Romeo and Juliet
The Most Excellent and Lamentable Tragedy of Romeo and Juliet, commonly referred to as
Romeo and Juliet, is a play by
William Shakespeare concerning the fate of two very young lovers who would do anything to be together. It is perhaps the most famous of his plays and is thought to be the most famous love story in Western history.
|
Title page of the Second Quarto (published 1599) |
The play begins with a 14-line
prologue in the form of a
Shakespearean sonnet. The chorus explains to the audience that the story concerns two noble families of
Verona, the Capulets and the Montagues, that have
feuded for generations. The chorus also tells how the tragic suicide of the lovers "[buries] their parents' strife," ending the conflict.
Act I
The action starts with a street-battle between the two families, started by their servants and put down by the Prince of
Verona, Escalus. The Prince declares that the heads of the two families (known simply as "Montague" and "Capulet") will be held personally accountable (with their lives) for any further breach of the peace, and disperses the crowd.
Count Paris, a young nobleman, talks to Capulet about marrying his thirteen-year-old daughter,
Juliet. Capulet demurs, citing the girl's tender age, and invites him to attract the attention of Juliet during a
ball that the family is to hold that night. Meanwhile Juliet's mother tries to persuade her young daughter to accept Paris' wooing during their coming ball. Juliet is not inspired by the idea of marrying Paris — in fact, she admits to not really having considered marriage at all. But, being a dutiful daughter, she accedes to her mother's wishes. This scene also introduces Juliet's nurse, the comic relief of the play, who recounts a bawdy anecdote about Juliet at great length and with much repetition.
In the meantime, Montague and his wife fret to their nephew
Benvolio about their son Romeo, who has long been moping for reasons unknown to them. Benvolio promises Montague that he will try to determine the cause. Benvolio queries Romeo and finds that his melancholy has its roots in his unrequited love for a girl named Rosaline (an
unseen character). Romeo is infatuated but laments that she will not "ope her lap to saint-seducing gold." Perhaps most frustrating to Romeo is the fact that Rosaline "will not be hit with
Cupid's arrow/ She hath
Diane's wit". In other words, it's not that she finds Romeo himself objectionable, but that she has foresworn to marry at all (she has vowed not to fall in love, and to die a virgin). Benvolio tries to snap Romeo out of his dark mood, to no avail: despite the good-natured taunts of his fellows, including the witty nobleman
Mercutio (who gives his well known
Queen Mab speech), Romeo resolves to attend the masquerade at the Capulet house, relying on not being spotted in his costume, in the hopes of meeting up with Rosaline.
Romeo attends the ball as planned, but falls for Juliet as soon as he sees her and quickly forgets Rosaline. Juliet is instantly taken by Romeo, and the two youth proclaim their love for one another with their "love
sonnet" in which Romeo compares himself to a pilgrim and Juliet to the
saint which is the object of his pilgrimage.
Tybalt, Juliet's hot-blooded cousin, recognizes Romeo under his disguise and calls for his sword. Capulet, however, speaks kindly of Romeo and, having resolved that his family will not be first to violate the Prince's decree, sternly forbids Tybalt from confronting Romeo. Tybalt stalks off in a huff. Before the ball ends, the Nurse identifies Juliet for Romeo, and (separately) identifies Romeo for Juliet.
Act II
Emboldened, Romeo risks his life by remaining on the Capulet estate after the party breaks up, to catch another glimpse of Juliet at her room, and in the famous balcony scene, the two eloquently declare their love for each other. This scene contains arguably the most famous line of Romeo and Juliet, "Romeo, Romeo, wherefore art thou Romeo?" spoken by Juliet to the darkness (wherefore here means why â€" Juliet is lamenting that Romeo is a Montague, and so her enemy). The young lovers decide to marry without informing their parents, because they would undoubtedly disallow it due to the planned union between Paris and Juliet.
Juliet sends the nurse to find Romeo. Accompanied by one Peter, who carries her fan, the nurse exchanges some spicy raillery with the bawdy Mercutio.
With the help of Juliet's Nurse and the
Franciscan Friar Lawrence (Friar Laurence), the two are wedded the next day. The Friar performs the ceremony, hoping to bring the two families to peace with each other through their mutual union.
