You are here:

Acting in Plays, Singing/Audition song for The Producers

Advertisement


Question
I'm auditioning for the part of Franz Liebkind in The Producers and need an audition song.  I'm a baritone/bass, low D to High D#.  I want something comedic and shows range.  I thought of singing the German national anthem, in German, for laughs.

Answer
Hi, Mark –

Thank you for the question.

I have a better suggestion.  Go to this website to purchase or sample Marlene Dietrich's recording of "Falling In Love Again" in German:
http://www.amazon.com/Falling-Love-Again-Marlene-Dietrich/dp/B00025OGG2/ref=sr_1...

The sheet music is published as a single and is available in your key at this web site:
http://www.sheetmusicplus.com/store/smp_detail.html?item=2923743&cart=3200128512...

The German lyrics are as follows:

Ein rätselhafter Schimmer,
Ein "je ne sais-pas-quoi"
Liegt in den Augen immer
Bei einer schönen Frau.
Doch wenn sich meine Augen
Bei einem vis-à-vis
Ganz tief in seine saugen
Was sprechen dann sie?:

Ich bin von Kopf bis Fuß
Auf Liebe eingestellt,
Denn das ist meine Welt.
Und sonst gar nichts.
Das ist, was soll ich machen,
Meine Natur,
Ich kann halt lieben nur
Und sonst gar nichts.

Männer umschwirr'n mich,
Wie Motten um das Licht.
Und wenn sie verbrennen,
Ja dafür kann ich nicht.
Ich bin von Kopf bis Fuß
Auf Liebe eingestellt,
Ich kann halt lieben nur
Und sonst gar nichts.

Was bebt in meinen Händen,
In ihrem heißen Druck?
Sie möchten sich verschwenden
Sie haben nie genug.
Ihr werdet mir verzeihen,
Ihr müßt' es halt versteh'n,
Es lockt mich stets von neuem.
Ich find' es so schön!

Ich bin von Kopf bis Fuß
Auf Liebe eingestellt,
Denn das ist meine Welt,
Und sonst gar nichts.
Das ist, was soll ich machen,
Meine Natur,
Ich kann halt lieben nur
Und sonst gar nichts.

Männer umschwirr'n mich,
Wie Motten um das Licht.
Und wenn sie verbrennen,
Ja dafür kann ich nichts.
Ich bin von Kopf bis Fuß
Auf Liebe eingestellt,
Ich kann halt lieben nur
Und sonst gar nichts.

I am a professional singing teacher and vocal coach in San Francisco.  To book an appointment, contact me through Craig's List – http://sfbay.craigslist.org/sfc/lss/811646367.html I am also the fine arts critc for SanFranciscoSentinel.com.  All my articles and interviews provide a link to my personal e-mail.

Take a look at my You Tubes:
Lorena Feijóo - A Look at "Giselle" with Seán Martinfield
SAMSON & DELILAH – Meet Seán Martinfield

Below are links to recent articles and reviews:

STAR WARS: THE CLONE WARS – More Lucas-Cloned Crap
http://www.sanfranciscosentinel.com/?p=15557

OPENING NIGHT, September 5th – San Francisco Opera’s 86th Season
http://www.sanfranciscosentinel.com/?p=15545

CALIFORNIA ACADEMY OF SCIENCES – Opens Wednesday, September 27th
http://www.sanfranciscosentinel.com/?p=15685

AT THE LEGION OF HONOR - The State Museums Of Berlin And The Legacy Of James Simon
http://www.sanfranciscosentinel.com/?p=15655

NEW CONSERVATORY THEATRE CENTRE – The Season Begins
http://www.sanfranciscosentinel.com/?p=15450

THE MIKADO – Opens 56th Season of The Lamplighters Music Theatre
http://www.sanfranciscosentinel.com/?p=15450

SAN FRANCISCO SYMPHONY’S 2008-09 SEASON
http://www.sanfranciscosentinel.com/?p=15362

BERNADETTE PETERS – A Triumph In San Francisco
http://www.sanfranciscosentinel.com/?p=15150

THE DROWSY CHAPERONE – Detours Ahead
http://www.sanfranciscosentinel.com/?p=15107

THOROUGHLY MODERN MILLIE – at Broadway By The Bay
http://www.sanfranciscosentinel.com/?p=14777

