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Acting in Plays, Singing/Choosing a Method of Singing Teaching

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Question
Hi Sean:
I am trying to choose a singing instructor who can help me reach my full potential.
What is Bel Canto singing instruction?  What is speech level singing instruction?  Does Brett Manning (Singing Success program), who publishes programs and gives phone and studio lessons in Nashville, have anything special about the method he has created based on SLS or is it snake oil?  Is there a best method to use to learn to sing?  Do different methods work for different people? Do different methods work for different types of singing?  How to choose a singing teacher and method?
Thanks,
Elizabeth

Answer
Hello, Elizabeth –

Thank you for the question.

I was a trained musician, an experienced actor, and in my sophomore year as a Theatre Arts major before going to my first singing lesson.  I had heard this coach's clients in performance prior to booking that appointment.  Because of my background – I could hear what they were doing in relation to what I knew I needed.  Six months after that first lesson I got my first paid singing gig.  Soon after that I was being paid to sing all the time.

This coach had been a long-term professional leading-role-type opera singer who became an equally effective teacher.  The methodology was "Bel Canto" – a time-honored way to develop the vocal chops to sing opera and all other classical repertoire including art songs and symphonic literature.  The current market demands that young singers hoping to compete for and sustain a career in Classical Music must first earn their degree in Music from a world class conservatory or top-tier university with a respected vocal department.

Don't listen to anyone who claims that "classical training" will make you a better singer no matter what you sing.

There is no such thing as a one-size-fits-all method of singing – as in, Do THIS and you will become stronger and better and wow all your friends.

No one is teacher to the stars.

No one can fully develop their vocal range with lessons over the phone.  End of discussion.

Somewhere along the line you must make a choice about what you want to sing and determine who is going to pay you to do that.  Then you have to compete against everybody else who wants the same thing and may have more experience and better training than you.  You must be able to describe the business in which you want to succeed.

I am a professional singing teacher and vocal coach in San Francisco.  You can always contact me through Craig's List –
http://sfbay.craigslist.org/sfc/lss/626059681.html

Take a look at my newest You Tube:
Lorena Feijóo - A Look at "Giselle" with Seán Martinfield
http://www.youtube.com/watch?v=33-a6Oa-0j4

I am also the fine arts critc for the San Francisco Sentinel.  Below are some links to recent articles and reviews:

CHERYL BURKE RESCUES THE METRONOME BALLROOM
http://www.sanfranciscosentinel.com/?p=11150

SAN FRANCISCO INTERNATIONAL FILM FESTIVAL, 2008
http://www.sanfranciscosentinel.com/?p=11727

SAN FRANCISCO BALLET – Program 6 – An International Salute
http://www.sanfranciscosentinel.com/?p=11592

DALE CHIHULY – Lighting-Up At The de Young
http://www.sanfranciscosentinel.com/?p=11432

THE GOVERNMENT INSPECTOR – Inspecting A.C.T. until May 20th
http://www.sanfranciscosentinel.com/?cat=10

At the Asian Art Museum – DRAMA AND DESIRE
http://www.sanfranciscosentinel.com/?cat=10

SAN FRANCISCO SYMPHONY – 14th Season with Michael Tilson Thomas
http://www.sanfranciscosentinel.com/?p=11074

MELISSA MANCHESTER – A Conversation with Seán Martinfield
http://www.sanfranciscosentinel.com/?p=10419

SAN FRANCISCO OPERA – ON SCREEN AT THE CASTRO THEATRE
http://www.sanfranciscosentinel.com/?p=10898

WEST SIDE STORY SUITE – Standing Ovation for San Francisco Ballet Premiere
http://www.sanfranciscosentinel.com/?p=10924

ANNIE LEIBOVITZ – On her show at the Legion of Honor
http://www.sanfranciscosentinel.com/?p=10764

LORENA FEIJÓO – A Conversation with Seán Martinfield
http://www.sanfranciscosentinel.com/index.php?s=Lorena

SWEENEY TODD – PRIME CUTS FROM DIRECTOR TIM BURTON
http://www.sanfranciscosentinel.com/?p=8434

ANITA COCKTAIL and LEANNE BORGHESI – A 3-Way Dialogue
http://www.sanfranciscosentinel.com/?p=8007

NORMA SHEARER in “MARIE ANTOINETTE” – At the Legion of Honor
http://www.sanfranciscosentinel.com/?p=8783

JENNIFER SIEBEL – A Conversation with Seán Martinfield
http://www.sanfranciscosentinel.com/?p=6361

An Interview with PASCAL MOLAT, Principal Dancer of the San Francisco Ballet
http://www.sanfranciscosentinel.com/?p=305

Best regards,
Seán Martinfield

Acting in Plays, Singing

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Sean Martinfield

Expertise

I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I will give you suggestions that are appropriate to your vocal category and to requirements specified in the audition notice. I have also created a vocal methodology, "The Belter`s Method". It will enable those in Musical Theatre to practice more efficiently because it focuses on the demands of professional performers as well as to those auditioning for school and community productions, and as University and Conservatory performing arts majors. If what you want is a better voice and more control over your career moves and choices, contact me. Also, as the Editor of SanFranciscoSentinel.com, it is my privilege to review productions at the San Francisco Opera, Ballet and Symphony, as well as Broadway National Tours booked into San Francisco's Orpheum, Golden Gate and Curran Theatres. I also review works by A.C.T (the American Conservatory Theatre) and Magic Theatre. I cover select films, tributes and retrospects, and various international film festivals – particulary those booked into The City's opulent Castro Theatre – including the LGBT Frameline Festival, International Film Festival, Silent Film Festival, Jewish Film Festival, etc. For private vocal instruction, I can be contacted through SanFranciscoSentinel.com. Look under: Seán Martinfield, Sentinel Editor and Publisher.

Experience

As a vocal coach, I work primarily with singers and actors throughout the San Francisco Bay Area. My students range from absolute beginners to working professionals, from pre-schoolers to senior citizens. The vast majority of my clients come to me through recommendation. I know how to identify any singer's vocal category, i.e., soprano, tenor, alto, baritone, etc. I know how to muscle-up every singer's vocal range and to expand it beyond conventional definitions. I have developed a vocal methodology for those who want to know how to belt, THE BELTER'S METHOD. As a singer who spent half of his career doing Bel Canto, I know that classical or Italian methodologies do not work in Standard American music. Bel Canto cannot be "adapted" to meet the needs of contemporary American music, including the demands of the Musical Theatre. There are a number of major components to my work as a vocal coach. The first is to identify the client's vocal category and to strengthen and maximize the vocal range accordingly. Then it's about teaching a reliable vocal workout that will enable the client to gain better control of their musicianship. That includes scale work to expand the vocal range and to improve placement, breath control, and diction. Then we work on material for the audition portfolio, the immediate job or assignment, a recording session, etc. My task to is to better equip singers and actors who are hoping to or relying upon their performance skills and vocal endurance to maintain a career in the Performing Arts. My clients regularly appear in cabarets and musical productions throughout the San Francisco Bay Area. Some have worked in New York and gone on National Tours. For more information, Contact me at: Broadwaybelters@yahoo.com

Education/Credentials
San Francisco State University – BA in Theatre Arts; graduate work in Theatre, Philosophy, and Comparative Reiligion. Pacific School of Religion, Berkeley – Graduate work in Ethics

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