Acting in Plays, Singing/Various Questions
Expert: Sean Martinfield - 11/17/2009
QuestionHi Mr. Martinfield,
I am in my 3rd year study in classical singing.
Since I started my singing lessons rather late, I felt like I am "behind" than most young girls in my year. I was wondering if you could recommend some good method/training books so I would be able to practice more efficiently in the practice room.
Here's another question:
I am trying to find art songs that would train me on melismatic 16th notes phrases and legato line. Would you recommend starting off by singing Baroque music and work through Classical and Romantic music? (...but I really don't feel like singing more Purcell, Handel and Mozart....) Could you recommend me some good songs you have your students done in the past? (My range is about F3 to D6 and I would say my voice is strongest and fullest over E5.)
Thank you very very much.
Anna
AnswerHello, Anna –
Thank you for the question.
I’m not certain what you mean by your 3rd year of study in classical singing. Are you attending an accredited music conservatory such as the one we have here in San Francisco? From my experience as a young singer-in-training I know that workbooks and coaches go hand-in-hand.
Consider the exercises and musical suggestions offered by Estelle Liebling. Click on or paste the following URL into your browser to sample and order on line:
BOOK OF COLORATURA CADENZAS
http://www.sheetmusicplus.com/title/The-Estelle-Liebling-Book-of-Coloratura-Cade...
I cannot choose repertoire for a voice I don’t know. The coloratura soprano repertoire is packed with arias from the 18th and 19th Century that are not only distinctive to their time – but are at their most commercially successful when sung by a certain variety and temperament of coloratura soprano. Sometimes it’s about the drama and the flash. Most often, it’s about flawless musicianship.
If you are over the works of Purcell, Handel and Mozart (and let’s throw in Haydn and Scarlatti for fuel), then apply your coloratura know-how to a wider variety of literature and just have fun. Along the way – and it all takes time! – you will discover what “type” of Soprano Personality you are and what particular works from whatever era show you to your best advantage. The variety of phrase you are referring to occurs somewhere throughout the entire repertoire.
Consider these favorites of mine. Liebling offers tips about them in her book.
“Shadow Song” – Dinorah, by Meyerbeer
"O luce di quest'anima" – Linda du Chamounix, by Donizetti
"Je suis Titania" – Mignon, by Thomas
"Ah, Vous Dirai-Je, Maman" (Bravura Variations) – by Adam
“Voci di Primavera” – by Johann Strauss
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Seán Martinfield