Vedic accent
The
pitch accent of
Vedic Sanskrit, or
Vedic accent for brevity, is traditionally divided by
Sanskrit grammarians into three qualities,
udātta "raised" (
acute accent, high pitch),
anudātta "not raised" (
grave accent, low pitch) and
svarita "sounded" (
circumflex, falling pitch). In the
Rigveda, svarita is marked with a small upright stroke above a syllable and anudātta with a horizontal line below the syllable, while udātta remains unmarked.
Udātta marks the place of the inherited
PIE accent. In transliteration, therefore, udātta is usually marked with an
acute accent, while anudātta and svarita remain unmarked since their positions follow automatically from the position of udātta. For example, in the first
pada of the
Rigveda, the transliteration
agním īḍe puróhitaṃ:"
Agni I laud, the
high priest."means that the eight syllables have an intonation of:A-U-S-A-A-U-S-A (where A=anudātta, U=udātta, S=svarita),or iconically,:
_¯\__¯\_Note that
, the finite verb, receives no udātta, while its first syllable is svarita as an automatic consequence of the word-final udātta of the preceding word. Note that
Vedic meter is independent of Vedic accent and exclusively determined by syllable weight, so that metrically, the pada reads as :
-.--.-.x (viz., the second half-pada is
iambic).
In some cases, however, an accented syllable was suppressed in the redaction of the
samhita, so that an anudātta may be immediately followed by an svarita (a so-called "independent svarita"). In such cases, the svarita syllable will be marked with a
grave accent.
For example in RV 1.10.8c,
:U-S-U-S-A-A-A-U:
¯\¯\___¯became
:U-S-
S-A-A-A-S:
¯\\___¯There are four variants of independent svarita, viz.
' (as in ' for
', the case of the example above), ' (as in
' for '), ,
' (as in ' for
'), or ' (with
avagraha, as in
' for '). Independent svarita occurs in some 1300 instances in the Rigveda, or in ca. 5% of all padas.
*http://www.evertype.com/standards/iso10646/pdf/vedic/Vedic_accents_doc.pdf