Acting in Plays, Singing/Into the Woods - Audition

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Question
Hi Sean,

I have an audition for "Into the Woods" coming up in the next few weeks. I am planning on auditioning for Rapunzel and Cinderella. I am a lyric soprano, my range is from G to high E.

I really need tips for audition songs. They recommend singing a "lyrical, narrative song" and I am not certain which songs will encompass this request.

Here are some of my ideas but I would really appreciate some of your suggestions!
How Could I Ever Know - The Secret Garden
Goodnight My Someone - The Music Man
Somewhere/I Feel Pretty - West Side Story
Green Finch and Linnet Bird - Sweeney Todd

Thank you,

Melissa

Answer
Hi, Melissa –

Thank you for your question.

Whenever possible, it's always a good idea to sing another song by the same composer. Sondheim's "Green Finch" is a wonderful choice. Also consider his "I Remember" from EVENING PRIMROSE.

Songs by other composers that would work well for to show off your soprano range for "Cinderella" or "Rapunzel" include:

Feelings – THE APPLE TREE
Many A New Day – OKLAHOMA
Lover (Rodgers & Hart's, LOVE ME TONIGHT)

I am a vocal coach to working singers in the San Francisco Bay Area. I'm also the Editor and Publisher of SanFranciscoSentinel.com All my articles and interviews provide a link to my personal e-mail.

Below are links to my articles and youtubes on San Francisco's entertainment and cultural scene:

THIS GUN FOR HIRE, 1942 – Looking at "Now you see it, now you don't" sung by Veronica Lake
http://www.youtube.com/watch?v=VI26A6HdnWY

"My Silver Dollar Man" – from MARKED WOMAN (starring Bette Davis, 1937)
http://www.youtube.com/watch?v=uJMuY8aKFV8

