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Acting in Plays, Singing/audition for annie
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Question
I am auditioning for Annie soon, and would like to play one of the orphans, but am fine with anyone (I am 14 but the audition isn't for a specific part, you just audition for the show and they decide what part as it is a community theater). What should sing? I consider myself a mezzo soprano, but I can sing quite low and high, and belt pretty high too.
Hi, Maria –
Thank you for the question.
At fourteen, unless you're as diminutive as was the original "Annie", Andrea McArdle, you probably have pushed the age limit. In professional productions, there may be as many as two orphans assigned to understudy the role. Nevertheless, this audition represents an opportunity for the company to get to know you – especially for future productions – when you won't be looking to play a prepubescent little girl.
Add this material to your audition portfolio:
Zing! Went The Strings Of My Heart (by James F. Hanley)
The Boy Next Door – MEET ME IN ST. LOUIS
How About You? – BABES ON BROADWAY
Could You Use Me? – CRAZY FOR YOU
I am a vocal coach to working singers in the San Francisco Bay Area. I'm also the Editor and Publisher of SanFranciscoSentinel.com All my articles and interviews provide a link to my personal e-mail.
Below are links to my articles and youtubes on San Francisco's entertainment and cultural scene:
SAN FRANCISCO OPERA – Opens with Puccini's "Turandot", September 9th
http://www.sanfranciscosentinel.com/?p=150084
HELP IS ON THE WAY XVII: Gotta Sing! Gotta Dance!
http://www.sanfranciscosentinel.com/?p=149792
Previewing two exhibitions coming to the de Young Museum and Legion of Honor
http://www.sanfranciscosentinel.com/?p=149256
NEW ON CD – "Live from the Marlboro Music Festival"
http://www.sanfranciscosentinel.com/?p=148987
THE STEINS COLLECT: Matisse, Picasso, and the Parisian Avant-Garde – SFMOMA extends viewing hours on exhibition
http://www.sanfranciscosentinel.com/?p=148813
100th BIRTHDAY – San Francisco Symphony throws free concert bash in Civic Center Plaza, September 8th
http://www.sanfranciscosentinel.com/?p=148503
KEVIN SPACEY IS "RICHARD III" – At the Curran, October 19th—29th
http://www.sanfranciscosentinel.com/?p=148283
FOUR SAINTS IN THREE ACTS – Gertrude Stein and Virgil Thomson's Experimental Opera at Yerba Buena Center for the Arts, 8/18–21
http://www.sanfranciscosentinel.com/?p=147587
3rd i's QUEER EYE – August Festival focuses on the South Asian LGBT experience
http://www.sanfranciscosentinel.com/?p=147203
BALI: Art, Ritual, Performance – At the Asian Art Museum until September 11th
http://www.sanfranciscosentinel.com/?p=146641
FOLGER COFFEE BUILDING – Becomes Downtown Hub for University of San Francisco
http://www.sanfranciscosentinel.com/?p=146444
"STUFFED AND UNSTRUNG" – The Henson Puppets, Totally Uncensored – At the Curran, 8/18—27th
http://www.sanfranciscosentinel.com/?p=146205
San Francisco Opera and Musicians Union – Ratify new 3-year contract
http://www.sanfranciscosentinel.com/?p=146144
DIANA ROSS – One Night Only! – At the Golden Gate Theatre, 9/16
http://www.sanfranciscosentinel.com/?p=145620
SAN FRANCISCO OPERA – Free Concert at Stern Grove, August 21st
http://www.sanfranciscosentinel.com/?p=145319
TURANDOT – San Francisco Opera Opening Night Gala, September 9th
http://www.sanfranciscosentinel.com/?p=144788
“THE BARBER OF SEVILLE” – Presented by the Merola Opera Program, 8/4-7
http://www.sanfranciscosentinel.com/?p=144571
KIRK DOUGLAS – On Stage Today At The Castro Theatre
http://www.sanfranciscosentinel.com/?p=144098
“CASABLANCA” – The SF Symphony accompanies screening tonight, 7/22
http://www.sanfranciscosentinel.com/?p=143500
DANIEL MÜLLER-SCHOTT – Featured guest artist in All Tchaikovsky concert at Davies Symphony Hall
http://www.sanfranciscosentinel.com/?p=143298
“HE WHO GETS SLAPPED” – A conversation with composer and pianist Matti Bye
http://www.sanfranciscosentinel.com/?p=141506
SFMOMA – Spotlights Ceramics In Recent Art Practice – Now though 10/30
http://www.sanfranciscosentinel.com/?p=142745
SEPTEMBER 11th – “Opera In The Park” – The City’s Civic Observance of the 10th Anniversary of 9/11
http://www.sanfranciscosentinel.com/?p=141653
ABEL GANCE’S “NAPOLEON” – San Francisco Silent Film Festival to present complete restoration by Kevin Brownlow in 2012
http://www.sanfranciscosentinel.com/?p=141704
"BILLY ELLIOT" – A high flying hit at the Orpheum
http://www.sanfranciscosentinel.com/?p=137904
HEIDI MELTON – An Interview with “Sieglinde” in San Francisco Opera’s DIE WALKÜRE, 6/29
http://www.sanfranciscosentinel.com/?p=136787
DUTCH AND FLEMISH MASTERWORKS – At the Legion of Honor
http://www.sanfranciscosentinel.com/?p=140498
SAN FRANCISCO OPERA – Single tickets now on sale
http://www.sanfranciscosentinel.com/?p=140195
THE CASTRO AMBASSADORS – Got questions? Have answers!
