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Acting in Plays, Singing/Conservatories and Music Theory

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Question
Hi! My name is Laura and I am a junior in high school. I have been singing in
various choirs and musicals for  at least 13 years.  I have taken vocal lessons ,
I sing lyric colortura soprano. I sing on a regular basis and can sight read
mediocre-ly. I want to persue a career in vocal music, particularly with an
opera emphasis, but the more I research about Colleges and the
Conservatory programs where i dream of going, the more frightened i
become. I am worried that although i might possess the vocal skills neccisary
for these types of programs, I think that i will flounder at the music theory
section of the audition. So, I was wondering if you had any suggestions on
where to start, and how, working on learning music theory. What kinds of
things do these kinds of programs look for in music theory knowledge? Any
help would be fantastic!
Thank You for your time!

Answer
Hi, Laura –

Thank you for the question.

I assume you're familiar with the quotation, "Be afraid.  Be very afraid!"  You better believe it.  

So, there I am – a party of one – your preliminary audition panel.  You hand me your résumé, which states your performance experience and relevant vital statistics, and I say to you, "Laura!  You've been singing and performing for 13 years and identify yourself as a "lyric coloratura soprano".  OK, let me hear it."

And you burst into your aria.  What is it?  Bear in mind there are only so many positions available this semester for lyric coloratura sopranos because lyric coloratura sopranos are a dime-a-dozen and I've got 37 more of you lined up down the hall who I have to hear before lunch.  You better be damn good with your material because I will cut you off as soon as I hear everything I need to hear – which might happen before measure 16.  What are you going to sing for me to show off your skills as a lyric coloratura soprano?

While you're sweating over that one, go to the Library or to www.target.com and get the following workbook:

JOHN BRIMHALL'S COMPLETE THEORY NOTEBOOK

Do all the exercises.  Keep your material in mind from page one until the end.  When you're finished, start over.

I am a professional singing teacher and vocal coach in San Francisco.  If you are in the Bay Area, contact me through Craig's List –
http://sfbay.craigslist.org/sfc/lss/669655592.html

Take a look at my You Tubes:
Lorena Feijóo - A Look at "Giselle" with Seán Martinfield
SAMSON & DELILAH – Meet Seán Martinfield

I am also the fine arts critc for the San Francisco Sentinel.  Below are some links to recent articles and reviews:

A MIDSUMMER NIGHT’S DREAM – Now at The Curran Theatre
http://www.sanfranciscosentinel.com/?cat=10

A CONVERSATION WITH MAESTRO HELMUTH RILLING
http://www.sanfranciscosentinel.com/?p=12494

RICHARD C. BARKER – Named Chair of San Francisco Ballet’s Board of Trustees
http://www.sanfranciscosentinel.com/

SAN FRANCISCO CONCERT CHORALE PRESENTS – THE BACH EXPERIENCE
http://www.sanfranciscosentinel.com/?p=12305

7 SINS – EXTENDED AT THEATRE RHINO THROUGH MAY 17th
http://www.sanfranciscosentinel.com/?p=12270

ANTIQUE ROADSTERS RACE FROM NOB HILL – THE 2008 SAN FRANCISCO MILLE
http://www.sanfranciscosentinel.com/?p=12210

LEAVE HER TO HEAVEN – Restored Film Noir Classic at SF International Film Festival
http://www.sanfranciscosentinel.com/?p=12196

HIGH SCHOOL MUSICAL – At the Orpheum, San Francisco
http://www.sanfranciscosentinel.com/?p=11906

CHERYL BURKE DANCE – Dancing with Gavin and Jennifer
http://www.sanfranciscosentinel.com/?p=11873

CHERYL BURKE RESCUES THE METRONOME BALLROOM
http://www.sanfranciscosentinel.com/?p=11150

SAN FRANCISCO BALLET – Program 6 – An International Salute
http://www.sanfranciscosentinel.com/?p=11592

DALE CHIHULY – Lighting-Up At The de Young
http://www.sanfranciscosentinel.com/?p=11432

At the Asian Art Museum – DRAMA AND DESIRE
http://www.sanfranciscosentinel.com/?cat=10