AMERICAN IDOL – A ‘REALITY’ WAKE-UP CALL AT SAN FRANCISCO CITY HALL
http://www.sanfranciscosentinel.com/?p=14720

JENNIFER SIEBEL – A Conversation with Seán Martinfield
http://www.sanfranciscosentinel.com/?p=6361

A CHORUS LINE – at the Curran Theatre
http://www.sanfranciscosentinel.com/?p=14702

‘TIS PITY SHE’S A WHORE – At A.C.T.
http://www.sanfranciscosentinel.com/?p=13840

A CONVERSATION WITH IAN ROBERTSON – Director of the San Francisco Boys Chorus
http://www.sanfranciscosentinel.com/?p=13747

SAN FRANCISCO SILENT FILM FESTIVAL – At the Castro Theatre
http://www.sanfranciscosentinel.com/?p=14576

TIMOTHY HORN – BITTER SUITE – A Sweet Tribute To Alma Spreckels
http://www.sanfranciscosentinel.com/?p=14049

THE CHRONICLES OF NARNIA: PRINCE CASPIAN – Just say “NO!”
http://www.sanfranciscosentinel.com/?p=13041

ERIK BATZ – A Conversation With “The Scarecrow” At The Mountain Play
http://www.sanfranciscosentinel.com/?p=12892

NORMA SHEARER in “MARIE ANTOINETTE” – At the Legion of Honor
http://www.sanfranciscosentinel.com/?p=8783

Best regards,
Seán Martinfield

Acting in Plays, Singing

All Answers


Answers by Expert:


Ask Experts

Volunteer


Sean Martinfield

Expertise

I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I will give you suggestions that are appropriate to your vocal category and to requirements specified in the audition notice. I have also created a vocal methodology, "The Belter`s Method". It will enable those in Musical Theatre to practice more efficiently because it focuses on the demands of professional performers as well as to those auditioning for school and community productions, and as University and Conservatory performing arts majors. If what you want is a better voice and more control over your career moves and choices, contact me. Also, as the Editor of SanFranciscoSentinel.com, it is my privilege to review productions at the San Francisco Opera, Ballet and Symphony, as well as Broadway National Tours booked into San Francisco's Orpheum, Golden Gate and Curran Theatres. I also review works by A.C.T (the American Conservatory Theatre) and Magic Theatre. I cover select films, tributes and retrospects, and various international film festivals – particulary those booked into The City's opulent Castro Theatre – including the LGBT Frameline Festival, International Film Festival, Silent Film Festival, Jewish Film Festival, etc. For private vocal instruction, I can be contacted through SanFranciscoSentinel.com. Look under: Seán Martinfield, Sentinel Editor and Publisher.

Experience

As a vocal coach, I work primarily with singers and actors throughout the San Francisco Bay Area. My students range from absolute beginners to working professionals, from pre-schoolers to senior citizens. The vast majority of my clients come to me through recommendation. I know how to identify any singer's vocal category, i.e., soprano, tenor, alto, baritone, etc. I know how to muscle-up every singer's vocal range and to expand it beyond conventional definitions. I have developed a vocal methodology for those who want to know how to belt, THE BELTER'S METHOD. As a singer who spent half of his career doing Bel Canto, I know that classical or Italian methodologies do not work in Standard American music. Bel Canto cannot be "adapted" to meet the needs of contemporary American music, including the demands of the Musical Theatre. There are a number of major components to my work as a vocal coach. The first is to identify the client's vocal category and to strengthen and maximize the vocal range accordingly. Then it's about teaching a reliable vocal workout that will enable the client to gain better control of their musicianship. That includes scale work to expand the vocal range and to improve placement, breath control, and diction. Then we work on material for the audition portfolio, the immediate job or assignment, a recording session, etc. My task to is to better equip singers and actors who are hoping to or relying upon their performance skills and vocal endurance to maintain a career in the Performing Arts. My clients regularly appear in cabarets and musical productions throughout the San Francisco Bay Area. Some have worked in New York and gone on National Tours. For more information, Contact me at: Broadwaybelters@yahoo.com

Education/Credentials
San Francisco State University – BA in Theatre Arts; graduate work in Theatre, Philosophy, and Comparative Reiligion. Pacific School of Religion, Berkeley – Graduate work in Ethics

©2012 About.com, a part of The New York Times Company. All rights reserved.