Acting in Plays, Singing/Opinion Sondheim Audition
Expert: Sean Martinfield - 7/17/2011
QuestionSean,
I have received a lot of conflicting opinions on whether songs composed by Stephen Sondheim are appropriate for auditioning. I was wondering if you could give me some conclusive explanation of what you believe as well as the majority opinion among musical theatre professionals.
Thank You,
Hannah
PS: I am a high school student (Class of 2012) and my next musical theatre audition will be February or March of the coming year: this question is not associated with a specific audition.
AnswerHi, Hannah –
Thank you for the question.
I'm sure I've heard the same talk as you about NOT doing a piece by Sondheim at an audition, especially one that is non-specific.
What I don't hear is the simple and common sense reason. His piano accompaniment is too difficult for most players at most auditions.
There are exceptions. Consider a professional theater company producing a Sondheim show. The audition accompanist may very well be their regular rehearsal accompanist. Which means, that accompanist knows how to play Sondheim. Right? If you are auditioning for a Sondheim show, then you should know – before walking out the door – all the material of whatever roles you want to be considered for and be able to sing any of it upon request. What goes along with that scenario is something common to any musical audition. Unless the audition notice states otherwise, you should not sing from the show you are auditioning for. And since it is always a good idea to select another piece by the same composer – obviously, that means something else by Sondheim.
His song list is huge. Sing whatever you want. Just be sure the song is placed in the key that reflects the vocal range of the character you want. There are a number of sheet music web sites that have his material available in downloadable digital format and which can also be transposed.
As a professional vocal coach I know that Sondheim's music is loaded with challenges of all sorts. If I'm the producer, the music director, or even a consultant on the audition panel – I will be listening for your musicianship. You've got to prove to me within 16 bars or less that your voice and musical sensibilities are going to endure the rehearsal process and run of the show.
Another thing to consider about choosing material by Sondheim for a show by another composer – nobody else writes like him. For example, if you're a soprano – "Green Finch and Linnet Bird" from SWEENEY TODD is in no way related to the style or needs of "Laurie" in OKLAHOMA.
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Seán Martinfield
SanFranciscoSentinel.com
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