Karl Friedrich Abel
Karl Friedrich Abel (
December 22,
1723 –
June 20 1787) was a
German composer of the
Classical era. He was a fine player on the
viola da gamba, and composed important music for that instrument.
Abel was born in
Köthen, the son of the principal viola da gamba player in the court orchestra of
Johann Sebastian Bach. There is no proof that he studied at the
Leipzig Thomasschule, but it was on Bach's recommendation that in
1748 he was able to join
Johann Adolph Hasse's court orchestra at
Dresden where remained for 10 years. In
1759 he went to
England, and became chamber-musician to Queen
Charlotte. He gave a concert of his own compositions in London, performing on various instruments, one of which, the pentachord, was newly invented.
In
1762,
Johann Christian Bach, the eleventh son of
Johann Sebastian Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts ever. In those concerts, many famous guest artists appeared, and the works of
Haydn received their first English performance.
For ten years the concerts were organized by Mrs. Teresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle house
Soho Square, then the height of fashionable events. In
1775 the concerts became independent of her, to be continued by Abel unsuccessfully until a year after Bach's death in
1782. After the failure of his concert undertakings Abel still remained in great request as a player on various instruments new and old, but he took to drink and thereby hastened his death, which occurred in
London.
One of the most widely known works of Abel became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of
Wolfgang Amadeus Mozart, was categorized as his
Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by
Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozartwhile he was visiting London in
1764. That symphony was originally published as the concluding work in Abel's
Six Symphonies, Op. 7. Abel was a man of striking presence, of whom several fine portraits, including two by his friend
Thomas Gainsborough, exist.