http://www.sanfranciscosentinel.com/?p=138785
MARY GIBBONEY – An Interview with the star of “ABSOLUTELY SAN FRANCISCO”
http://www.sanfranciscosentinel.com/?p=138339
LUCY WOODWARD – Replaces China Forbes in Pink Martini concerts with SF Symphony
http://www.sanfranciscosentinel.com/?p=136212
AUDITIONS – San Francisco Opera holding auditions for boys
http://www.sanfranciscosentinel.com/?p=136035
“BECOMING CHAZ” – Chaz Bono coming to the Castro Theatre, Thursday, 6/23
http://www.sanfranciscosentinel.com/?p=135860
“WISH WE WERE HERE”, Genie-ous Comedy at NCTC
http://www.sanfranciscosentinel.com/?p=135371
GÖTTERDAMMERÜNG — A World Premiere, Today At San Francisco Opera
http://www.sanfranciscosentinel.com/?p=135137
"DAS RHEINGOLD" – The slippery steps to Valhalla
http://www.sanfranciscosentinel.com/?p=134597
"BILLY ELLIOT" – Leaps Into the Orpheum June 27th
http://www.sanfranciscosentinel.com/?p=134002
PICASSO — Now at the de Young Museum
http://www.sanfranciscosentinel.com/?p=133151
OLYMPIA DUKAKIS – Will Host “Tales of the City” Benefit on June 24th
http://www.sanfranciscosentinel.com/?p=132644
JOHNNY MATHIS and "CASABLANCA" – In the Summer Line-up with SF Symphony
http://www.sanfranciscosentinel.com/?p=131581
SONDHEIM’S “ASSASSINS” – Ray of Light Theatre is right-on target
http://www.sanfranciscosentinel.com/?p=132084
“TALES OF THE CITY” – Totally Sensational, Totally San Francisco
http://www.sanfranciscosentinel.com/?p=130807
“THE STOPS” – At NCTC – Come On and Get A Faith Lift
http://www.sanfranciscosentinel.com/?p=130572
BRENDEN GUY — British Clarinetist In Concert, June 2nd
http://www.sanfranciscosentinel.com/?p=130065
BLUE MAN GROUP — Best show in town!
http://www.sanfranciscosentinel.com/?p=129943
SFMOMA — The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde
http://www.sanfranciscosentinel.com/?p=128921
SILENT FILM FESTIVAL – Opens July 14th with re-discovered film by John Ford
http://www.sanfranciscosentinel.com/?p=127988
VICE PALACE – All Singing! All Dancing! All Hedonism!!!
http://www.sanfranciscosentinel.com/?p=126590
SEEING GERTRUDE STEIN: FIVE STORIES
http://www.sanfranciscosentinel.com/?p=126116
THE SCOTTSBORO BOYS – Coming to A.C.T.
