Acting in Plays, Singing/Jane Eyre Audition

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Question
Hello,
I will be auditioning for "Jane Eyre" very soon, and am trying out for the part of Jane. I currently have chosen "Unexpected Song" as my audition piece, and have the usual time of 16-32 bars. I was wondering if I should start at the beginning, and cut short the song by going straight to the end after the first verse. The thing is, I am afraid I won't get to get to the showy part at the end, before they cut me off.
Ideas and and input are greatly appreciated, as this audition means a great deal to me.

Thank you so much for your time.

Sandee

Answer
Hello, Sandee --

Thank you for the question. Consider these two options.

The first choice is to begin at “This is not like me at all” and sing to the end. Including the full count on High G, that gives you about 18 measures. It’s perfect. We know the song. You don’t need to set it up emotionally.

The second choice is to start right at “Now no matter where I am”, use the previous measure as the introduction. That means you’re going to give those of us on the audition panel two High Gs in less than 10 seconds. That translates to you being super ready to hit those High Gs no matter how long you’ve been waiting in line. If I’m on the panel and think you’re right for the part and am pressed for time, I might cut you off six measures later. I’ve heard all I need to hear. You will be at the call backs.

Go prepared to sing all of Jane’s material. Once you understand the totality of what she must convey, then you will know how to project that through those few measures of “Unexpected Song”.

I am a vocal coach to working singers in the San Francisco Bay Area. Check out my web site: http://FabulousFilmSongs.com

I'm also an entertainment and cultural critic for HuffingtonPost.com – http://www.huffingtonpost.com/sean-martinfield and Classical music reviewer for Examiner.com – http://www.examiner.com/user/4557381/articles. Let me know when you're ready to come to San Francisco for some vocal coaching. I’m also available for lessons on Skype.

See my interview with popular TV host, David Perry, on "Ten Percent":
http://www.youtube.com/watch?v=XKeeTYTYMAI

Below are links to my articles and youtubes on the San Francisco Bay Area entertainment and cultural scene:

On “The Joyless Street” at the Silent Film Festival—An Interview with Matti Bye
http://www.examiner.com/article/on-the-joyless-street-at-the-silent-film-festiva

THE GERSHWINS AND ME – A Conversation with Michael Feinstein
http://www.examiner.com/article/the-gershwins-and-me-a-conversation-with-michael

Introducing Cheyenne Jackson and Alexandra Silber as San Francisco Symphony’s Tony & Maria in “West Side Story”
http://www.huffingtonpost.com/sean-martinfield/introducing-cheyenne-jackson-and-

Nathan Gunn Is ‘Yeshua’ in San Francisco Opera’s “The Gospel of Mary Magdalene”
http://www.huffingtonpost.com/sean-martinfield/nathan-gunn-on-becoming-y_b_34884

Natalie Dessay on ‘Becoming Traviata’—French Soprano bids ‘Adieu’ to opera stage
http://www.examiner.com/review/natalie-dessay-on-becoming-traviata-french-sopran

‘Tales of Hoffmann’ Fizzles at San Francisco Opera
http://www.examiner.com/review/tales-of-hoffmann-fizzles-at-san-francisco-opera?

‘A Grand Romance’—A Spectacular CD from pianist Jeffrey Biegel
http://www.huffingtonpost.com/sean-martinfield/a-grand-romancea-spectacular-cd_b

Philippe Sly Debuts In 'Cosi fan tutte' at San Francisco Opera
http://www.huffingtonpost.com/sean-martinfield/philippe-sly-debuts-in-co_b_33294

Nicole Henry redefines the '70s with her latest CD, 'So Good, So Right'
http://www.huffingtonpost.com/sean-martinfield/nicole-henry-redefines-the-70s_b_

THE GREAT GATSBY—F. Scott Fitzgerald Classic goes Three Dimensional
http://www.examiner.com/review/the-great-gatsby-f-scott-fitzgerald-classic-goes-

'FILLY BROWN' — An Extraordinary Film from Youssef Delara and Michael D. Olmos
http://www.examiner.com/review/filly-brown-an-extraordinary-film-from-youssef-de

Nonsemble 6 presents Schoenberg's 'Pierrot Lunaire' – in corsets
http://www.examiner.com/article/nonsemble-6-presents-schoenberg-s-pierrot-lunair

Tenor Noah Stewart Debuts with Berkeley Symphony in World Premiere of New Work by Steven Stucky
http://www.huffingtonpost.com/sean-martinfield/noah-stewart_b_2899344.html

Marnie Breckenridege, A Modern Soprano for Contemporary Opera
http://www.examiner.com/article/marnie-breckenridge-a-modern-soprano-for-contemp

A Profile of Choreographer John Neumeier and his "Nijinsky"
http://www.huffingtonpost.com/sean-martinfield/profile-choreographer-john-neumei

Peggy Cummins Honored at San Francisco's Noir City Film Festival
http://www.huffingtonpost.com/sean-martinfield/noir-city-film-festival_b_2569333

In Conversation with Peter Gallagher – Coming to the Venetian Room
http://www.examiner.com/article/in-conversation-with-peter-gallagher-coming-sund