Act III
Events take a darker turn. Tybalt, still smarting from the incident at the Capulets' ball, had previously sent a letter to the Montagues challenging Romeo to a duel. Meeting Romeo by happenstance, he attempts to provoke a fight. Romeo refuses to fight Tybalt because they are now kinsmen â€" although Tybalt doesn't know it, as he doesn't yet know that Romeo has married Juliet. Mercutio, who is also unaware of the marriage, is angered by Tybalt's insolence â€" and Romeo's seeming indifference â€" and takes up the challenge himself. In the ensuing swordplay, Romeo attempts to allay Mercutio's anger, momentarily placing his arm around him. By doing so, however, Romeo inadvertently pulls Mercutio into Tybalt's rapier, fatally wounding him. Mercutio dies, wishing "a plague a'both your houses," before he passes. Romeo, in his anger, pursues and slays Tybalt. Although under the Prince of Verona's proclamation Romeo (and Montague and Capulet, as well) would be subject to the death penalty, the Prince instead fines the head of each house, and reduces Romeo's punishment to exile in recognition that Tybalt had killed Mercutio, who had not only been Romeo's friend but a kinsman of the Prince. Romeo flees to
Mantua after attempting to see Juliet one last time.
Just after Romeo leaves Juliet's bedroom unseen, Capulet enters to tell the news to his daughter that he has arranged for her to marry Paris in three days' time, to console her perceived mourning for Tybalt, although it is in fact Romeo's exile that she mourns. Juliet is unwilling to enter this arranged marriage, telling her parents that she will not marry, and when she does, "it shall be Romeo, whom you know I hate." Capulet flies into a rage and threatens to disown her if she refuses the
marriage.
Act IV
Juliet visits Friar Lawrence and tells him to either find a solution to her problem or she will commit suicide. Friar Lawrence, being a dabbler in herbal medicines and potions, gives Juliet a potion and a plan: the potion will put her into a death-like coma for "two and forty hours" (Act IV. Scene I); she is to take it before her marriage day, and when discovered apparently dead, she will be laid in the family crypt.Meanwhile, the Friar will send a messenger to inform Romeo, so that he can rejoin her when she awakes. The two can then leave for Mantua and live happily ever after. Juliet is at first suspicious of the potion, thinking the Friar may be trying to kill her, but eventually takes it and falls 'asleep'.
Act V
The messenger of Friar Lawrence does not reach Romeo, due to a quarantine. Instead, Romeo learns of Juliet's supposed "death" from his manservant Balthasar. Grief-stricken, he buys strong poison, returns to Verona in secret, and goes to the crypt, determined to join Juliet in death. There he encounters Paris, who has also come to mourn privately for his lost love. Paris assumes that Romeo has come to defile the Capulets' crypt and challenges him to a duel. Romeo kills Paris, and then drinks the poison after seeing Juliet one last time, exclaiming:
"Thus with a kiss I die."At this point Juliet awakes and, seeing the dead, seeks answers. Friar Lawrence arrives, and tries to convince Juliet to come with him, but she refuses. He is frightened by a noise, and leaves Juliet alone in the crypt. The pain and shock of Romeo's death is too much for Juliet, and she stabs herself with his dagger. The two lovers lie dead together.
The two feuding families (except Lady Montague, who had died of grief over her son's banishment) and the Prince converge upon the tomb and are horrified to find Romeo, Juliet, and Paris all lying dead. Friar Lawrence reveals the love and secret marriage of Romeo and Juliet. The families are reconciled by their children's deaths and agree to end their violent feud, as foretold by the prologue. The play ends with the Prince's elegaic lamentation::''A glooming peace this morning with it brings;:''The sun for sorrow will not show his head.:''Go hence, to have more talk of these sad things;:''Some shall be pardon'd, and some punished;:''For never was a story of more woe:''Than this of Juliet and her Romeo.
Ruling house of Verona
*
Prince Escalus: Ruler of Verona.
*
Count Paris: Kin of Prince Escalus. Desires to marry Juliet.
*
Mercutio: Kinsman of Prince Escalus and friend of Romeo. His name derives from
Mercury. Died when Tybalt stabbed him.
