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Acting in Plays, Singing/Stretching Range (Baritone)?

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Question
Hello, and thank you for reading my question.

I've read many of your responses and have heard you many times say that a Baritone should have a high Bb, and in general I've noticed you say someone should have a note higher than they need to perform (so if you need to sing an F for a show, you should be comfortable singing a G).

I'm 15 years old, so my voice is almost definitely not done settling. I've been taking voice lessons off and on for a few months and have been classified as a Baritone. I can usually go from E2 to F4. I have used an F in several shows, but I do not consistently have a G4.

Do you have any tips for me to stretch my range so that I could hopefully get that High G and sing the F a little more comfortably?

Much Thanks,
Mike

Answer
Hi, Mike –

Thank you for the question.

So why are you paying money to some teacher who cannot answer the same question or provide you the skills to hit that note?

Expanding the vocal range and keeping it flexible happens with scales.  My job as a professional vocal trainer is to show you HOW.  Are you learning a variety of scales?  What does your vocal warm-up consist of and how often do you do it?  What songs are you singing that have the High F?  Can we hear your Low E out to at least Row R – without you on a microphone and with piano accompaniment?

A few tips that will help you –
Start with a set of three-tone scales in the middle of your voice, i.e., Middle C – on the vowels sounds of E, Ay, and Ah.  Work up by half-steps to where your top note is 4th-line D.  Then go back to Middle C.  Work down by half-steps until your lowest note is A.
Go back to Middle C.  Now do 5-tone scales – same principles – until the top note is 4th-space E. Then go back to Middle C.  Work down by half-steps until your lowest note is G.  Go back to Middle C.  Start working up again until you hit High-F#.  Go back to Middle C.  Work down by half-steps until the bottom note is Low E.
Then advance to 8-tone scales doing the same thing. That's just the beginning.  It gets way-more complex after that.

Do it every day, several times a day.  Only after you have warmed-up do you start learning or reviewing your material.

I am a professional singing teacher and vocal coach in San Francisco.  To book an appointment, contact me through Craig's List – http://sfbay.craigslist.org/sfc/lss/800277192.html I am also the fine arts critc for SanFranciscoSentinel.com.  All my articles and interviews provide a link to my personal e-mail.

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Acting in Plays, Singing

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Sean Martinfield

Expertise

I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I will give you suggestions that are appropriate to your vocal category and to requirements specified in the audition notice. I have also created a vocal methodology, "The Belter`s Method". It will enable those in Musical Theatre to practice more efficiently because it focuses on the demands of professional performers as well as to those auditioning for school and community productions, and as University and Conservatory performing arts majors. If what you want is a better voice and more control over your career moves and choices, contact me. Also, as the Editor of SanFranciscoSentinel.com, it is my privilege to review productions at the San Francisco Opera, Ballet and Symphony, as well as Broadway National Tours booked into San Francisco's Orpheum, Golden Gate and Curran Theatres. I also review works by A.C.T (the American Conservatory Theatre) and Magic Theatre. I cover select films, tributes and retrospects, and various international film festivals – particulary those booked into The City's opulent Castro Theatre – including the LGBT Frameline Festival, International Film Festival, Silent Film Festival, Jewish Film Festival, etc. For private vocal instruction, I can be contacted through SanFranciscoSentinel.com. Look under: Seán Martinfield, Sentinel Editor and Publisher.

Experience

As a vocal coach, I work primarily with singers and actors throughout the San Francisco Bay Area. My students range from absolute beginners to working professionals, from pre-schoolers to senior citizens. The vast majority of my clients come to me through recommendation. I know how to identify any singer's vocal category, i.e., soprano, tenor, alto, baritone, etc. I know how to muscle-up every singer's vocal range and to expand it beyond conventional definitions. I have developed a vocal methodology for those who want to know how to belt, THE BELTER'S METHOD. As a singer who spent half of his career doing Bel Canto, I know that classical or Italian methodologies do not work in Standard American music. Bel Canto cannot be "adapted" to meet the needs of contemporary American music, including the demands of the Musical Theatre. There are a number of major components to my work as a vocal coach. The first is to identify the client's vocal category and to strengthen and maximize the vocal range accordingly. Then it's about teaching a reliable vocal workout that will enable the client to gain better control of their musicianship. That includes scale work to expand the vocal range and to improve placement, breath control, and diction. Then we work on material for the audition portfolio, the immediate job or assignment, a recording session, etc. My task to is to better equip singers and actors who are hoping to or relying upon their performance skills and vocal endurance to maintain a career in the Performing Arts. My clients regularly appear in cabarets and musical productions throughout the San Francisco Bay Area. Some have worked in New York and gone on National Tours. For more information, Contact me at: Broadwaybelters@yahoo.com

Education/Credentials
San Francisco State University – BA in Theatre Arts; graduate work in Theatre, Philosophy, and Comparative Reiligion. Pacific School of Religion, Berkeley – Graduate work in Ethics

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