http://www.sanfranciscosentinel.com/?p=125577
THE LITTLE MERMAID – Fabulous Revival by SF Ballet, ends Sunday, 5/8
http://www.sanfranciscosentinel.com/?p=123601
BETH WILMURT – A stunning “Alma” in The Eccentricities of a Nightingale, at the Aurora Theatre
http://www.sanfranciscosentinel.com/?p=123309
CD: ZUILL BAILEY, Cellist – Brahms Works for Cello and Piano
http://www.sanfranciscosentinel.com/?p=121932
NO EXIT: A Helluva Great Time at the American Conservatory Theatre
http://www.sanfranciscosentinel.com/?p=121768
TIIT HELIMETS – An Interview with “Prince Edvard” of SF Ballet’s THE LITTLE MERMAID
http://www.sanfranciscosentinel.com/?p=120731
KIRK DOUGLAS – On stage at the Castro Theatre, July 24th
http://www.sanfranciscosentinel.com/?p=120434
CD: DAVID RUSSELL — Isaac Albéniz: Spanish Music on Guitar
http://www.sanfranciscosentinel.com/?p=118412
NEW CONSERVATORY THEATRE CENTER – Announces 2011-12 Pride Season
http://www.sanfranciscosentinel.com/?p=117780
NEW PUBLICATIONS: PUBLIC TRUST BETRAYED. An Interview with author and real estate appraiser, James E. Manning
http://www.sanfranciscosentinel.com/?p=117374
PHILHARMONIA BAROQUE ORCHESTRA & CHORALE – Announces 2011-2012 Season
http://www.sanfranciscosentinel.com/?p=116217
COPPÉLIA – A Gorgeous New Production at San Francisco Ballet
http://www.sanfranciscosentinel.com/?p=114535
NEW ON CD – Icicle Creek Piano Trio: Haydn, Turina, Shostakovich
http://www.sanfranciscosentinel.com/?p=114131
NEW CENTURY CHAMBER ORCHESTRA – Presents “Mastery of Schubert”, Featuring Soprano Melody Moore, 3/24–27
http://www.sanfranciscosentinel.com/?p=113791
ZHENG CAO – A Conversation with A Miracle Artist
http://www.sanfranciscosentinel.com/?p=111219
MELODY MOORE – Soprano shines in SF Ballet’s “Nanna’s Lied”
http://www.sanfranciscosentinel.com/?p=110816
MARNIE BRECKENRIDGE – An Interview with “La Princesse” of Philip Glass’ Orphée
http://www.sanfranciscosentinel.com/?p=109326
AVENUE Q – A Totally Fabulous Place To Be
http://www.sanfranciscosentinel.com/?p=108981
EDITORIAL – A confession about ballerina Lorena Feijóo
http://www.sanfranciscosentinel.com/?p=107690
YURI POSSOKHOV'S RAkU — Stunning World Premiere At San Francisco Ballet
http://www.sanfranciscosentinel.com/?p=107256
GISELLE – And the Legend of the Wilis
http://www.sanfranciscosentinel.com/?p=105461
SAN FRANCISCO OPERA – Opens September 9th with with Iréne Theorin as “Turandot”
http://www.sanfranciscosentinel.com/?p=104443
A Conversation with Elza van den Heever
http://www.sanfranciscosentinel.com/?p=99268
HEART OF A SOLDIER – SF Opera Commissions New Work
http://www.sanfranciscosentinel.com/?p=98518
SHREK THE MUSICAL – Ogres and Freaks and Spells, “Oh, my!”
http://www.sanfranciscosentinel.com/?p=96975
THE BLACK SWAN – Don’t Save The Drippings
http://www.sanfranciscosentinel.com/?p=96580
CD: MAHLER’S “Songs With Orchestra” – SF Symphony Completes Mahler Recording Project
http://www.sanfranciscosentinel.com/?p=95840
CLUB FOOT ORCHESTRA – A Conversation with Richard Marriot
http://www.sanfranciscosentinel.com/?p=94863
WEST SIDE STORY – Most of it, anyway
http://www.sanfranciscosentinel.com/?p=93786
PLÁCIDO DOMINGO – An Interview with the Tenor turned Baritone for “Cyrano”
http://www.sanfranciscosentinel.com/?p=93275
Dr. ELISA STEPHENS – A Visit with the President of the Academy of Art University
http://www.sanfranciscosentinel.com/?p=90791
CUBAN BALLET – An Interview with Octavio Roca
http://www.sanfranciscosentinel.com/?p=86049
A Look At "Giselle" with Ballerina Lorena Feijóo
http://www.youtube.com/watch?v=33-a6Oa-0j4
DOLORA ZAJICK – Internationally Acclaimed Mezzo To Receive Merola Distinguished Alumni Award
http://www.sanfranciscosentinel.com/?p=85363
SABINA ALLEMANN – Former SF Ballet Ballerina Returns In A.C.T.'s "The Tosca Project"
http://www.sanfranciscosentinel.com/?p=76516
AMANDA McBROOM – A rose for new CD, "CHANSON"
http://www.sanfranciscosentinel.com/?p=68879
CAMERON CARPENTER – Stellar Organist Returns to San Francisco
http://www.sanfranciscosentinel.com/?p=68311
HANDEL'S "ORLANDO" – An Interview with Conductor Nicholas McGagen
http://www.sanfranciscosentinel.com/?p=67774
CAMERON CARPENTER – At Davies Symphony Hall
http://www.sanfranciscosentinel.com/?p=64126
PEARLS OVER SHANGHAI – An Interview with Russell Blackwood
http://www.sanfranciscosentinel.com/?p=63625
PIANIST MISHA DICHTER – A Conversation
http://www.sanfranciscosentinel.com/?p=59695
ZUILL BAILEY – A Conversation
http://www.sanfranciscosentinel.com/?p=58241
DAVID PERRY – On the “Dos and Don’ts of Social Media”
http://www.sanfranciscosentinel.com/?p=56487
NATHAN GUNN – Sings Schubert's Die Schöne Müllerin