"Would You Like A Souvenir?" – Sean Martinfield and Janet Roitz explore a song from Film Noir classic NORA PRENTISS (1947)
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DIALOGUES OF THE CARMELITES – At Fort Mason, 3/31—4/3
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ARE WE THERE YET? — At the Contemporary Jewish Museum, March 31st – July 31st
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"PEARLS OVER SHANGHAI" – Final Performance, April 9th
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RAGAZZI BOYS CHORUS – Celebrates the Extended American Family, "Made In America"
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KURT MASUR – Conducts the SF Symphony in All–Mendelssohn Concert, 3/10–12
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SF BALLET –Program 4, All Tchaikovsky
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ODC THEATER – Presents Sarah Michelson and Richard Maxwell's "Devotion"
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AVENUE Q – A Totally Fabulous Place To Be
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ZUBIN MEHTA & THE ISRAEL PHILHARMONIC – At Davies Symphony Hall
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ROTHKO CHAPEL and MOZART’S REQUIEM – SF Symphony and Chorus, 2/23—2/26
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ORPHÉE – Ensemble Parallèle Presents SF Premiere of Opera by Philip Glass
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SCHWABACHER DEBUT RECITALS – Begins February 20th at Temple Emanu-El
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CATS — Returns to San Francisco, May 5th – 15th
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CONSTANTINE MAROULIS – Comes to the Curran Theatre in “Rock of Ages”
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THE KIDS ARE ALL RIGHT – Best Picture Nominee Cast Donates To On-line Charity Auction
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DMITRI HVOROSTOVSKY – This Sunday at Davies Symphony Hall
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MARC HUESTIS PRESENTS – Lesley Ann Warren, Valentine's Day At The Castro Theatre
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EDITORIAL – A confession about ballerina Lorena Feijóo
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PULP FASHION: The Art of Isabelle de Borchgrave at the Legion of Honor
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YURI POSSOKHOV'S RAkU — Stunning World Premiere At San Francisco Ballet
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PROGRAM 2 – Opens Tonight At San Francisco Ballet
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CLYBOURNE PARK – A Bright Debut for Director Jonathan Moscone at A.C.T.
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THE RITE – Right into the trash
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NOIR CITY 9 — Festival closes today at the Castro Theatre
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GISELLE – And the Legend of the Wilis
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COMPANY C CONTEMPORARY BALLET – Opens 9th Season
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GISELLE – Opens SF Ballet's 78th Season, 1/29/11
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“NUREMBURG: It’s Lesson For Today” – Rare Documentary Restored
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SAN FRANCISCO OPERA – Opens September 9th with with Iréne Theorin as “Turandot”
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PEARLS OVER SHANGHAI – Thrillpeddlers Extends Hit Show Through April 9th
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BUDRUS – A Documentary on uniting Palestinians and Israelis
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NADJA SALERNO-SONNENBERG – and New Century Chamber Orchestra Announce February 2011 Tour
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LORRAINE HUNT LIEBERSON – Featured Artist On Philharmonia Baroque's New Recording Label
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CAMERON CARPENTER – Organist signs with CAMI Music and Konzertdirektion Schmid
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THE ELIXIR OF LOVE FOR FAMILIES (The Movie) – Free Screenings At The Herbst
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BEETHOVEN – A Two-Week Gig At San Francisco Symphony
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ASIAN ART MUSEUM – Proposed financial agreement provides long term stable financing
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2ND ANNUAL GERMAN GEMS – Comes to the Castro Theatre
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PIANIST HÉLÈNE GRIMAUD – This Week with the SF Symphony
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FILM NOIR FESTIVAL – At the Castro Theatre, 1/21–30
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THE PALACE OF FINE ARTS – Opening Celebration, January 14th
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A Conversation with Elza van den Heever
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HEART OF A SOLDIER – SF Opera Commissions New Work
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ARTHUR SZYK: Miniature Paintings and Modern Illuminations
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SF SYMPHONY – Announces 2011/12 Centennial Celebration
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I LOVE YOU PHILLIP MORRIS – What were they smoking?
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SHREK THE MUSICAL – Ogres and Freaks and Spells, “Oh, my!”
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THE BLACK SWAN – Don’t Save The Drippings
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CD: MAHLER’S “Songs With Orchestra” – SF Symphony Completes Mahler Recording Project
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YIGIT PURA – Local Pastry Chef Wins Bravo’s “Top Chef Just Desserts”
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GENIUS WITHIN: The Inner Life of Glenn Gould
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KARITA MATTILA – “Viva To The Diva!”
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CLUB FOOT ORCHESTRA – A Conversation with Richard Marriot
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ELZA VAN DEN HEEVER – Performs Strauss’ Four Last Songs with SF Symphony
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TIMOTHY SEELIG – Takes His Baton To SF Gay Men’s Chorus
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RECLAIMED: Paintings From The Collection of Jacques Goudstikker
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WEST SIDE STORY – Most of it, anyway
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PLÁCIDO DOMINGO – An Interview with the Tenor turned Baritone for “Cyrano”
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SCHEHERAZADE – A Spectacular Opening Night for Alonzo King Lines Ballet
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RUFUS WAINWRIGHT – World Premiere of Five Shakespeare Sonnets, November 11–13
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Dr. ELISA STEPHENS – My Visit with the President
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TENOR RAMÓN VARGAS – A Worthy “Werther” At San Francisco Opera
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AÏDA – Spectacular Opening Night At San Francisco Opera
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JERRY SPRINGER THE OPERA – Now At The Victoria Theatre
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DREAMGIRLS – High Gloss and Not Much Soul
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CUBAN BALLET – An Interview with Octavio Roca
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A Look At "Giselle" with Ballerina Lorena Feijóo
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DOLORA ZAJICK – Internationally Acclaimed Mezzo To Receive Merola Distinguished Alumni Award
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BACH & FRIENDS – West Coast Premiere At The Kabuki, 7/14
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FROM BEGINNING TO END – At the Castro Theatre, FRAMELINE34
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SABINA ALLEMANN – Former SF Ballet Ballerina Returns In A.C.T.'s "The Tosca Project"
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CD/DVD Release: CAMERON LIVE! – Organist Cameron Carpenter
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THE RUFFATTI ORGAN & CAMERON CARPENTER at DAVIES HALL
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JEANETTE MacDONALD – Hollywood Diva Remembered at the War Memorial Opera House
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AMANDA McBROOM – A rose for new CD, "CHANSON"
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CAMERON CARPENTER – Stellar Organist Returns to San Francisco
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HANDEL'S "ORLANDO" – An Interview with Conductor Nicholas McGagen
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CAMERON CARPENTER – At Davies Symphony Hall
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PEARLS OVER SHANGHAI – An Interview with Russell Blackwood
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PIANIST MISHA DICHTER – A Conversation
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ZUILL BAILEY – A Conversation
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DAVID PERRY – On the “Dos and Don’ts of Social Media”
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NATHAN GUNN – Sings Schubert's Die Schöne Müllerin
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CAMINOS FLAMENCOS – A Conversation with Yaelisa
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A CONVERSATION WITH LUCIE ARNAZ – This Week At The Rrazz Room
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JANE MONHEIT – This Sunday At The Empire Ballroom
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DIANE BAKER – Celebrating the 50th Anniversary of THE DIARY OF ANNE FRANK
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CAMERON CARPENTER – An Interview with Seán Martinfield
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AT LAST! – ANN HAMPTON CALLAWAY – An Interview with Seán Martinfield
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A Conversation with Ruben Martin Cintas, Principal Dancer with SF Ballet
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Best regards,
Seán Martinfield
SanFranciscoSentinel.com
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Sean Martinfield

