst Dorsey was also contracted to Imperial as a solo artist, in the fall of
1958, Johnny obtained a recording contract as a solo artist with Freedom Records, which was an off-shoot of Liberty Records. He had three single releases on this label. The first single,
Kiss Me/I'm Restless (44001), was released on
September 11 1958. This was followed by
Gumbo/Me And The Bear (44011), which was released on
March 6 1959 and finally
Sweet Baby Doll/I'll Never Love Again (44017), which was released on
June 24 1959. None of these records were hits and of the six songs,
Sweet Baby Doll was the only one not penned by Johnny. Some sources have suggested that
Eddie Cochran may have been playing on
Gumbo but this has not established beyond doubt.
In mid-1959, the Freedom Label was shut down and Johnny moved to the main Liberty Label under the direction of producer
Snuff Garrett. Since Liberty had more promotional machinery than Freedom, Johnny's Liberty singles stood a greater chance of succeeding. His first Liberty single,
Settin' The Woods On Fire/Kentucky Waltz (Liberty F-55222), was released on
November 10 1959 and his second Liberty single
Patrick Henry/Don't Do It (Liberty F-55243), was released on
March 4 1960. Both singles sold well regionally but failed to become national hits. His third single,
Dreamin'/Cincinnati Fireball (Liberty F-55285), however, which was released on
May 4 1960, made him famous to millions, who had never heard of The Rock and Roll Trio. It reached #11 on the
Billboard Hot 100 and it reached #5 in
Britain. Unlike his older Coral recordings,
Dreamin' was overlaid with an orchestral backing.
His fourth Liberty single
You're Sixteen/I Beg Your Pardon (Liberty F-55298), which was released on
October 5 1960, did even better reaching #8 on the Hot 100 and #3 in Britain and earned him a gold record. Johnny went quickly back into the studio and under
Snuff Garrett's direction recorded
Little Boy Sad. This was released on
January 3 1961, backed with
(I Go) Down To The River (Liberty F-55298). Shortly after its release, however, Johnny was hospitalized with a ruptured appendix, which was to keep him bedridden for several weeks. He was unable to undertake many personal appearances to promote the new record and it only reached #17 on the Billboard Hot 100 and #12 in Britain. Frustrated by this prolonged inactivity he tried to return to work too early and he promptly collapsed. This meant that his fifth Liberty single
Big Big World/ Ballad Of The One Eyed Jacks (Liberty F-55318), which was released on
March 30 1961, received no promotion at all, and struggled to reach #58 on the Hot 100.
His sixth Liberty single,
I've Got A Lot Of Things To Do/Girls (Liberty F-55345), which was released
June 14 1961, was handled differently from his previous records. In Britain, the up-beat side,
Girls was promoted as the topside and it reached either #23 or #37 (depending upon the source) in the British charts in September
1961. In the US it was flipped over with
I've Got A Lot Of Things to Do as the topside, but despite heavy promotion, it failed to make the mark, peaking just outside the Hot 100 at #109.
After recovering from his illness, Johnny returned to the road with a triumphant tour of the Northern cities, culminating in a season at the
Brooklyn Paramount Theatre, after which he undertook a highly successful tour of
Australia with
Connie Francis. Back in the limelight, his next release was scheduled to be a
Carl Perkins' song
Fools Like Me/Honestly I Do (Liberty 55377) but this was cancelled in favour of
God, Country and My Baby/Honestly I Do (Liberty 55379), which was released on
September 27 1961. The patriotism of the song clicked predominantly with American record buyers and it reached #18 on the Hot 100. It was to be Johnny Burnette's last major American hit.
In
1962, Johnny toured Britain for the first time with
Gary U.S. Bonds and
Gene McDaniels, where he made an appearance on the
New Musical Express Poll Winners' Concert and several TV appearances. His next single
Clown Shoes/The Way I am (Liberty 55416) was released on
January 26 1962, but it failed to make the US Hot 100 petering out at #113. It was more successful in Britain, possibly because of the tour, where it reached #35. The song
Clown Shoes was written by a Texan named James Marcus Smith, who was to find fame in Britain as
P. J. Proby.
Johnny was to have two more single releases on Liberty Records. These were
The Fool Of The Year/The Poorest Boy In Town (Liberty 55448), which was released on
April 13 1962 and
Damn The Defiant/Lonesome Waters (Liberty 55489), which was released on
July 30 1962. Neither of these singles was a hit, but
Damn The Defiant, which was a
Johnny Horton-style naval saga, was Johnny Burnette's first self-penned A-side for Liberty as well as his last single for the label. It was probably inspired by the
1962 movie
HMS Defiant, or Damn The Defiant as it was known in USA, which starred
Alec Guinness and
Dirk Bogarde.
Johnny moved to
Chancellor Records, which had had success with
teen idols like
Fabian and
Frankie Avalon. He had three single released during
1962, namely
I Wanna Thank Your Folks/The Giant (Chancellor C-1116),
Tag Along/Party Girl (Chancellor C-1123) and
Remember Me (I'm The One Who Loves You)/Time is Not Enough (Chancellor C-1129) but none of these singles were hits. Johnny moved on, briefly joining Dorsey on
Reprise Records for one single
Hey Sue/It Don't Take Much (20153) before signing a one year contract with
Capitol Records in the summer of
1963.
