AboutJ. Spyder Isaacson Expertise Especially the Seattle theatre scene. Seattle is the number two theatre city of the nation, having more theatres than any other city (including Chicago!) except New York. I know the reputations of most of the local theatres, have worked with quite a number of them, and am currently earning the majority of my livelihood through live theatre. Beyond that, I have been a working professional for the past 10 years (after a long career in an unrelated field), have done just about everything in the field, and have done every possible type of theatre. Currently, I am also pursuing a new (and unexpected!) career as an animated film producer. (PLEASE NOTE that I am NOT an expert in music!)
Experience I have been an award-winning actor, singer, playwright, director and administrator (on various levels, all categories) for the past 30 years. A large part of my expertise has been with live theatre, although I do have a minor connection to filmed theater. I have done musicals, straight dramas, straight comedies, and experimental theatre.
Question Dear friend:
From Venezuela I wanted to thank you for your kind help.I need to know if I have to push my diaphragm downward or upward while talking. If I get costumed to push the air as if I were pushing the belt it means that I should continuing pushing in the same way, is it effective?
I live in Venezuela and I will help you if you come here someday.
Best wishes
Answer The main idea is to be pushing the diaphragm down at the same time you're pushing air up through your relaxed larynx. Eventually, the air will be pushed up *by* the diaphragm. This is where your power should come, instead of from tensed vocal chords (which is why you get hoarse).