Capulets
*
Lord Capulet: Head of the house of Capulet, he is very wealthy.
*
Lady Capulet: Wife of Lord Capulet. She wishes Juliet to marry Paris.
*
Juliet: Thirteen-year-old daughter of the Capulets, who loves and marries Romeo.
*
Tybalt: Cousin of Juliet. His nickname of
"the Prince of Cats" may refer to the quarrelsome and vicious character of Tybalt the Cat in the fable cycle
Reynard the Fox, which would have been well-known to Shakespeare's audience. Killed by Romeo, as vengeance for killing Mercutio.
Servants
*
Nurse: Juliet's personal attendant and confidante: she assists Juliet in her secret betrothal to Romeo.
*
Peter: Capulet servant, assistant of the nurse.
*
Sampson: Capulet servant. He is eager to fight the Montagues
*
Gregory: Capulet servant.
Montagues
*
Montague: Head of the house of Montague.
*
Lady Montague: Wife of Lord Montague, dies of a broken heart.
*
Romeo: Son of the Montagues, he becomes Juliet's lover.
*
Benvolio: Cousin of Romeo. His name means "good will".
Servants
*
Abraham: Montague servant.
*
Balthasar: Romeo's personal servant.
Others
*
Friar Lawrence: Confessor, and father figure, to Romeo. He marries Romeo and Juliet.
*
Friar John: Clergyman sent by Friar Lawrence to inform Romeo that Juliet awaits him, he does not reach Romeo in time though, he is prevented from leaving the gates of Verona.
*
Apothecary: Druggist who originally does not want to sell Romeo the poison but ends up selling it to him. In the end Romeo kills himself with it.
Romeo and Juliet was published in two distinct
quarto editions prior to the publication of the
First Folio of 1623. These are often referred to as Q1 and Q2 by Shakespeare scholars.
Q1 was published in 1597. Its text contains numerous differences from the later editions, and it is believed to be a 'Bad Quarto' based on actors'memories of their lines, rather than on Shakespeare's manuscript. It may have been put together by the actors who had played the roles of Romeo and Paris, since their lines are reasonably complete and uncorrupted in comparison to the rest of the play. Modern people would consider this a "pirate" edition, but the practice was far from unusual at the time.
Q2, a much more complete and reliable text, was first published in 1599, and reprinted in 1609, 1623 and 1637. Its title page describes it as "Newly corrected, augmented and amended". Scholars believe that this text was based on Shakespeare's pre-performance draft, since there are textual oddities such as variable tags for characters and "false starts" for speeches that were presumably struck through by the author but erroneously preserved by the typesetter.
The First Folio text of 1623 seems to be based primarily on the 1609 reprint of Q2, with some clarifications and corrections possibly coming from a theatrical promptbook.
Like most of Shakespeare's plays, the greater part of
Romeo and Juliet is written in
iambic pentameter. However, the play is also notable for its copious use of
rhymed verse, notably in the
sonnet contained in Romeo and Juliet's dialogue in the scene where they first meet. This sonnet figures Romeo as a blushing pilgrim (palmer) praying before an image of
the Virgin Mary, as many people in early-sixteenth-century England did at shrines such as the shrine of
Our Lady of Walsingham.[
1] Because of its use of rhyme, its extravagant expressions of love, its Italian theme, and its implausible plot,
Romeo and Juliet is considered to belong to Shakespeare's "
lyrical period", along with the similarly poetic plays
A Midsummer Night's Dream and
Richard II.
Romeo and Juliet is one of the earlier works in the Shakespearean canon, and while it is often classified as a
tragedy, it does not bear the hallmarks of the 'great tragedies' like
Hamlet and
Macbeth. Some argue that Romeo and Juliet's demise does not stem from their own individual flaws, but from the actions of others or from accidents. Unlike the great tragedies,
Romeo and Juliet is more a tragedy of mistiming and ill fate. Other commentators, such as
Isaac Asimov, consider rashness and youth to be the
tragic flaws of Romeo and Juliet, compounded by the ineffectuality of Friar Lawrence.
In a major change from his source, Shakespeare put the sympathies with the young lovers.