http://www.sanfranciscosentinel.com/?p=56056
CAMINOS FLAMENCOS – A Conversation with Yaelisa
http://www.sanfranciscosentinel.com/?p=51761
JANE MONHEIT – An Interview
http://www.sanfranciscosentinel.com/?p=48083
DIANE BAKER – Celebrating the 50th Anniversary of THE DIARY OF ANNE FRANK
http://www.sanfranciscosentinel.com/?p=32007
CAMERON CARPENTER – An Interview with Seán Martinfield
http://www.sanfranciscosentinel.com/?p=24462
AT LAST! – ANN HAMPTON CALLAWAY – An Interview with Seán Martinfield
http://www.sanfranciscosentinel.com/?p=27122
A Conversation with Ruben Martin Cintas, Principal Dancer with SF Ballet
http://www.sanfranciscosentinel.com/?p=22107
THIS GUN FOR HIRE, 1942 – Looking at "Now you see it, now you don't" sung by Veronica Lake
http://www.youtube.com/watch?v=VI26A6HdnWY
"My Silver Dollar Man" – from MARKED WOMAN (starring Bette Davis, 1937)
http://www.youtube.com/watch?v=uJMuY8aKFV8
"Would You Like A Souvenir?" – Sean Martinfield and Janet Roitz explore a song from Film Noir classic NORA PRENTISS (1947)
http://www.youtube.com/watch?v=yOiqTp0tjvg
Best regards,
Seán Martinfield
SanFranciscoSentinel.com
http://www.sanfranciscosentinel.com/?cat=65
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Answers by Expert:
Sean Martinfield
Expertise
I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I will give you suggestions that are appropriate to your vocal category and to requirements specified in the audition notice. I have also created a vocal methodology, "The Belter`s Method". It will enable those in Musical Theatre to practice more efficiently because it focuses on the demands of professional performers as well as to those auditioning for school and community productions, and as University and Conservatory performing arts majors. If what you want is a better voice and more control over your career moves and choices, contact me. Also, as the Editor of SanFranciscoSentinel.com, it is my privilege to review productions at the San Francisco Opera, Ballet and Symphony, as well as Broadway National Tours booked into San Francisco's Orpheum, Golden Gate and Curran Theatres. I also review works by A.C.T (the American Conservatory Theatre) and Magic Theatre. I cover select films, tributes and retrospects, and various international film festivals – particulary those booked into The City's opulent Castro Theatre – including the LGBT Frameline Festival, International Film Festival, Silent Film Festival, Jewish Film Festival, etc. For private vocal instruction, I can be contacted through SanFranciscoSentinel.com. Look under: Seán Martinfield, Sentinel Editor and Publisher.
Experience
As a vocal coach, I work primarily with singers and actors throughout the San Francisco Bay Area. My students range from absolute beginners to working professionals, from pre-schoolers to senior citizens. The vast majority of my clients come to me through recommendation. I know how to identify any singer's vocal category, i.e., soprano, tenor, alto, baritone, etc. I know how to muscle-up every singer's vocal range and to expand it beyond conventional definitions. I have developed a vocal methodology for those who want to know how to belt, THE BELTER'S METHOD. As a singer who spent half of his career doing Bel Canto, I know that classical or Italian methodologies do not work in Standard American music. Bel Canto cannot be "adapted" to meet the needs of contemporary American music, including the demands of the Musical Theatre.
There are a number of major components to my work as a vocal coach. The first is to identify the client's vocal category and to strengthen and maximize the vocal range accordingly. Then it's about teaching a reliable vocal workout that will enable the client to gain better control of their musicianship. That includes scale work to expand the vocal range and to improve placement, breath control, and diction. Then we work on material for the audition portfolio, the immediate job or assignment, a recording session, etc. My task to is to better equip singers and actors who are hoping to or relying upon their performance skills and vocal endurance to maintain a career in the Performing Arts. My clients regularly appear in cabarets and musical productions throughout the San Francisco Bay Area. Some have worked in New York and gone on National Tours. For more information, Contact me at: Broadwaybelters@yahoo.com
Education/Credentials
San Francisco State University – BA in Theatre Arts; graduate work in Theatre, Philosophy, and Comparative Reiligion.
Pacific School of Religion, Berkeley – Graduate work in Ethics
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