Acting in Plays, Singing/Audition piece problem

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Question
I am trying to figure out what song I could sing for an audition for Golde in
Fiddler.  She doesn't have any stand out songs, so it makes it harder.  I have
looked at all the older age songs I can think of, and nothing hits me over the
head.  I am 37, but look 25, so Tzeital or Hodel is also an option, but not
familiar with theatre troupe, so don't know where they would catagorize me.   
I have done professional theatre, but I have never been so baffled.  I have 3
weeks to auditions.  Thanks for any help.

Answer
Hello, Lori –

Thank you for your question.

Tevye’s daughters are way younger than 25.

The role of “Golde” in FIDDLER ON THE ROOF is a choice and fun roll.  In the duet, “Do You Love Me?” she sings from Middle C to 4th-line D.  Consider any of the following for your audition. Some of the songs are available as digital downloads to transfer into the key you need to demonstrate “Golde’s” range.

My Husband Makes Movies – NINE
Funny Honey – CHICAGO (transpose into D major)
Small World – GYPSY (transpose into D major)
Can You Use Any Money Today? – CALL ME MADAM

Whatever you choose to sing, you must push Golde’s agenda and particular vocal mannerisms through it.

I am a professional singing teacher and vocal coach in San Francisco.  When you want to book an appointment, contact me through Craig's List.  Just enter the catagory: SF bay area craigslist > san francisco > lessons & tutoring and then look for and click on: Singing Teacher for all ages and abilities - (Castro District).  Or click on today’s direct link:  http://sfbay.craigslist.org/sfc/lss/1181463167.html

I am also the fine arts critic for the San Francisco Sentinel. Take a look at my You Tubes:

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IOLANTHE – SF Symphony Presents Gilbert & Sullivan Operetta, June 18th – 21st
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MONTY PYTHON’S SPAMLOT – OPENS AT THE GOLDEN GATE THEATRE MAY 22ND
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AT LAST! – ANN HAMPTON CALLAWAY – An Interview with Seán Martinfield
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INTERHARMONY INTERNATIONAL MUSIC FESTIVAL – June 30th to July 12th
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5X5 PLURALISM – At The Mission Cultural Center for Latino Arts
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Best regards,
Seán Martinfield

Acting in Plays, Singing

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Sean Martinfield

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I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I will give you suggestions that are appropriate to your vocal category and to requirements specified in the audition notice. I have also created a vocal methodology, "The Belter`s Method". It will enable those in Musical Theatre to practice more efficiently because it focuses on the demands of professional performers as well as to those auditioning for school and community productions, and as University and Conservatory performing arts majors. If what you want is a better voice and more control over your career moves and choices, contact me. Also, as the Editor of SanFranciscoSentinel.com, it is my privilege to review productions at the San Francisco Opera, Ballet and Symphony, as well as Broadway National Tours booked into San Francisco's Orpheum, Golden Gate and Curran Theatres. I also review works by A.C.T (the American Conservatory Theatre) and Magic Theatre. I cover select films, tributes and retrospects, and various international film festivals – particulary those booked into The City's opulent Castro Theatre – including the LGBT Frameline Festival, International Film Festival, Silent Film Festival, Jewish Film Festival, etc. For private vocal instruction, I can be contacted through SanFranciscoSentinel.com. Look under: Seán Martinfield, Sentinel Editor and Publisher.

Experience

As a vocal coach, I work primarily with singers and actors throughout the San Francisco Bay Area. My students range from absolute beginners to working professionals, from pre-schoolers to senior citizens. The vast majority of my clients come to me through recommendation. I know how to identify any singer's vocal category, i.e., soprano, tenor, alto, baritone, etc. I know how to muscle-up every singer's vocal range and to expand it beyond conventional definitions. I have developed a vocal methodology for those who want to know how to belt, THE BELTER'S METHOD. As a singer who spent half of his career doing Bel Canto, I know that classical or Italian methodologies do not work in Standard American music. Bel Canto cannot be "adapted" to meet the needs of contemporary American music, including the demands of the Musical Theatre. There are a number of major components to my work as a vocal coach. The first is to identify the client's vocal category and to strengthen and maximize the vocal range accordingly. Then it's about teaching a reliable vocal workout that will enable the client to gain better control of their musicianship. That includes scale work to expand the vocal range and to improve placement, breath control, and diction. Then we work on material for the audition portfolio, the immediate job or assignment, a recording session, etc. My task to is to better equip singers and actors who are hoping to or relying upon their performance skills and vocal endurance to maintain a career in the Performing Arts. My clients regularly appear in cabarets and musical productions throughout the San Francisco Bay Area. Some have worked in New York and gone on National Tours. For more information, Contact me at: Broadwaybelters@yahoo.com

Education/Credentials
San Francisco State University – BA in Theatre Arts; graduate work in Theatre, Philosophy, and Comparative Reiligion. Pacific School of Religion, Berkeley – Graduate work in Ethics

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