Johnny's first recording session was held on
July 23 1963 at the Capitol Tower with Jim Economides and Jimmie Haskell overseeing the proceedings. A number of tracks were recorded, namely,
It Isn't There, Wish It Were Saturday Night, I'll Give You Three Guesses, All Week Long and Congratulations You've Hurt Me Again. Of these
It Isn't There/Wish It Were Saturday Night (Capitol 5023) were issued on
August 19 1963 as his first American single. In Britain, the flipside was changed to
All Week Long, but neither single made the charts. On
December 13 1963, a second session was held, with the same two men in charge. Four more songs were recorded of which
The Opposite/You Taught Me the Way To Love You (Capitol 5114) was selected for single release on
January 20 1964. Again it failed to find chart success. A third session was held on
February 14 1964, which produced four songs,
Aunt Marie, Two Feet In Front of Me, If I Were An Artist and And Her Name Is Scarlett. None of these songs, however, were deemed fit for release and remained in-the-can for thirty years. A fourth session was held on
March 16 1964, which was overseen by
David Gates, who was later to find fame with
Bread. This session produced
Sweet Suzie, I Think She Knows and
It All Depends On Linda, which was written by
Bobby Bare. Of these songs,
Sweet Suzie backed with
Walkin' Talkin' Doll, which had been held back from the December
1963 session, were released as Capitol single (Capitol 5176) on
April 5 1964. This single again failed to make the charts.
When his Capitol contract ran out, Johnny decided to take charge of his own affairs on his own terms. He formed his own label Sahara and in July
1964 released the single
Fountain of Love/What A Summer Day (Sahara 512). When he was informed that the name Sahara had already been taken, he renamed the label Magic Lamp and a different single
Bigger Man/Less Than A Heartbeat (Magic Lamp 515) was quickly released. Before anyone could gauge the chances of
Bigger Man, tragedy struck. After dark on
August 14 1964, Johnny's tiny unlit fishing boat was struck by an unaware cabin cruiser on
Clear Lake,
California. The impact threw him off the boat and he drowned. When he was given the news, a distraught Dorsey Burnette called Paul Burlison, who immediately flew out to comfort him and attend Johnny's funeral. The two men were to keep in constant touch until Dorsey's death of a heart attack in
1979. Johnny Burnette was interred in
Forest Lawn Memorial Park Cemetery in
Glendale, California.
Johnny Burnette's name and song writing abilities gained prominence again when
Ringo Starr released a cover of "You're Sixteen" in
1973 and his pioneering contribution to the genre has been recognized by the
Rockabilly Hall of Fame. One of his songs, "
Train Kept A-Rollin'" by
Tiny Bradshaw, would later be recorded by
The Yardbirds and
Aerosmith.
* The Official Johnny Burnette Home Page- Inside the Johnny Burnette Story by Hank Zevallos â€" For general background information, school history, school athletics and Red West incident, encounter with Norris Ray, $150 purse and broken nose http://www.burnette-rock.com/JohnnyBurnette.htm
* Johnny Burnette's Rock 'n' Roll Trio â€" For general background information, http://www.history-of-rock.com/burnettes.htm
* RCS Artist Discography â€" Burnette, Johnny â€" For single releases 1954 to 1964, Infinity, Gothic and Vee Jay releases as The Texans, Liberty release as The Shamrocks http://rcs.law.emory.edu/rcs/artists/b/burn4200.htm
* The Johnny & Dorsey Burnette Discography website by Gilles Vignal and Marc Alesina â€" For recording session details, including demo sessions 1954 to 1964, http://www.burnettebrothers.user.fr
* Survey of American Popular Music by Frank Hoffmann â€" Dorsey and Johnny Burnette â€" For General Background information,http://www.shsu.edu/~lis_fwh/book/classic_rock_n_roll/support/Burnette2.htm
* Rock Billy Boogie/Johnny Burnette Trio by Colin Escott (Sleeve Notes to Bear Family CD BCD 15474/AH) â€" For general background details including original spelling of Burnette name, Dorsey Sr.'s 1939 purchase of Gene Autry guitars, boxing and 1949 meeting with Paul Burlison.
* Johnny and Dorsey/The Burnette Brothers by Adam Komorowski (Sleeve Notes to Rockstar CD RSRCD 005) â€" For early Freedom singles and possibility of Eddie Cochran's presence on Gumbo,
* "That's The Way I Feel /The Complete Capitol Recordings â€" Johnny Burnette by Adam Komorowski (Sleeve Notes to Rockstar CD RSRCD 006) â€" For details of Infinity, Gothic and Vee Jay singles, Reprise single, Capitol sessions and releases, Sahara and Magic Lamp releases, death and Dorsey's reunion with Paul Burlison
* You're Sixteen/The Best of Johnny Burnette by Dawn Eden (Sleeve Notes to Liberty CD 82-99997) â€" For broken nose and sixty dollar boxing purse, details of first meeting at the home of Ricky Nelson, details of Liberty releases, Hot 100/UK Chart positions, UK/US switch of sides I've Got A Lot Of Things To Do/Girls, reference to P. J. Proby, Capitol, Sahara and Magic Lamp releases
* Dreamin'/Johnny Burnette â€" Johnny Burnette by N E Fulcanwright (Sleeve Notes to Beat Goes On CD BGOCD329) â€" For Johnny's ruptured appendix in 1961 and its consequences, Liberty release, Hot 100/UK Chart positions, UK/US switch of sides I've Got A Lot Of Things To Do/Girls, US tour and Australian tour with Connie Francis, UK 1962 Tour, reference to P. J. Proby,
* http://www.geocities.com/shakin_stacks/johnnyburnette.txt
* http://www.rockabilly.net/articles/burnette.shtml
* http://www.rockabilly.nl/artists/jburnette.htm
*
Johnny Burnette Article - by Dr. Frank Hoffmann