Acting in Plays, Singing/falsetto

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Question
This past school year was my senior year in high school. And for all my life I've had a great falsetto. But about half-way through the school year this year my falsetto just disappeared. At the beginning of the year my voice was fine and I had no problems. Now It's like i forgot how to sing in falsetto or something. My voice just refuses to go into falsetto no matter how much I try. It really saddened me and I miss back when I had free range (to an extent) in my voice. So my question is, is there anyway to get my falsetto back? I would really appreciate any help you could give me. Even if you just tell me that I'll never get it back. At least then I wouldn't have to wonder anymore.

Answer
Hi, Michael –

Thank you for the question.

Not everybody means the same thing by the term "falsetto". What songs were you singing that just don't seem to work anymore?

The first question is: what is your normal range without your falsetto? Speaking in treble clef – where the vast majority of popular vocal sheet music is spelled – what are your lowest and highest notes?

Given your age and all the hormones that are raging through your body – you can't expect your voice to behave the same way it did this same time last year. Yes, those days are gone forever. Now it's time to train your voice as a man.

My job as a professional vocal coach is to determine your true vocal category, i.e., tenor, baritone, bass, etc. Some men have an enthusiastic interest in the countertenor range. What that generally means is an enthusiastic interest in the repertoire written for the Classical Countertenor. But not every guy has what it takes to do that. Sample David Daniels' recording, SERENADE:  http://www.amazon.com/David-Daniels-Christoph-Willibald-Gluck/dp/B00004SRG1
I have seen him several times in concert. He is a handsome, beefy guy. Classical singers perform without a mic. Mr. Daniels has a beautifully trained voice and one that can easily be heard in any standard concert hall or opera house.

If you're referring to the "Doo Wop" variety of falsetto, listen to such great groups as The Silhouettes, The Penguins, The Five Satins, etc. My favorite group of all time is the Ink Spots: http://www.amazon.com/The-Ink-Spots/e/B000AQ0KF4/digital/ref=ntt_mp3_rdr?_encodi...
Over the years, they had two major Lead voices who employed the most amazing flexibility with their falsetto.

Do you want to aim for a professional career as a singer? Are you thinking of becoming a music major?

If you have a sample of your voice that I can listen to on-line I will be happy to offer you some feedback.

I am a vocal coach to working singers in the San Francisco Bay Area. I'm also the Editor and Publisher of SanFranciscoSentinel.com All my articles and interviews provide a link to my personal e-mail.

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Best regards,
Seán Martinfield
SanFranciscoSentinel.com
http://www.sanfranciscosentinel.com/?cat=65

Acting in Plays, Singing

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Sean Martinfield

Expertise

I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I will give you suggestions that are appropriate to your vocal category and to requirements specified in the audition notice. I have also created a vocal methodology, "The Belter`s Method". It will enable those in Musical Theatre to practice more efficiently because it focuses on the demands of professional performers as well as to those auditioning for school and community productions, and as University and Conservatory performing arts majors. If what you want is a better voice and more control over your career moves and choices, contact me. Also, as the Editor of SanFranciscoSentinel.com, it is my privilege to review productions at the San Francisco Opera, Ballet and Symphony, as well as Broadway National Tours booked into San Francisco's Orpheum, Golden Gate and Curran Theatres. I also review works by A.C.T (the American Conservatory Theatre) and Magic Theatre. I cover select films, tributes and retrospects, and various international film festivals – particulary those booked into The City's opulent Castro Theatre – including the LGBT Frameline Festival, International Film Festival, Silent Film Festival, Jewish Film Festival, etc. For private vocal instruction, I can be contacted through SanFranciscoSentinel.com. Look under: Seán Martinfield, Sentinel Editor and Publisher.

Experience

As a vocal coach, I work primarily with singers and actors throughout the San Francisco Bay Area. My students range from absolute beginners to working professionals, from pre-schoolers to senior citizens. The vast majority of my clients come to me through recommendation. I know how to identify any singer's vocal category, i.e., soprano, tenor, alto, baritone, etc. I know how to muscle-up every singer's vocal range and to expand it beyond conventional definitions. I have developed a vocal methodology for those who want to know how to belt, THE BELTER'S METHOD. As a singer who spent half of his career doing Bel Canto, I know that classical or Italian methodologies do not work in Standard American music. Bel Canto cannot be "adapted" to meet the needs of contemporary American music, including the demands of the Musical Theatre. There are a number of major components to my work as a vocal coach. The first is to identify the client's vocal category and to strengthen and maximize the vocal range accordingly. Then it's about teaching a reliable vocal workout that will enable the client to gain better control of their musicianship. That includes scale work to expand the vocal range and to improve placement, breath control, and diction. Then we work on material for the audition portfolio, the immediate job or assignment, a recording session, etc. My task to is to better equip singers and actors who are hoping to or relying upon their performance skills and vocal endurance to maintain a career in the Performing Arts. My clients regularly appear in cabarets and musical productions throughout the San Francisco Bay Area. Some have worked in New York and gone on National Tours. For more information, Contact me at: Broadwaybelters@yahoo.com

Education/Credentials
San Francisco State University – BA in Theatre Arts; graduate work in Theatre, Philosophy, and Comparative Reiligion. Pacific School of Religion, Berkeley – Graduate work in Ethics

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