Matteo Bandello described the reasons for the play in his prologue:
And to this end, good Reader, is this tragical matter written, to describe unto thee a couple of unfortunate lovers, thralling themselves to unhonest desire; neglecting the authority and advice of parents and friends; conferring their principal counsels with drunken gossips and superstitious friars (the naturally fit instruments of unchastity); attempting all adventures of peril for th' attaining of their wished lust; using auricular confession the key of whoredom and treason, for furtherance of their purpose; abusing the honourable name of lawful marriage to cloak the shame of stolen contracts; finally by all means of unhonest life hasting to most unhappy death.
The legitimacy of marrying without parental consent was in fact fiercely debated at the time. The Catholic Church had, at the
Council of Trent, ended centuries of debate by not including parental consent among the requirements for a valid marriage, but Protestant churches did not accept such unions, and in civil law, only England and Spain permitted marriage without parental consent.
The play's most famous line is widely misunderstood. The word "wherefore" means "why", not "where", so when Juliet calls from the balcony, "O Romeo, Romeo, wherefore art thou Romeo?" she is asking why his name (by implication, his family's name) makes him an enemy of her family, as the next lines make clear: "Deny thy father, and refuse thy name ... that which we call a rose/By any other word would smell as sweet." (This instance has led to a more widespread misuse of "wherefore".)
It has been noted that the plot of
Romeo and Juliet is more that of a
farce or
comedy of errors than a tragedy, except that it lacks the vital last-minute save and that the main characters die at the end instead of "living happily ever after." In fact, it is crucial to an understanding of the play as a whole to compare it to traditional comedies of its day, such as
Much Ado About Nothing, in that most of the characters, especially Romeo and Mercutio, would be recognized by the audience as comedic. Were it not for the prologue, which explicitly states that the play will end in death, Elizabethan audiences would have thought they were watching a comedy until Act III, Scene i. As a reader or audience member, one should note the differences before and after this critical scene (the intermission is often put at the end of III.i., which unfortunately robs the play of the excruciating contrast between Act III, Scene i and Act III, Scene ii). Shakespeare often experiments with dramatic convention in this way -
Romeo and Juliet could be called a "tragic comedy", just as many of the romances do not fit easily into conventional ideas about drama.
It can also be argued that not all is woe at the end. A long-running feud is ended, although at the price of the two lovers' lives, thus, no doubt, future deaths have been prevented. The problem with this argument is that one must wonder how remorseful the families truly are. Throughout the play, Montague, Capulet, and the Prince speak of punishment in monetary terms (remember that the families were fined for Tybalt and Mercutio's deaths). At the end, the competition to see who can build a richer statue of the other's child seems petty, especially by comparison to Romeo and Juliet, who had found a love that does not rely on money (or more importantly in this play, WORDS). Although every production of the play is different, the text seems to support a production that shows how Romeo and Juliet's deaths (along with Mercutio, Tybalt, and Paris) have stripped the world of the play of all lightness, leaving it bare, greasy, and loveless.
There have been many adaptations of Romeo and Juliet, created for many media.
Plays
Other versions of the Romeo and Juliet play have been made, which had the "culture" of where the play was made as the "setting". For instance, a version of the play which had Romeo as a
Palestinian and Juliet as a
Jew in
Israel and the
Palestinian territories was made, which criticizes the
Israeli-Palestinian conflict.
A Native American version called "Kino and Teresa" was first produced in 2005 by Native Voices at the Autry in Los Angeles. Written by James Lujan, the historical play was set in 17th Century Santa Fe, seventeen years after the Pueblo Revolt of 1680 and revolved around the conflict between the Pueblo Indians and Spanish colonists.
An updated version of Romeo and Juliet called
Romeo/Juliet Remixed (or R0M30/JUL137 R3M1X3D) is set to a
rave dance floor background with a
kick-boxing Juliet and an
Ecstasy-taking Romeo. Before the play begins, this interactive show features a choice of
glowsticks (pink if one chooses to be a Montague, yellow if one chooses to be a Capulet,) an escort to a mock dance club called "Club Verona" where "theater"-goers dance and mingle with the cast and other audience members, as well as the chance to cheer on a crew of
breakdancing Montagues or Capulets, and a chance to be on the venue's big screen. Romeo and Juliet communicate via cell phone and
text messaging.
