Acting in Plays, Singing/Wedding Singer Audition

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Question
Hey Sean,
I read your response to a girl auditioning for Wedding Singer, and was wondering if you could give some advice for a guy auditioning. I'm having trouble finding good audition material. I'm mostly interested in Robbie, Sammy, and Glenn. Especially Sammy, I really need something quirky!

Any advice would be great!

Answer
Hi, Brian –

Thank you for the question.

THE WEDDING SINGER takes place in 1985. It draws upon the sounds of the time.
"Sammy" is a tenor. Your job at this audition is to prove your pop/rock tenor vocals.

If you aren't restricted to Broadway songs for your audition, then look at the best-selling Pop/Rock hits from the '80s and the artists who sang them.

Consider these two Billboard hits from 1985. The links below will take you to a site to purchase on-line. Listen to the recordings.

"Can't Fight This Feeling" – by REO Speedwagon
http://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0061595

"Oh Sheila" – by Ready For The World
http://www.musicnotes.com/sheetmusic/scorch.asp?ppn=SC0019229

Also listen to "Every Little Thing She Does Is Magic" – by The Police

Whatever material you choose, you must present it with the same drive as would the singer in a professional band. "Quirky" in Rock is always about sexual image and energy. In an audition, you have to show all that stuff to a panel of judges. Sometimes you get 16 measures or less to do that. If you give it to them within the first 4 measures, they may let you continue with the next 4 measures. Make sure you practice your presentation in front of a mirror.

I am a vocal coach to working singers in the San Francisco Bay Area. I'm also the Editor and Publisher of SanFranciscoSentinel.com All my articles and interviews provide a link to my personal e-mail.
Below are links to my articles on San Francisco's entertainment and cultural scene:

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CD: MAHLER’S “Songs With Orchestra” – SF Symphony Completes Mahler Recording Project
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SHREK THE MUSICAL – Opens 12/1 at the Orpheum Theatre
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YIGIT PURA – Local Pastry Chef Wins Bravo’s “Top Chef Just Desserts”
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A.C.T. Presents “A Christmas Carol”, 12/2–12/24
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THE MAKROPULOS CASE – Opens Tonight At San Francisco Opera
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CLUB FOOT ORCHESTRA – A Conversation with Richard Marriot
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ELZA VAN DEN HEEVER – Performs Strauss’ Four Last Songs with SF Symphony
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THE MAKROPULOS CASE – A Premiere At San Francisco Opera
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RECLAIMED: Paintings From The Collection of Jacques Goudstikker
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BEYOND GOLDEN CLOUDS – At the Asian Art Museum
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SCHEHERAZADE – Alonzo King LINES Ballet at the Yerba Buena Center for the Arts
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SAN FRANCISCO OPERA – Broadcasts Return to KQED
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THE RUFFATTI ORGAN & CAMERON CARPENTER at DAVIES HALL
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AMANDA McBROOM – A rose for new CD, "CHANSON"
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CAMERON CARPENTER – Stellar Organist Returns to San Francisco May 2nd
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HANDEL'S "ORLANDO" – TONIGHT AT THE HERBST. An Interview with Conductor Nicholas McGagen
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ZUILL BAILEY – A Conversation
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DAVID PERRY – On the “Dos and Don’ts of Social Media”
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NATHAN GUNN – Sings Schubert's Die Schöne Müllerin
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CAMINOS FLAMENCOS – A Conversation with Yaelisa
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A CONVERSATION WITH LUCIE ARNAZ – This Week At The Rrazz Room
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ON THE ORGAN – At the Legion of Honor
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JANE MONHEIT – This Sunday At The Empire Ballroom
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NORMA SHEARER – Hollywood Dreams Made Real
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THE EGYPTIAN (1954) – A Swords & Sandals Cultural Encounter at the de Young Museum
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DIANE BAKER – Celebrating the 50th Anniversary of THE DIARY OF ANNE FRANK
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CAMERON CARPENTER – An Interview with Seán Martinfield
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AT LAST! – ANN HAMPTON CALLAWAY – An Interview with Seán Martinfield
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A Conversation with Ruben Martin Cintas, Principal Dancer with SF Ballet
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Best regards,
Seán Martinfield
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Acting in Plays, Singing

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Sean Martinfield

Expertise

I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I will give you suggestions that are appropriate to your vocal category and to requirements specified in the audition notice. I have also created a vocal methodology, "The Belter`s Method". It will enable those in Musical Theatre to practice more efficiently because it focuses on the demands of professional performers as well as to those auditioning for school and community productions, and as University and Conservatory performing arts majors. If what you want is a better voice and more control over your career moves and choices, contact me. Also, as the Editor of SanFranciscoSentinel.com, it is my privilege to review productions at the San Francisco Opera, Ballet and Symphony, as well as Broadway National Tours booked into San Francisco's Orpheum, Golden Gate and Curran Theatres. I also review works by A.C.T (the American Conservatory Theatre) and Magic Theatre. I cover select films, tributes and retrospects, and various international film festivals – particulary those booked into The City's opulent Castro Theatre – including the LGBT Frameline Festival, International Film Festival, Silent Film Festival, Jewish Film Festival, etc. For private vocal instruction, I can be contacted through SanFranciscoSentinel.com. Look under: Seán Martinfield, Sentinel Editor and Publisher.

Experience

As a vocal coach, I work primarily with singers and actors throughout the San Francisco Bay Area. My students range from absolute beginners to working professionals, from pre-schoolers to senior citizens. The vast majority of my clients come to me through recommendation. I know how to identify any singer's vocal category, i.e., soprano, tenor, alto, baritone, etc. I know how to muscle-up every singer's vocal range and to expand it beyond conventional definitions. I have developed a vocal methodology for those who want to know how to belt, THE BELTER'S METHOD. As a singer who spent half of his career doing Bel Canto, I know that classical or Italian methodologies do not work in Standard American music. Bel Canto cannot be "adapted" to meet the needs of contemporary American music, including the demands of the Musical Theatre. There are a number of major components to my work as a vocal coach. The first is to identify the client's vocal category and to strengthen and maximize the vocal range accordingly. Then it's about teaching a reliable vocal workout that will enable the client to gain better control of their musicianship. That includes scale work to expand the vocal range and to improve placement, breath control, and diction. Then we work on material for the audition portfolio, the immediate job or assignment, a recording session, etc. My task to is to better equip singers and actors who are hoping to or relying upon their performance skills and vocal endurance to maintain a career in the Performing Arts. My clients regularly appear in cabarets and musical productions throughout the San Francisco Bay Area. Some have worked in New York and gone on National Tours. For more information, Contact me at: Broadwaybelters@yahoo.com

Education/Credentials
San Francisco State University – BA in Theatre Arts; graduate work in Theatre, Philosophy, and Comparative Reiligion. Pacific School of Religion, Berkeley – Graduate work in Ethics

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