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Acting in Plays, Singing/help about picking an audition song

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Expert: - 5/1/2009


Question
hello i have a few questions i'd appreciate you could answer, you see i will
attend a disney audition for a role on a disney cruise line's show, i will attend
2 types of auditions on one they are looking for pop gospel singers, so the
song selection should be in the pop gospel style, and the other one i plan to
attend, they are looking for singers for belle and cinderella and the musical
selection should be in the muscia theatre style, so i was wondering if you
could help me find the perfect song for both auditons, i dont have any
experience in theatre, so i dont know any song that could work for the 2nd
audition, i have plenty experience singing, im a soprano and my vocal range
is g# 5 do you think you can help me? my singing style is like christina
aguilera, thank you for your time.

Answer
Hello, Alejandria –

Thank you for the question.

Seeing that your preferences lean towards Christina Aguilera, go ready to perform a couple of her numbers that you like best.  Gospel music is not within my expertise.  However, I can suggest material for Disney's "Belle" and "Cinderella".

Consider any of the following:
Falling In Love With Love – THE BOYS FROM SYRACUSE
I Loved You Once In Silence – CAMELOT
Much More – THE FANTASTICKS
No Other Love – ME AND JULIET
Out Of My Dreams – OKLAHOMA

If you are serious about pursuing Broadway musical-type opportunities, then I want to urge you to invest in the following anthologies.  The above songs are contained in them.  Every song is published in the same key as the original score.  You need to become familiar with the strategic songs in the Broadway soprano repertoire.  Click on or paste the URL into your website to view and order on-line:

The Singer's Musical Theatre Anthology – Vol. 1
http://www.sheetmusicplus.com/store/smp_detail.html?cart=32001285122&type=rec&it...

The Singer's Musical Theatre Anthology, Soprano edition – Vol. 2
http://www.sheetmusicplus.com/store/smp_detail.html?cart=32001285122&lc=recs:det...

The Singer's Musical Theatre Anthology, Soprano edition – Vol. 3
http://www.sheetmusicplus.com/store/smp_detail.html?cart=32001285122&lc=recs:det...

Singer's Musical Theatre Anthology, Soprano – Volume 4
http://www.sheetmusicplus.com/store/smp_detail.html?item=6721011&cart=3200128512...

I am a professional singing teacher and vocal coach in San Francisco.  When you want to book an appointment, contact me through Craig's List – http://sfbay.craigslist.org/sfc/lss/1166603154.html
I am also the Editor and Publisher of SanFranciscoSentinel.com.  All my articles and interviews about the performing arts provide a link to my personal e-mail.

Take a look at my You Tubes:

Lorena Feijóo - A Look at "Giselle" with Seán Martinfield
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Best regards,
Seán Martinfield

Acting in Plays, Singing

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Sean Martinfield

Expertise

I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I will give you suggestions that are appropriate to your vocal category and to requirements specified in the audition notice. I have also created a vocal methodology, "The Belter`s Method". It will enable those in Musical Theatre to practice more efficiently because it focuses on the demands of professional performers as well as to those auditioning for school and community productions, and as University and Conservatory performing arts majors. If what you want is a better voice and more control over your career moves and choices, contact me. Also, as the Editor of SanFranciscoSentinel.com, it is my privilege to review productions at the San Francisco Opera, Ballet and Symphony, as well as Broadway National Tours booked into San Francisco's Orpheum, Golden Gate and Curran Theatres. I also review works by A.C.T (the American Conservatory Theatre) and Magic Theatre. I cover select films, tributes and retrospects, and various international film festivals – particulary those booked into The City's opulent Castro Theatre – including the LGBT Frameline Festival, International Film Festival, Silent Film Festival, Jewish Film Festival, etc. For private vocal instruction, I can be contacted through SanFranciscoSentinel.com. Look under: Seán Martinfield, Sentinel Editor and Publisher.

Experience

As a vocal coach, I work primarily with singers and actors throughout the San Francisco Bay Area. My students range from absolute beginners to working professionals, from pre-schoolers to senior citizens. The vast majority of my clients come to me through recommendation. I know how to identify any singer's vocal category, i.e., soprano, tenor, alto, baritone, etc. I know how to muscle-up every singer's vocal range and to expand it beyond conventional definitions. I have developed a vocal methodology for those who want to know how to belt, THE BELTER'S METHOD. As a singer who spent half of his career doing Bel Canto, I know that classical or Italian methodologies do not work in Standard American music. Bel Canto cannot be "adapted" to meet the needs of contemporary American music, including the demands of the Musical Theatre. There are a number of major components to my work as a vocal coach. The first is to identify the client's vocal category and to strengthen and maximize the vocal range accordingly. Then it's about teaching a reliable vocal workout that will enable the client to gain better control of their musicianship. That includes scale work to expand the vocal range and to improve placement, breath control, and diction. Then we work on material for the audition portfolio, the immediate job or assignment, a recording session, etc. My task to is to better equip singers and actors who are hoping to or relying upon their performance skills and vocal endurance to maintain a career in the Performing Arts. My clients regularly appear in cabarets and musical productions throughout the San Francisco Bay Area. Some have worked in New York and gone on National Tours. For more information, Contact me at: Broadwaybelters@yahoo.com

Education/Credentials
San Francisco State University – BA in Theatre Arts; graduate work in Theatre, Philosophy, and Comparative Reiligion. Pacific School of Religion, Berkeley – Graduate work in Ethics

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