Opera
The story was converted into the
opera Roméo et Juliette by
Charles François Gounod in
1867 with a
libretto written by
Jules Barbier and
Michel Carré.
The Romeo and Juliet story was also the subject of
Vincenzo Bellini's opera
I Capuleti e i Montecchi, although Bellini and his librettist,
Felice Romani, worked from Italian sources, and these were only distantly related to Shakespeare's work.
In 2004 American composer
Lee Hoiby also adapted "Romeo and Juliet" to write an opera, also titled "Romeo and Juliet."
Ballet
Several
ballet adaptations of the story have been made, the first written in the 18th century. The best known feature music by
Sergei Prokofiev, and a variety of choreographers have used this music. The first version featuring Prokofiev's music was performed in
1938. See:
Romeo and Juliet (Prokofiev)Musical
The
musical West Side Story, also made into a film, is based on
Romeo and Juliet but updates the story to mid-
20th century New York City and the warring families to ethnic gangs.
In 1999,
Terrence Mann's rock musical
William Shakespeare's Romeo and Juliet, co-written with Jerome Korman, premiered at the Ordway Theatre in St. Paul, Minnesota. It was not a critical success.
Roméo et Juliette, de la Haine à l'Amour, a musical by
Gérard Presgurvic, premiered on January 19, 2001 in the Palais de Congrès in Paris, France. It attracted already (2005) six million people.
The song "
Exit Music (For a Film)" by
Radiohead was made for the
1996 movie version (see below) of
Romeo and Juliet and is sung from the point of view of someone waking up his lover and inviting them to join them in escaping from the oppression of their respective families through
suicide.
Romeo and Juliet is also the name of a song by the British rock band
Dire Straits.
Instrumental music
Among the instrumental pieces inspired by the play are
Tchaikovsky's
Romeo and Juliet, Overture-Fantasy and
Hector Berlioz's
Roméo et Juliette "Symphonie dramatique", although the latter does have substantial vocal parts. Prokofiev also created three orchestra suites and a piano suite,
Romeo and Juliet: Ten Pieces for Piano, based on the music from his ballet.
Film versions
:''See also
Shakespeare on screen (Romeo and Juliet)There have been over forty movie versions of the tale, with the first made in
France in
1900. Some of the more notable adaptations include:
;1908 -
Romeo and Juliet, a
silent film made by
Vitagraph Studios.:The first
American production, it was directed by
J. Stuart Blackton, the film starred
Paul Panzer as Romeo and
Florence Lawrence as Juliet.
;1936 -
Romeo and Juliet, produced by
Irving Thalberg and directed by
George Cukor:The 1936 screen version was one of the more notable of
Classical Hollywood. Thalberg spared no expense, and showcased his wife,
Norma Shearer, in the lead role. Romeo was played by
Leslie Howard,
John Barrymore was Mercutio, and
Andy Devine was Peter, the servant to Juliet's nurse. However, the film was criticized because Howard and Shearer were both considerably older than the scripted roles.:
Academy Awards nominations::*
Best Picture -
Irving Thalberg, producer:*Best Actor in a Supporting Role -
Basil Rathbone - as Tybalt:*
Best Actress -
Norma Shearer:*Best Art Direction -
Cedric Gibbons,
Fredric Hope and
Edwin B. Willis;1954 -
Romeo and Juliet directed by
Renato Castellani.:A notable Italian production with a colourful setting. The cast includes
Galina Ulanova,
Laurence Harvey,
Bolshoi Ballet,
Mervyn Johns,
Flora Robson,
Yuri Zhdanov and
Susan Shentall.
;1968 -
Romeo and Juliet, directed by
Franco Zeffirelli:Filmed in
Italy, the performance of the young
Olivia Hussey as Juliet is a defining feature. It won
Oscars for
best cinematography and
best costume design, and was nominated for
Best Director. It also starred
Leonard Whiting as Romeo - he was seen as 'the next big thing' in film at the time, but his career did not match up to expectations.
;1978 -
Romeo and Juliet, directed by
Alvin Rakoff:for the
BBC Television Shakespeare series. This production is generally unregarded due to its inexperienced stars and low production values, although
Alan Rickman's Tybalt is notable.