SAN FRANCISCO SYMPHONY – 14th Season with Michael Tilson Thomas
http://www.sanfranciscosentinel.com/?p=11074

MELISSA MANCHESTER – A Conversation with Seán Martinfield
http://www.sanfranciscosentinel.com/?p=10419

SAN FRANCISCO OPERA – ON SCREEN AT THE CASTRO THEATRE
http://www.sanfranciscosentinel.com/?p=10898

ANNIE LEIBOVITZ – On her show at the Legion of Honor
http://www.sanfranciscosentinel.com/?p=10764

LORENA FEIJÓO – A Conversation with Seán Martinfield
http://www.sanfranciscosentinel.com/index.php?s=Lorena

SWEENEY TODD – PRIME CUTS FROM DIRECTOR TIM BURTON
http://www.sanfranciscosentinel.com/?p=8434

ANITA COCKTAIL and LEANNE BORGHESI – A 3-Way Dialogue
http://www.sanfranciscosentinel.com/?p=8007

NORMA SHEARER in “MARIE ANTOINETTE” – At the Legion of Honor
http://www.sanfranciscosentinel.com/?p=8783

JENNIFER SIEBEL – A Conversation with Seán Martinfield
http://www.sanfranciscosentinel.com/?p=6361

Best regards,
Seán Martinfield

Acting in Plays, Singing

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Sean Martinfield

Expertise

I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I will give you suggestions that are appropriate to your vocal category and to requirements specified in the audition notice. I have also created a vocal methodology, "The Belter`s Method". It will enable those in Musical Theatre to practice more efficiently because it focuses on the demands of professional performers as well as to those auditioning for school and community productions, and as University and Conservatory performing arts majors. If what you want is a better voice and more control over your career moves and choices, contact me. Also, as the Editor of SanFranciscoSentinel.com, it is my privilege to review productions at the San Francisco Opera, Ballet and Symphony, as well as Broadway National Tours booked into San Francisco's Orpheum, Golden Gate and Curran Theatres. I also review works by A.C.T (the American Conservatory Theatre) and Magic Theatre. I cover select films, tributes and retrospects, and various international film festivals – particulary those booked into The City's opulent Castro Theatre – including the LGBT Frameline Festival, International Film Festival, Silent Film Festival, Jewish Film Festival, etc. For private vocal instruction, I can be contacted through SanFranciscoSentinel.com. Look under: Seán Martinfield, Sentinel Editor and Publisher.

Experience

As a vocal coach, I work primarily with singers and actors throughout the San Francisco Bay Area. My students range from absolute beginners to working professionals, from pre-schoolers to senior citizens. The vast majority of my clients come to me through recommendation. I know how to identify any singer's vocal category, i.e., soprano, tenor, alto, baritone, etc. I know how to muscle-up every singer's vocal range and to expand it beyond conventional definitions. I have developed a vocal methodology for those who want to know how to belt, THE BELTER'S METHOD. As a singer who spent half of his career doing Bel Canto, I know that classical or Italian methodologies do not work in Standard American music. Bel Canto cannot be "adapted" to meet the needs of contemporary American music, including the demands of the Musical Theatre. There are a number of major components to my work as a vocal coach. The first is to identify the client's vocal category and to strengthen and maximize the vocal range accordingly. Then it's about teaching a reliable vocal workout that will enable the client to gain better control of their musicianship. That includes scale work to expand the vocal range and to improve placement, breath control, and diction. Then we work on material for the audition portfolio, the immediate job or assignment, a recording session, etc. My task to is to better equip singers and actors who are hoping to or relying upon their performance skills and vocal endurance to maintain a career in the Performing Arts. My clients regularly appear in cabarets and musical productions throughout the San Francisco Bay Area. Some have worked in New York and gone on National Tours. For more information, Contact me at: Broadwaybelters@yahoo.com

Education/Credentials
San Francisco State University – BA in Theatre Arts; graduate work in Theatre, Philosophy, and Comparative Reiligion. Pacific School of Religion, Berkeley – Graduate work in Ethics

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