Acting in Plays, Singing/Honk! Jr

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Question
Dear Sean,
this year my school is doing Honk! Jr as it's play and I I'm trying to figure out an audition song. I can sing from an F3 to a B5 and I am more comfortable in a higher range. I have no idea what songs I should sing or what part in this play I should even try out for. Any suggestions would be great. Thanks a ton,
Emily

Answer
Hi, Emily –

Thank you for the question.

Go to YouTube.com. Look under "Honk the musical" .There are a number of clips that will give you a solid idea of the nature of the show and its characters. You may wind up hating it. I did.

Nevertheless, given the stretch of your range, some of the larger roles to be aware of include: Dot, Ida, Lowbutt, Maureen, Penny, and Queenie. There are also a few character parts and a brace of ducklings.

Once you get the exaggerated mannerisms involved and the comic nature of the voices, then you will have a better idea of what you need to demonstrate at your audition. You can take most any standard Broadway song in your range and then tweak it to the role(s) you want to be considered for.

I am a vocal coach to working singers in the San Francisco Bay Area. I'm also the Music and Theatre critic for SanFranciscoSentinel.com and Classical music reviewer for Examiner.com: http://www.examiner.com/user/4557381/articles

Check out my recent interview with popular TV host, David Perry, on "Ten Percent":
http://www.youtube.com/watch?v=XKeeTYTYMAI

Below are links to my articles and youtubes on San Francisco's entertainment and cultural scene:

'Unfaithfully Yours' – Classic Overtures at Noir City X
http://www.examiner.com/classical-music-in-san-francisco/unfaithfully-yours-clas

SAN FRANCISCO OPERA – Announces 2012/13 Season
http://www.sanfranciscosentinel.com/?p=166876

SF Symphony – elevates Debussy's "Martyrdom of Saint Sebastian" to ecstatic heights
http://www.examiner.com/classical-music-in-san-francisco/sf-symphony-elevates-de

EDDIE MULLER – On the Slow Death of 35mm – An Interview with the "Czar of Noir"
http://www.sanfranciscosentinel.com/?p=166840

GOLDEN GATE BRIDGE – 75th Anniversary – "Bridging Us All"
http://www.sanfranciscosentinel.com/?p=166824

CHRISTINE EBERSOLE – Bay Area Cabaret presents Tony Award winner at the Venetian Room, January 15th
http://www.sanfranciscosentinel.com/?p=166791

Best In Women's Classical Vocals 2011
http://www.examiner.com/classical-music-in-san-francisco/best-women-s-classical-

"Le Martyre de Saint Sébastien" – At Davies Symphony Hall, Featuring Damian Smith of SF Ballet, January 12th–14th
http://www.sanfranciscosentinel.com/?p=166732

NOIR CITY – 10th Anniversary, 10-Day Festival at the Castro Theatre, begins January 20th
http://www.sanfranciscosentinel.com/?p=166799

NATIONAL FILM REGISTRY – Selects 25 Films for Preservation
http://www.sanfranciscosentinel.com/?p=166748

JOHN E. BUCHANAN, Jr. – Director of the Legion of Honor and de Young Museum loses battle with cancer
http://www.sanfranciscosentinel.com/?p=166762

A Spectacular Christmas Eve at Davies Symphony Hall
http://www.examiner.com/classical-music-in-san-francisco/a-spectacular-christmas

NEW YEAR'S EVE MASQUERADE BALL – Violinist Nicola Benedetti with the San Francisco Symphony
http://www.sanfranciscosentinel.com/?p=166714

CD, JAKE SCHEPPS – An Evening in the Village: The Music of Béla Bartók
http://www.sanfranciscosentinel.com/?p=166708

NEW YEAR'S EVE MASQUERADE BALL – Violinist Nicola Benedetti with the San Francisco Symphony
http://www.sanfranciscosentinel.com/?p=166714

"XANADU THE MUSICAL" – Now at the New Conservatory Theatre Center
http://www.sanfranciscosentinel.com/?p=166701

'TWAS THE NIGHT – Celebrate Christmas with the San Francisco Symphony
http://www.sanfranciscosentinel.com/?p=166688

THE NUTCRACKER – Confection Perfection at San Francisco Ballet
http://www.sanfranciscosentinel.com/?p=166662

DEANNA DURBIN – The Leading Lady of NOIR CITY XMAS, Wednesday at The Castro Theatre
http://www.sanfranciscosentinel.com/?p=166623

CD Review – A STEINWAY CHRISTMAS ALBUM  ★★★★
http://www.sanfranciscosentinel.com/?p=166619

MELODY MOORE – Opera Star to Appear with San Francisco Gay Men’s Chorus in Holiday Concerts
http://www.sanfranciscosentinel.com/?p=166598


CD: SANCHO PANÇA – 18th Century Opera  ★★★
http://www.sanfranciscosentinel.com/?p=166581

SF Opera Center Announces the 2012 Adler Fellows
http://www.sanfranciscosentinel.com/?p=166562

CALIFORNIA DREAMING – At the Contemporary Jewish Museum
http://www.sanfranciscosentinel.com/?p=166550

BERNINI'S MEDUSA – Now at the Legion of Honor through February 12th
http://www.sanfranciscosentinel.com/?p=166541

A Conversation with Artist Elaine Badgley Arnoux — "The People of San Francisco, Lives of Accomplishment"
http://www.sanfranciscosentinel.com/?p=166486

"THE ARTIST" – Silents, please! – A masterpiece in B&W, starring Jean Dujardin
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THOMAS JANE – An interview with the star of HBO's "Hung" and 3D Thriller "Dark Country"
http://www.sanfranciscosentinel.com/?p=166393

