Acting in Plays, Singing/Oliver!

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Question
Hello Mr. Martinfield.

I would first like to say Thank You for your assistance in the past with audition songs. Now that I have a few lead roles under my belt(with some secondary leads and chorus parts), I am becoming more comfortable in my resume at auditions. I have an audition coming up for Oliver in about two and a half months and I am considering auditioning for the part of Bill Sykes. I am a seventeen year old bass-baritone whose primary discipline is singing and is an actor/dancer after that. I have been told that I should seriously look at Bill Sykes after people had seen my El Gallo in The Fantasticks, but with older characters packing my resume I am pretty sure that I will be considered for Fagin over that if considered for a part.
I was wondering if you could suggest any shows/characters I should be looking through for audition songs.

Thanks again,
JO

Answer
Hello, Justin –

Thank you for getting back to me.  I am very happy to have helped you.

"Older parts" are never the issue when it comes to auditioning for roles that compliment your abilities and fatten the Producer's bank account.  Fagin is one of the best roles you could ever hope to play.  Bill Sykes, a significantly smaller role, is also something you can sink your teeth into – that is, when you're not addressing your Holiday cards in-between his actual times on-stage.

Lionel Bart, the composer of OLIVER, gives the conniving Fagin opportunities to show a sense of humor.  In some ways, his role is constructed similarly to a vaudevillian, i.e., a "song and dance man".  Consider:
"Puttin' On The Ritz" – EASTER PARADE
"With A Little Bit Of Luck" – MY FAIR LADY

A great brooding-type song for Bill Sykes is "Lonely Room" from OKLAHOMA.

Listen to the 1994 LONDON PALLADIUM CAST RECORDING and the re-mastered 1960 ORIGINAL LONDON CAST RECORDING.

When you are in the San Francisco Bay Area and want to book a coaching session, you can contact me through Craig's List – http://sfbay.craigslist.org/sfc/lss/752973810.html — and at www.SanFranciscoSentinel.com.

Check out my recent articles and interviews:

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Best regards,
Seán Martinfield

Acting in Plays, Singing

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Sean Martinfield

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I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I will give you suggestions that are appropriate to your vocal category and to requirements specified in the audition notice. I have also created a vocal methodology, "The Belter`s Method". It will enable those in Musical Theatre to practice more efficiently because it focuses on the demands of professional performers as well as to those auditioning for school and community productions, and as University and Conservatory performing arts majors. If what you want is a better voice and more control over your career moves and choices, contact me. Also, as the Editor of SanFranciscoSentinel.com, it is my privilege to review productions at the San Francisco Opera, Ballet and Symphony, as well as Broadway National Tours booked into San Francisco's Orpheum, Golden Gate and Curran Theatres. I also review works by A.C.T (the American Conservatory Theatre) and Magic Theatre. I cover select films, tributes and retrospects, and various international film festivals – particulary those booked into The City's opulent Castro Theatre – including the LGBT Frameline Festival, International Film Festival, Silent Film Festival, Jewish Film Festival, etc. For private vocal instruction, I can be contacted through SanFranciscoSentinel.com. Look under: Seán Martinfield, Sentinel Editor and Publisher.

Experience

As a vocal coach, I work primarily with singers and actors throughout the San Francisco Bay Area. My students range from absolute beginners to working professionals, from pre-schoolers to senior citizens. The vast majority of my clients come to me through recommendation. I know how to identify any singer's vocal category, i.e., soprano, tenor, alto, baritone, etc. I know how to muscle-up every singer's vocal range and to expand it beyond conventional definitions. I have developed a vocal methodology for those who want to know how to belt, THE BELTER'S METHOD. As a singer who spent half of his career doing Bel Canto, I know that classical or Italian methodologies do not work in Standard American music. Bel Canto cannot be "adapted" to meet the needs of contemporary American music, including the demands of the Musical Theatre. There are a number of major components to my work as a vocal coach. The first is to identify the client's vocal category and to strengthen and maximize the vocal range accordingly. Then it's about teaching a reliable vocal workout that will enable the client to gain better control of their musicianship. That includes scale work to expand the vocal range and to improve placement, breath control, and diction. Then we work on material for the audition portfolio, the immediate job or assignment, a recording session, etc. My task to is to better equip singers and actors who are hoping to or relying upon their performance skills and vocal endurance to maintain a career in the Performing Arts. My clients regularly appear in cabarets and musical productions throughout the San Francisco Bay Area. Some have worked in New York and gone on National Tours. For more information, Contact me at: Broadwaybelters@yahoo.com

Education/Credentials
San Francisco State University – BA in Theatre Arts; graduate work in Theatre, Philosophy, and Comparative Reiligion. Pacific School of Religion, Berkeley – Graduate work in Ethics

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