;1983 -
Romeo and Juliet, directed by
William Woodman:This film features an excellent set of costumes. The cast includes
Alex Hyde-White,
Blanche Baker,
Esther Rolle,
Dan Hamilton, and
Frederic Hehne.
;1996 -
Romeo + Juliet, directed by
Baz Luhrmann:Starring
Leonardo DiCaprio and
Claire Danes in the title roles, Luhrmann gave the famous tale a modern setting. The production uses Luhrmann's signature flamboyant color and stylization.:At the
Berlin International Film Festival 1997, it won::* Best Actor (Leonardo DiCaprio) :* Alfred Bauer Prize:
Academy Awards 1996 nominations::* Best Art Direction and Set Decoration (
Catherine Martin and
Brigitte Broch)
;1996 -
Tromeo and Juliet, directed by
Lloyd Kaufman:The
Troma team put their own inimitable spin on the story, setting it in
Manhattan in a
punk milieu.
Lemmy from
Motörhead narrates.
;2000 -
Romeo Must Die, directed by
Andrzej Bartkowiak:With
Jet Li as Han Ling (the Romeo of the story) who is out to avenge his brother's murder. He meets and eventually falls in love with Trish O'Day (the Juliet of the story, played by
Aaliyah) who is the daughter of a rival American mob boss.
;2005 -
Romeo & Juliet directed by
Dave LaChapelle:Featuring
Tamyra Gray as Juliet,
Gus Carr as Romeo, and
Mary J. Blige, this is a 10-minute promotional advertisement for the
H&M clothing company. Released in September 2005, this commercial was shown online (
H&M website) and during the trailers of certain theatrical films, and featured the new "&denim" selection. In this musical remake which features background music provided by
Mary J. Blige, Romeo is gunned down in a
drive-by shooting and Juliet sings over his body while he bleeds to death on the street. Due to complaints that the commercial glamorized gang violence and was
H&M's attempt to use
gun culture to sell their jeans to teenagers, H&M subsequently withdrew the ad from Canadian & U.S. markets and issued an apology.
The film
West Side Story set in 1960s
New York City was loosely based on the story of Romeo and Juliet, with the Montagues becoming the Jets and the Capulets becoming the Sharks.
The film
Shakespeare in Love is a fictional account of how Shakespeare writes the play against the clock inspired by his love for a noble woman. The movie also describes the start of
Twelfth Night, inspired by the same woman's ultimate fate.
* The documentary
Romeo and Juliet in Sarajevo detailed a starcrossed romance that met a tragic end during the
Siege of Sarajevo in the former
Yugoslavia.
*
Dire Straits'
1980 album
Making Movies had a hit song "
Romeo and Juliet", in which the singer looks back on a failed relationship. It was inspired by
Mark Knopfler's broken romance with
Holly Vincent.
The Indigo Girls covered this song on their album
Rites of Passage.
* The
Lou Reed song, "Romeo had Juliette" from the 1989 album
New York.
*
Glam metal band
Ratt referenced Romeo and Juliet in their
1984 smash hit "
Round and Round" in the line:
I've got a way, we're gonna prove it tonight, like Romeo to Juliet.
* The
2003 musical remake of
Reefer Madness featured a song "Romeo and Juliet" in which a pair of young lovers compare themselves to Romeo and Juliet, having only read the first half of the play, and mistakenly assuming the ending to be happy.
* The
Radiohead song "
Exit Music (For a Film)" was written for the closing credits of the Baz Luhrmann version. The lyrics describe a Romeo-like character entreating his sleeping lover to run away, inspired by Act III.
* The
Arctic Monkeys song "
I Bet You Look Good on the Dancefloor" mentions the Montagues and Capulets.
*
The Delta Goodrem song "
I Don't Care" contains the lyrics "they tried to keep Romeo and Juliet apart..."
*
Butthole Surfers song "Whatever (I had a dream)" has a reference to Romeo and Juliet.
* The
Blue Ă–yster Cult song "
(Don't Fear) The Reaper" mentions Romeo and Juliet as being "Together in eternity".
