Petrarch
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From the Cycle of Famous Men and Women. c. 1450. Detached fresco. 247 x 153 cm. Galleria degli Uffizi, Florence, Italy. Artist: Andrea di Bartolo di Bargilla (c. 1423 - 1457). |
Francesco Petrarca or
Petrarch (
July 20,
1304 –
July 19,
1374) was an
Italian scholar,
poet, and early
humanist. Petrarch and
Dante are considered the fathers of the
Renaissance.
Petrarch was born in
Arezzo the son of a notary, and spent his early childhood in the village of
Incisa, near
Florence. His father, Ser Petracco, had been exiled from Florence in
1302 (along with
Dante) by the
Black Guelphs. Petrarch spent much of his early life at
Avignon and nearby
Carpentras, where his family moved to follow
Pope Clement V who moved there in
1309 to begin the
Avignon Papacy. He studied at
Montpelier (1316â€"20) and
Bologna (1320â€"26), where his father insisted he study the law. However, Petrarch was primarily interested in writing and Latin literature.
When his father died in
1323, Petrarch returned to
Avignon, where he worked in numerous different clerical offices. This work gave him much time to devote to his writing. With his first large scale work,
Africa, an epic in Latin about the great Roman general
Scipio Africanus, Petrarch emerged as a European celebrity. In
1341 he was crowned
poet laureate in
Rome, the first man since antiquity to be given this honor. He traveled widely in Europe and served as an ambassador. He was a prolific letter writer, and counted
Giovanni Boccaccio among his notable friends. During his travels, he collected crumbling Latin manuscripts and was a prime mover in the recovery of knowledge from writers of Rome and Greece. Among other accomplishments, he commissioned the first Latin translation of Homer, and in 1345 he personally discovered a collection of Cicero's letters not previously known to have existed, the collection 'ad Atticum'. He remarked, "Each famous author of antiquity whom I recover places a new offence and another cause of dishonor to the charge of earlier generations, who, not satisfied with their own disgraceful barrenness, permitted the fruit of other minds, and the writings that their ancestors had produced by toil and application, to perish through insufferable neglect. Although they had nothing of their own to hand down to those who were to come after, they robbed posterity of its ancestral heritage." Disdaining what he believed to be the ignorance of the era in which he lived, Petrarch is credited with creating the concept of the Dark Ages which was later adopted, and greatly embellished, by subsequent writers.
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Statue outside the Uffizi, Florence |
On
April 26,
1336 Petrarch claimed to have climbed, together with his brother and two servants, to the top of
Mont Ventoux (1,909 m; 6,263 ft). He wrote a fictitious account of the trip, composed considerably later as a letter to his friend
Francesco Dionigi. While this letter was an autobiographic reflection on his own life, later it has been falsely regarded as a report of an alpinistic expedition that actually existed. Therefore, April 26th, 1336 is regarded as the "birthday of
alpinism", and Petrarch (
Petrarca alpinista) as the "father of alpinism".
The latter part of his life he spent in journeying through northern Italy as an international scholar and poet-diplomat. Petrarch's career in the Church did not allow him to marry, but he did father two children by a woman or women unknown to posterity. A son, Giovanni, was born in Avignon in
1337 and a daughter, Francesca, was born in Vaucluse in
1343. Giovanni died of the
plague in
1361. Francesca married
Francescuolo da Brossano (who was later named executor of Petrarch's testament). In 1362, shortly after the birth of a daughter, Eletta, they joined Petrarch in
Venice, to flee the plague then ravaging parts of Europe. A second grandchild, Francesco, was born in 1366, but died before his second birthday.
Petrarch settled about 1367 in
Padua, where he passed his remaining years in religious contemplation. He died in
ArquĂ in the
Euganean Hills on
July 19, 1374. He bequeathed his notable library of manuscripts to the city of Venice, where they form part of the nucleus of the
Biblioteca Marciana.
In
1327, the sight of a woman called
Laura in the church of Sainte-Claire d'Avignon awoke in him a lasting passion, celebrated in the
Rime sparse ("Scattered rhymes"). Later Renaissance poets who copied Petrarch's style named this collection of 366 poems the
Canzoniere ("Song Book"). She may have been
Laura de Noves, the wife of
Hugues de Sade and an ancestor of the
Marquis de Sade. While it is possible she was an idealized or pseudonymous character - particularly since the name "Laura" has a linguistic connection to the poetic "laurels" Petrarch coveted - Petrarch himself always denied it. Her realistic presentation in his poems contrasts with the clichés of
troubadours and
courtly love. Her presence causes him unspeakable joy, but his unrequited love creates unendurable desires. There is little definite information in Petrarch's work concerning Laura, except that she is lovely to look at, fair-haired, with a modest, dignified bearing.