CARMEN – Closing the season at San Francisco Opera
http://www.sanfranciscosentinel.com/?p=166277

MAHARAJA – The Splendor of India's Royal Courts, at the Asian Art Museum
http://www.sanfranciscosentinel.com/?p=166137

KRISTIN CLAYTON– A Conversation with "The Diva" of Teatro ZinZanni
http://www.sanfranciscosentinel.com/?p=166029

"XERXES" – At San Francisco Opera
http://www.sanfranciscosentinel.com/?p=165997

CD Release: "Feels Like Home", The Celtic Tenors  ★★★★
http://www.sanfranciscosentinel.com/?p=165722

DON GIOVANNI – It's smart and new at San Francisco Opera
http://www.sanfranciscosentinel.com/?p=165485

"HOUDINI: Art and Magic" – At the Contemporary Jewish Museum
http://www.sanfranciscosentinel.com/?p=164754

LEANNE BORGHESI – SF Bay Area Star on the Rise
http://www.sanfranciscosentinel.com/?p=163898

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http://www.sanfranciscosentinel.com/?p=163408

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http://www.sanfranciscosentinel.com/?p=162920

"LUCREZIA BORGIA" – A Hard Act To Swallow at San Francisco Opera
http://www.sanfranciscosentinel.com/?p=160261

EDDIE MULLER and "Fear Over Frisco" – An Interview with the Czar of Noir
http://www.sanfranciscosentinel.com/?p=161026

CD Release – Jacques Loussier Trio – "Schumann: Kinderszenen"
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LEAH CROCETTO – An Interview with "Liu" in SF Opera's TURANDOT
http://www.sanfranciscosentinel.com/?p=159189

HENRY PHIPPS – A Conversation with Featured Boy Soprano in SF Opera's "Heart of a Soldier"
http://www.sanfranciscosentinel.com/?p=158231

"HEART OF A SOLDIER" – A Rapturous World Premiere At San Francisco Opera
http://www.sanfranciscosentinel.com/?p=157139

MEET MAESTRO NICOLA LUISOTTI – San Francisco Opera opens 2011/12 season with Puccini's "Turandot"
http://www.sanfranciscosentinel.com/?p=156522

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http://www.sanfranciscosentinel.com/?p=155054

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AT LAST! – ANN HAMPTON CALLAWAY – An Interview with Seán Martinfield
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"My Silver Dollar Man" – from MARKED WOMAN (starring Bette Davis, 1937)
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"Would You Like A Souvenir?" – Sean Martinfield and Janet Roitz explore a song from Film Noir classic NORA PRENTISS (1947)
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Best regards,
Seán Martinfield
SanFranciscoSentinel.com
http://www.sanfranciscosentinel.com/?cat=65

Acting in Plays, Singing

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Sean Martinfield

Expertise

I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I will give you suggestions that are appropriate to your vocal category and to requirements specified in the audition notice. I have also created a vocal methodology, "The Belter`s Method". It will enable those in Musical Theatre to practice more efficiently because it focuses on the demands of professional performers as well as to those auditioning for school and community productions, and as University and Conservatory performing arts majors. If what you want is a better voice and more control over your career moves and choices, contact me. Also, as the Editor of SanFranciscoSentinel.com, it is my privilege to review productions at the San Francisco Opera, Ballet and Symphony, as well as Broadway National Tours booked into San Francisco's Orpheum, Golden Gate and Curran Theatres. I also review works by A.C.T (the American Conservatory Theatre) and Magic Theatre. I cover select films, tributes and retrospects, and various international film festivals – particulary those booked into The City's opulent Castro Theatre – including the LGBT Frameline Festival, International Film Festival, Silent Film Festival, Jewish Film Festival, etc. For private vocal instruction, I can be contacted through SanFranciscoSentinel.com. Look under: Seán Martinfield, Sentinel Editor and Publisher.

Experience

As a vocal coach, I work primarily with singers and actors throughout the San Francisco Bay Area. My students range from absolute beginners to working professionals, from pre-schoolers to senior citizens. The vast majority of my clients come to me through recommendation. I know how to identify any singer's vocal category, i.e., soprano, tenor, alto, baritone, etc. I know how to muscle-up every singer's vocal range and to expand it beyond conventional definitions. I have developed a vocal methodology for those who want to know how to belt, THE BELTER'S METHOD. As a singer who spent half of his career doing Bel Canto, I know that classical or Italian methodologies do not work in Standard American music. Bel Canto cannot be "adapted" to meet the needs of contemporary American music, including the demands of the Musical Theatre. There are a number of major components to my work as a vocal coach. The first is to identify the client's vocal category and to strengthen and maximize the vocal range accordingly. Then it's about teaching a reliable vocal workout that will enable the client to gain better control of their musicianship. That includes scale work to expand the vocal range and to improve placement, breath control, and diction. Then we work on material for the audition portfolio, the immediate job or assignment, a recording session, etc. My task to is to better equip singers and actors who are hoping to or relying upon their performance skills and vocal endurance to maintain a career in the Performing Arts. My clients regularly appear in cabarets and musical productions throughout the San Francisco Bay Area. Some have worked in New York and gone on National Tours. For more information, Contact me at: Broadwaybelters@yahoo.com

Education/Credentials
San Francisco State University – BA in Theatre Arts; graduate work in Theatre, Philosophy, and Comparative Reiligion. Pacific School of Religion, Berkeley – Graduate work in Ethics

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