* The
Big Audio Dynamite 1985 album
This is Big Audio Dynamite has in the song "The Bottom Line" a reference to Romeo (as well as a reference to the famous soliloquy in
Hamlet).
*The
Ash song "Starcrossed" is a reference to Romeo and Juliet.
* The
Bob Dylan song
"Desolation Row", from the 1965 album
Highway 61 Revisited, contains the lyric "And in comes Romeo, he's moaning..."
* The
Semisonic song "Singing in My Sleep" contains the lines "It's the modern equivalent / Singing up to a Capulet / On a balcony in your mind"
* The game
The Sims 2 includes a neighborhod, Veronaville (a parody of Verona) in which two characters named Romeo Monty and Juliette Capp fall in love. The neighborhood's story is a parody of the play itself, including the feud between the Monty (Montague) and the Capp (Capulet) families.
* The game
RuneScape has a quest named "Romeo and Juliet", where the player must act as a messenger between the two lovers.
* In the card game
Magic: The Gathering, a card called
Dark Banishing displays a quote from Romeo and Juliet:
Ha, banishment? Be merciful, say 'death,':
For exile hath more terror in his look,:
Much more than death.* The American band The Reflections reference the play in their song called "(Just Like) Romeo & Juliet" which has been covered by
Sha Na Na and the Australian band
Mental As Anything.
*
Tales for the L33t - A humorous flash version of Romeo and Juliet, done in
leetspeak* Two
cigar brands exist that bear the
Spanish version of the play's title,
Romeo y Julieta.
* The Konami game
Silent Hill 3 contains a puzzle with excerpts from five tragedies, including
Romeo and Juliet. The player must identify which tragedy each quote is from and thereby arrange books in a particular order.
*
HIM frontman
Ville Valo has stated their song "Join Me in Death" was inspired by
Romeo and Juliet.
A common misconception is that the plot of
Romeo and Juliet was invented by Shakespeare. In fact, his play is a dramatisation of
Arthur Brooke's narrative poem
The Tragicall History of Romeus and Juliet (
1562). Shakespeare followed Brooke's poem fairly closely but enriched its texture by adding extra detail to both major and minor characters, in particular the Nurse and
Mercutio.
Brooke's poem was not original either, being a translation and adaptation of
Giuletta e Romeo, by
Matteo Bandello, included in his
Novelle of
1554. This was in turn an adaptation of
Luigi da Porto's
Giulietta e Romeo, included in his
Istoria novellamente ritrovata di due Nobili Amanti (c.
1530). This was the version that gave the story much of its modern form, including the names of the lovers, naming the rival families to the Montecchi and the Cappelletti, and shifting the action to
Verona.
The earliest known version of the tale is the
1476 story of Mariotto and Gianozza of
Siena by
Masuccio Salernitano, in
Il Novelino' (Novella XXXIII).
Bandello's story was the most famous one, being translated into French (and English, by Brooke). It was also adapted by Italian theatrical troupes, some of whom performed in London at the time that Shakespeare was writing his plays. This may have been an alternate or additional inspiration to Shakespeare in his version of Romeo and Juliet''.
More generally, the story of the ill-fated lovers has parallels with many similar tales told throughout history, including
Hero and Leander,
Pyramus and Thisbe,
Floris and Blanchefleur,
Troilus and Cressida,
Antony and Cleopatra,
Layla and Majnun,
Tristan and Iseult and
Hagbard and Signy. One could say that these were the "Romeo and Juliet"s of their time periods.
*[
2] - Entire text of the play
*
Romeo and Juliet - plain vanilla text from
Project Gutenberg*
Romeo and Juliet - Free downloadable audio reading of the play from
LibriVox*
Romeo and Juliet - HTML version at MIT
*
Il Novellino, Novella XXXIII, by Masuccio Salernitano - The electronic text in Italian of the original story (requires free registration).
*
Arthur Brooke's Romeus and Juliet*
A history of the Italian sources of Romeo and Juliet*
Essay: How Romeus Became Romeo Comparing Brooke's work with Shakespeare's
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Slashdoc : Romeo and Juliet - Scholarly essays on Shakespeare's Romeo and Juliet
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The history of the story at OperaWorld.com
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Analysis of Romeo and Juliet at Theatrehistory.com