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I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I will give you suggestions that are appropriate to your vocal category and to requirements specified in the audition notice. I have also created a vocal methodology, "The Belter`s Method". It will enable those in Musical Theatre to practice more efficiently because it focuses on the demands of professional performers as well as to those auditioning for school and community productions, and as University and Conservatory performing arts majors. If what you want is a better voice and more control over your career moves and choices, contact me. Also, as the Editor of SanFranciscoSentinel.com, it is my privilege to review productions at the San Francisco Opera, Ballet and Symphony, as well as Broadway National Tours booked into San Francisco's Orpheum, Golden Gate and Curran Theatres. I also review works by A.C.T (the American Conservatory Theatre) and Magic Theatre. I cover select films, tributes and retrospects, and various international film festivals – particulary those booked into The City's opulent Castro Theatre – including the LGBT Frameline Festival, International Film Festival, Silent Film Festival, Jewish Film Festival, etc. For private vocal instruction, I can be contacted through SanFranciscoSentinel.com. Look under: Seán Martinfield, Sentinel Editor and Publisher.

Experience

As a vocal coach, I work primarily with singers and actors throughout the San Francisco Bay Area. My students range from absolute beginners to working professionals, from pre-schoolers to senior citizens. The vast majority of my clients come to me through recommendation. I know how to identify any singer's vocal category, i.e., soprano, tenor, alto, baritone, etc. I know how to muscle-up every singer's vocal range and to expand it beyond conventional definitions. I have developed a vocal methodology for those who want to know how to belt, THE BELTER'S METHOD. As a singer who spent half of his career doing Bel Canto, I know that classical or Italian methodologies do not work in Standard American music. Bel Canto cannot be "adapted" to meet the needs of contemporary American music, including the demands of the Musical Theatre. There are a number of major components to my work as a vocal coach. The first is to identify the client's vocal category and to strengthen and maximize the vocal range accordingly. Then it's about teaching a reliable vocal workout that will enable the client to gain better control of their musicianship. That includes scale work to expand the vocal range and to improve placement, breath control, and diction. Then we work on material for the audition portfolio, the immediate job or assignment, a recording session, etc. My task to is to better equip singers and actors who are hoping to or relying upon their performance skills and vocal endurance to maintain a career in the Performing Arts. My clients regularly appear in cabarets and musical productions throughout the San Francisco Bay Area. Some have worked in New York and gone on National Tours. For more information, Contact me at: Broadwaybelters@yahoo.com

Education/Credentials
San Francisco State University – BA in Theatre Arts; graduate work in Theatre, Philosophy, and Comparative Reiligion. Pacific School of Religion, Berkeley – Graduate work in Ethics

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