Radio Luxembourg
Radio Luxembourg (
1933-
1992) was an important forerunner of
pirate radio and modern commercial radio in Europe. It was a cheap and effective way to advertise products to audiences in the UK, France and (since
1957) Germany by circumventing the broadcasting restrictions in place at the time. For many years complete English programmes were pre-recorded in London and flown to the tiny independent
Grand Duchy of
Luxembourg on mainland Europe. German programmes were produced in a studio in Luxembourg. A powerful transmitter enabled broadcasts to be received throughout northern Europe.
Luxembourg was special, because while radio stations all over Europe were exclusively government-owned and operated well into the
1980s, Radio Luxembourg was a private station from its inception. A
radio amateur (ham) obtained a licence in
1924, using it to broadcast
military music. French businessmen bought the licence in May
1929 and managed to get a broadcasting monopoly in Luxembourg in November 1929. In May
1931 the
Compagnie Luxembourgeoise de Radiodiffusion was founded, which started to build the transmitters. Transmissions in
French and
English started in
1933.
The station was closed three weeks after the beginning of
World War II, because the Grand Duchy wanted to protect its neutrality. However,
Luxembourg was occupied by Nazi Germany, and the station became part of the
Großdeutscher Rundfunk. The usual propaganda was broadcast, such as fabricated news stories delivered by
William Joyce (Lord Haw-Haw).
Luxembourg was occupied by
American troops in September
1944. The transmitter was then used for
Radio 1212, a
black propaganda station aimed at undermining
German morale. Between April and November
1945, the station transmitted the programming of the
Voice of America. Radio Luxembourg produced and transmitted its own programming during this time, though not under the name "Radio Luxembourg", but as a "United Nations Station".
The station reached its peak in the
1950s after it switched its
wavelength to 208
metres (1439
kHz, later 1440) the number with which it became synonymous, in
1951 ("2-0-8 Power Play").
Propagation conditions meant that this frequency could be well received in
Germany during daytime and could only be heard at night in the
UK, so the
English service began broadcasting at 7:00 PM. The German service was launched in 1957 with a one hour experimental program at 2:00PM, later expanded to a full daytime program. The UK commercials aimed at
Ovaltineys and
Horace Batchelor's "Infra-Draw Method" for winning money on
football pools were particularly popular and successful. Radio Luxembourg also launched the careers of many
UK presenters including
Chris Moyles,
Noel Edmonds,
Jimmy Savile,
Hughie Greene,
Alan Dell and
Pete Murray,
Luxembourgian presenters like
Desirée Nosbusch and
German presenters like
Thomas Gottschalk,
Frank Elstner,
Anke Engelke. Its cultural influence in the
UK was immense and it is rightly regarded as one of the main forces for the popularisation of
rock'n'roll in
Britain; those who equate
popular culture with
politics argue that this is ironic for a station based in mainland
Europe.
In the
1960s the station had to compete against the
pirate radio stations located closer to the
UK on
ships or abandoned
World War II sea forts, and was disadvantaged by its inability to
broadcast by day. The tendency of its signal to keep fading in and out also put many listeners off. In the
1970s its audience continued to decline as
BBC Radio 1,
Capital Radio and other
local radio stations competed for its audiences. At one point it became an all
disco station. The station's 50th anniversary in
1983 was a rather low-key affair in the
UK.
In
1989 the station began
broadcasting in
stereo via the
Astra satellite which could be received throughout
Europe, and expanded its
satellite service to 24 hours with daytime programmes in
English but aimed at
Scandinavian audiences. But the station's owners
RTL had lost interest in the English service, preferring to concentrate on their new station
Atlantic 252. The 208m wavelength was unceremoniously reassigned to
German language programmes of a successor station
RTL RADIO, and a programming with no resemblance to the original German program. The
satellite service was closed down on
December 30,
1992 (one day before
New Year's Eve to avoid clashing with listeners'
New Year celebrations).
Today, as of
2005, the 1440 kHz frequency is still in use by the remodeled German successor RTL RADIO. Since the first of
January 2005 the transmission has mainly switched to
digital (01:00 AM until 05:00 AM and 09:00 AM until 06:00 PM). During the evening hours airtime is sold to international broadcasters (currently
China Radio International) and religious organisations.In addition the station utilizes a few FM frequencies (93.3 and 97.0 MHz) targeted to Germany, has slots on analog and digital cable, and transmits analog and digital signals via the
Astra 1A and 1H satellites.