Melody Moore steps into Tosca — Opening Night at San Francisco Opera
http://www.huffingtonpost.com/sean-martinfield/tosca-san-francisco-opera_b_21965

'Moby-Dick' opens at San Francisco Opera: A Conversation with Composer Jake Heggie
http://www.huffingtonpost.com/sean-martinfield/moby-dick-san-francisco-opera_b_1

'Drama Queens' – A Conversation with Mezzo-Soprano Joyce DiDonato
http://www.huffingtonpost.com/sean-martinfield/drama-queens-a-conversation_b_214

Marco Vratogna Is Sensational as Rigoletto at San Francisco Opera
http://www.huffingtonpost.com/sean-martinfield/marco-vratogna-is-sensati_b_19070

A conversation with Joshua Bell, featured guest artist at opening of SF Symphony, 9/19
http://www.huffingtonpost.com/sean-martinfield/a-conversation-with-joshu_b_18824

Norma Shearer and Joan Crawford duke it out at The Castro Theatre's 90th Anniversary
http://www.huffingtonpost.com/sean-martinfield/norma-shearer-and-joan-cr_b_17750

Samuel Ramey is Leo the Great in San Francisco Opera's 'Attila'
http://www.huffingtonpost.com/sean-martinfield/samuel-ramey-attila_b_1586131.htm

Tom Judson Is Making It Big In San Francisco
http://www.huffingtonpost.com/sean-martinfield/tom-judson-cabaret_b_1498594.html

A Look at Gennadi Nedvigin, Principal Dancer with San Francisco Ballet
http://www.huffingtonpost.com/sean-martinfield/gennadi-nedvigi-ballet_b_1427319.

Organist Christopher Houlihan Makes A Powerful Debut at Davies Symphony Hall
http://www.huffingtonpost.com/sean-martinfield/christopher-houlihan_b_1398351.ht

RICHARD WINSOR – An Interview With the Star of 'Matthew Bourne's Swan Lake in 3D'
http://www.huffingtonpost.com/sean-martinfield/richard-winsor-swan-lake_b_135148

DEANNA DURBIN – The Leading Lady of NOIR CITY, Wednesday at The Castro Theatre
http://www.sanfranciscosentinel.com/?p=166623

KRISTIN CLAYTON– A Conversation with "The Diva" of Teatro ZinZanni
http://www.sanfranciscosentinel.com/?p=166029

CUBAN BALLET – An Interview with Octavio Roca
http://www.sanfranciscosentinel.com/?p=86049

A Look At "Giselle" with Ballerina Lorena Feijóo
http://www.youtube.com/watch?v=33-a6Oa-0j4

ZUILL BAILEY – A Conversation
http://www.sanfranciscosentinel.com/?p=58241

Best regards,
Sean Martinfield

Acting in Plays, Singing

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Sean Martinfield

Expertise

I am a professional vocal coach in San Francisco. I have published over 3300 responses related to vocal training - particularly as it relates to Musical Theatre, Pop/Standard, and Opera. I have 30 years of experience as a personal trainer to working singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I can assist you with your song selections and help you build an audition portfolio that demonstrates your vocal category and meets the requirements specified in the audition notice. I have created a vocal methodology, "The Belter`s Method". It will enable those in Cabaret and Musical Theatre to practice more efficiently because it focuses on the vocal demands of professional performers and will keep you performance-ready. If what you want is a better voice and more control over your career moves and choices, contact me at: BroadwayBelters@yahoo.com I am also a music and cultural critic for HuffingtonPost.com and Examiner.com. I interview internationally recognized musicians, singers, dancers, and recording artists -- particularly those who are now appearing or scheduled to perform in San Francisco.

Experience

As a vocal coach, I work primarily with singers and actors throughout the San Francisco Bay Area. My students range from absolute beginners to working professionals, from kids to senior citizens. The vast majority of my clients come to me through recommendation. I know how to identify any singer's vocal category, i.e., soprano, tenor, alto, baritone, etc. I know how to muscle-up every singer's vocal range and to expand it beyond conventional definitions. I have developed a vocal methodology for those who want to know how to belt, THE BELTER'S METHOD. There are a number of major components to my work as a vocal coach. The first is to identify the client's vocal category and to strengthen and maximize the vocal range accordingly. Then it's about teaching a reliable vocal workout that will enable the client to gain better control of their musicianship. That includes scale work to expand the vocal range and to improve placement, breath control, and diction. Then we work on material for the audition portfolio, the immediate job or assignment, a recording session, etc. My task to is to better equip singers and actors who are hoping to or relying upon their performance skills and vocal endurance to maintain a career in the Performing Arts. My clients regularly appear in cabarets and musical productions throughout the San Francisco Bay Area. Some have worked in New York and gone on National Tours. For more information, Contact me at: Broadwaybelters@yahoo.com

Publications
HuffingtonPost.com Examiner.com FabulousFilmSongs.com SanFranciscoSentinel.com

Education/Credentials
San Francisco State University – BA in Theatre Arts; graduate work in Theatre, Philosophy, and Comparative Reiligion. Pacific School of Religion, Berkeley – Graduate work in Ethics

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