Acting in Plays, Singing/Actress


Hi, I've always been a huge fan of the performing arts and I don't really know where to go or where to start. In 13 and I am very interested in being an actress I was wondering if you could help me and btw I'm in Florida

Hi, Angeli --

Thank you for the question.

Becoming an actress starts with being aware of the basic tools of the trade. Before it is an artistic experience, communicating a character to an audience is an athletic experience. You have to be heard, understood, be in top physical condition, and when you are in a professional theatrical situation -- to deliver as many as eight shows per week. Just those factors alone will dictate everything you do and every choice you make between now and the day you graduate with a BA in some branch of the performing arts.

On the other side of all this creativity and study is you becoming a very well-informed business woman. No matter the avenue -- whether it’s film, stage, opera, the concert hall, or a ballet company -- you absolutely must understand the Business of the Performing Arts or you will be totally lost. Don’t be a lamb in the woods! In other words, you need to know more about what IT is than any agent who might one day represent you or any producer who might one day put you through a grueling series of auditions before saying, "Sorry. Next."

Read the biographies of performers you admire in the fields that attract you the most. And not just from the past five years! And not from a summary on Wikipedia. Go to your Main Library and start reading. It’s free.

Every performer has a story to tell. Check below for my articles on and Most are interviews with international celebrity artists in a wide variety of the performing arts. My latest is with Swedish composer Matti Bye whose ensemble is accompanying several films being screened at the Silent Film Festival here in San Francisco at the Castro Theatre. One of them features the legendary Greta Garbo in "The Joyless Street". Greta Garbo rose out of poverty and obscurity to become one of Hollywood's most dazzling stars. The more you know about how other performers "made it", the more you will understand why and how to study and to train in the field of your choice.

Your most important assignment right now is to earn the kind of Academic credits that will get you a full scholarship to the University or Conservatory of your choice. Concentrate on that. Because? Education is everything. Only you can make that happen.

I am a vocal coach to working singers in the San Francisco Bay Area. Check out my web site:

I'm also an entertainment and cultural critic for – and Classical music reviewer for – Let me know when you're ready to come to San Francisco for some vocal coaching. I’m also available for lessons on Skype.

See my interview with popular TV host, David Perry, on "Ten Percent":

Below are links to my articles and youtubes on the San Francisco Bay Area entertainment and cultural scene:

On “The Joyless Street” at the Silent Film Festival—An Interview with Matti Bye

THE GERSHWINS AND ME – A Conversation with Michael Feinstein

Introducing Cheyenne Jackson and Alexandra Silber as San Francisco Symphony’s Tony & Maria in “West Side Story”

Nathan Gunn Is ‘Yeshua’ in San Francisco Opera’s “The Gospel of Mary Magdalene”

Natalie Dessay on ‘Becoming Traviata’—French Soprano bids ‘Adieu’ to opera stage

‘Tales of Hoffmann’ Fizzles at San Francisco Opera

‘A Grand Romance’—A Spectacular CD from pianist Jeffrey Biegel

Philippe Sly Debuts In 'Cosi fan tutte' at San Francisco Opera

Nicole Henry redefines the '70s with her latest CD, 'So Good, So Right'

THE GREAT GATSBY—F. Scott Fitzgerald Classic goes Three Dimensional

'FILLY BROWN' — An Extraordinary Film from Youssef Delara and Michael D. Olmos

Nonsemble 6 presents Schoenberg's 'Pierrot Lunaire' – in corsets

Tenor Noah Stewart Debuts with Berkeley Symphony in World Premiere of New Work by Steven Stucky

Marnie Breckenridege, A Modern Soprano for Contemporary Opera

A Profile of Choreographer John Neumeier and his "Nijinsky"

Peggy Cummins Honored at San Francisco's Noir City Film Festival

In Conversation with Peter Gallagher – Coming to the Venetian Room

Melody Moore steps into Tosca — Opening Night at San Francisco Opera

'Moby-Dick' opens at San Francisco Opera: A Conversation with Composer Jake Heggie

'Drama Queens' – A Conversation with Mezzo-Soprano Joyce DiDonato

Marco Vratogna Is Sensational as Rigoletto at San Francisco Opera

A conversation with Joshua Bell, featured guest artist at opening of SF Symphony, 9/19

Norma Shearer and Joan Crawford duke it out at The Castro Theatre's 90th Anniversary

Samuel Ramey is Leo the Great in San Francisco Opera's 'Attila'

Tom Judson Is Making It Big In San Francisco

A Look at Gennadi Nedvigin, Principal Dancer with San Francisco Ballet

Organist Christopher Houlihan Makes A Powerful Debut at Davies Symphony Hall

RICHARD WINSOR – An Interview With the Star of 'Matthew Bourne's Swan Lake in 3D'

DEANNA DURBIN – The Leading Lady of NOIR CITY, Wednesday at The Castro Theatre

KRISTIN CLAYTON– A Conversation with "The Diva" of Teatro ZinZanni

CUBAN BALLET – An Interview with Octavio Roca

A Look At "Giselle" with Ballerina Lorena Feijóo

ZUILL BAILEY – A Conversation

Best regards,
Sean Martinfield

Acting in Plays, Singing

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Sean Martinfield


I am a professional vocal coach in San Francisco. I have published over 3300 responses related to vocal training - particularly as it relates to Musical Theatre, Pop/Standard, and Opera. I have 30 years of experience as a personal trainer to working singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I can assist you with your song selections and help you build an audition portfolio that demonstrates your vocal category and meets the requirements specified in the audition notice. I have created a vocal methodology, "The Belter`s Method". It will enable those in Cabaret and Musical Theatre to practice more efficiently because it focuses on the vocal demands of professional performers and will keep you performance-ready. If what you want is a better voice and more control over your career moves and choices, contact me at: I am also a music and cultural critic for and I interview internationally recognized musicians, singers, dancers, and recording artists -- particularly those who are now appearing or scheduled to perform in San Francisco.


As a vocal coach, I work primarily with singers and actors throughout the San Francisco Bay Area. My students range from absolute beginners to working professionals, from kids to senior citizens. The vast majority of my clients come to me through recommendation. I know how to identify any singer's vocal category, i.e., soprano, tenor, alto, baritone, etc. I know how to muscle-up every singer's vocal range and to expand it beyond conventional definitions. I have developed a vocal methodology for those who want to know how to belt, THE BELTER'S METHOD. There are a number of major components to my work as a vocal coach. The first is to identify the client's vocal category and to strengthen and maximize the vocal range accordingly. Then it's about teaching a reliable vocal workout that will enable the client to gain better control of their musicianship. That includes scale work to expand the vocal range and to improve placement, breath control, and diction. Then we work on material for the audition portfolio, the immediate job or assignment, a recording session, etc. My task to is to better equip singers and actors who are hoping to or relying upon their performance skills and vocal endurance to maintain a career in the Performing Arts. My clients regularly appear in cabarets and musical productions throughout the San Francisco Bay Area. Some have worked in New York and gone on National Tours. For more information, Contact me at:


San Francisco State University – BA in Theatre Arts; graduate work in Theatre, Philosophy, and Comparative Reiligion. Pacific School of Religion, Berkeley – Graduate work in Ethics

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