During August 2005, RTL conducted digital test broadcasts to Great Britain on 7145 kHz using Digital Radio Mondiale (DRM). This culminated in the soft re-launch of Radio Luxembourg at 07:00 BST on 12 September 2005. The current output consists of pre-recorded voicetracked programming and includes legendary Radio Luxembourg presenters Benny Brown and Dave Christian amongst the line-up. The music format is predominantly classic rock with some modern rock and adult contemporary. The official relaunch of Radio Luxembourg with live presenters is expected by the end of 2006 once new DRM receivers are available on the market. Radio Luxembourg is
available online, as well as on 7295 kHz via DRM.
From November 2005 Dave Christian presents a nostalgia show on Radio Luxembourg between 17:00 - 19:00 GMT every Sunday. The new programme will feature classic Radio Luxembourg jingles and airchecks as well as classic adverts.
You can find out more about DRM at http://www.drm.orgMore about RTL's digital radio broadcasts can be found at http://www.digitalradiodr.com
In 2003 another station tried to revive the legendary Radio Luxembourg as well.
Aquilaine Diffusion referred to Radio Luxembourg as an example to follow, but at present this other station from Luxembourg presents itself as a 'sensual radio station', with an eclectic music format and cheeky presenters.
For many years, due to British
advertising restrictions, Radio Luxembourg was the only station available in the UK that could advertise
tampons.
By the
1980s Luxembourg claimed to be broadcasting with 1.3
megawatts, making it the world's single most powerful commercial broadcaster in the medium wave range, at least in terms of individual
transmitter power. It was certainly the most powerful commercial medium wave station in Europe, at least. The transmitter of Radio Luxembourg is situated in
Marnach. Only some governmental stations, e.g.
Transmitter Solt in Hungary and the
Voice of Russia, used higher powered transmitters in the medium wave range.
Because of
sponsor insistence, the famous Top 20 Countdown show was presented in descending order, based on the British
New Musical Express (NME) Top 30 charts; i.e., starting with the week's #1 hit and working downward. Also, because of the constraints of a one-hour programme (not to mention allowing for commercials and announcer comments), only the first two minutes of the week's chart hits were likely to be played.
A tune called
"Go Get It" usually closed the Top 20 Countdown in the 1960s.
Radio Luxembourg is a main theme in the
Godley & Creme song "Get Well Soon"
(lyrics) from their "Freeze Frame" album.
Van Morrison describes listening to Radio Luxembourg in his nostalgic song On Hyndford Street. It's featured on the album
Hymns to the Silence.
Radio Luxembourg's sign-off music through the years
*
"At the End of the Day" by Steve Conway and The Hastings Girls' Choir (
1950s)
*
"Maybe the Morning" by Marian Montgomery (
1970s; this would also be "the last tune on Radio Luxembourg" when the English-language service was discontinued on
30 December 1992)
*
"All of You Out There" by Duncan McKenzie (
1980s)
In the longwave range, a French speaking programme is transmitted on 234 kHz with a directional aerial with 2000 kilowatts over the
longwave transmitter Beidweiler, which replaced the older
longwave transmitter Junglinster.
*
The current relaunched Digital version of RTL Radio Luxembourg*
quirky site with audio clips, some of which work*
Today's homepage of RTL RADIO (in German)*
History of the German program of Radio Luxemburg (in German)*
One man's memories of listening to Radio Luxembourg*
A forum for discussing memories of The Late Great 208*
An unofficial RTL 208 tribute site; very good selection of audio clips and jingles*
A Yahoo! Group devoted to "Luxy" and memories of the same; full access to members only*
A rather whimsical fantasy trans-Atlantic, featuring RTL 208 and a station in Wisconsin Dells, Wisconsin*
43-minutes of an untelescoped air check featuring DJ David Gell and the Top-30 from an unknown date in 1963*
Today's homepage of RTL Radio Letzebuerg (in Luxemburgish)*
The other station from Luxembourg (Aquilaine Diffusion - sensual radio station)*
208 It was Great by Alan Bailey's is an account of a career with Radio Luxembourg between 1958 and 1975.