Laura and Petrarch had little or no personal contact. According to his "Secretum", she refused him for the very proper reason that she was already married to another man. He channeled his feelings into love poems that were exclamatory rather than persuasive, and wrote prose that showed his contempt for men who pursue women. Upon her death in
1348, the poet finds that his grief is as difficult to live with as was his former despair. Later in his "Letter to Posterity," Petrarch wrote: "In my younger days I struggled constantly with an overwhelming but pure love affair - my only one, and I would have struggled with it longer had not premature death, bitter but salutary for me, extinguished the cooling flames. I certainly wish I could say that I have always been entirely free from desires of the flesh, but I would be lying if I did."
Petrarch polished and perfected the hitherto unknown sonnet form for his poems to Laura, and the
Petrarchan sonnet still bears his name. Romantic composer
Franz Liszt set three of Petrarch's Sonnets (47, 104, and 123) to music for voice,
Tre sonetti del Petrarca, which he later would transcribe for solo piano for inclusion in the suite
Années de Pélerinage.
Petrarch is best known for his Italian poetry: notably the
Canzoniere and the
Trionfi ("Triumphs"). However, Petrarch was an enthusiastic Latin scholar and did most of his writing in this language. His Latin writings are quite varied and include scholarly works, introspective essays, letters, and more poetry. Among them are
Secretum ("My Secret Book"), an intensely personal guilt-ridden imaginary dialogue with
St. Augustine;
De Viris Illustribus ("On Famous Men"), a series of moral biographies;
Rerum Memorandarum Libri, an incomplete treatise on the
cardinal virtues;
De Otio Religiosorum ("On Religious Leisure") and
De Vita Solitaria ("On the Solitary Life"), which praise the contemplative life;
De Remediis Utriusque Fortunae ("Remedies for Fortune"), a self-help book which remained popular for hundreds of years;
Itinerarium ("Petrarch's Guide to the Holy Land"), a distant ancestor of Fodors and Lonely Planet; a number of invectives against opponents such as doctors, scholastics, and the French; the
Carmen Bucolicum, a collection of twelve pastoral poems; and the unfinished epic
Africa. Petrarch also published many volumes of his letters, including a few written to his long-dead friends from history like
Cicero and Virgil. Unfortunately most of his Latin writings are difficult to find today. It is difficult to assign any precise dates to his writings because he tended to revise them throughout his life.
"The Voyage"::My galley cargoed with oblivion:Dares bitter seas in winter's midnight dark:Past
Schylla and
Charybdis. In the bark:My lord who is my enemy steers on.::Each rebel hand at ready oars defies:Death and a risen tempest, till the sail:Is shredded by a great, eternal gale:Of mad desire, of hope, of heavy sighs.::A rain of tears, a fog thick with disdain:Soak and slow down the old and weary rope:Twisted with ignorance, by folly frayed.::I seek my double star of love in vain.:Dead in the deep, both art and reason fade:And a safe harbor lies beyond my hope.
— Translated from the Italian "Passa la nave mia colma d'oblio" by Alexander Foreman.
Petrarch, more than any other man, is credited with inspiring the humanist philosophy which led to the intellectual flowering of the Renaissance. He believed in the immense moral and practical value of the study of ancient history and literature - that is, the study of human thought and action. While humanism later became associated with
secularism, Petrarch was a devout Christian and did not see a conflict between realizing humanity's potential and having religious faith. A highly introspective man, he shaped the nascent humanist movement a great deal because many of the internal conflicts and musings expressed in his writings were seized upon by Renaissance humanist philosophers and argued continually for the next two hundred years. For example, Petrarch struggled with the proper relation between the active and contemplative life, and tended to emphasize the importance of solitude and study. Later politician and thinker
Leonardo Bruni argued for the active life, or "civic humanism." The result was that a surprising number of political, military, and religious leaders during the Renaissance were inculcated with the notion that their pursuit of personal glory should be grounded in classical example and philosophical contemplation.
In
November of
2003, it was announced that
pathological anatomists would be exhuming Petrarch's body from his casket in
ArquĂ Petrarca, in order to verify
19th century reports that he had stood 1.83
meters (about 6 feet), which would have made him very tall for his period. The team also hoped to reconstruct his cranium in order to obtain a computerized image of his features. Unfortunately, DNA testing in 2004 revealed that the skull found in the casket was not his, prompting calls for the return of Petrarch's skull.
* Bishop, Morris (1961). Petrarch. In
J. H. Plumb (Ed.),
Renaissance Profiles, pp. 1-17. New York: Harper & Row. ISBN 0061311626.
* Conrad H. Rawski (1991).
Petrarch's Remedies for Fortune Fair and Foul A Modern English Translation of
De remediis utriusque Fortune, with a Commentary. ISBN 0253348498
*
Petrarch and Laura Multi-lingual site including many translated works (letters, poems, books) in the public domain and biography, pictures, music.
*
Petrarch from the
Catholic Encyclopedia.
*
Excerpts from his works and letters*
The Petrarchan Grotto *
Francesco Petrarca (Petrarch) (1304-1374)*
Free ebook of Petrarch at
Project Gutenberg
