You are here:

Actors` Exchange/Finding a relevant monologue

Advertisement


Question
Hello
I am auditioning for Helen Keller in the miracle
worker and am asked to prepare a monologue
under 2 minutes. Any advice? Thanks for your
time.

Answer
No-one can advise you on a really good audition speech, because the speech is a product of the audition, the theatre producing the play, the play itself, and what you are bringing to the  mix. You need to know the whole play (not just your scenes!) you need to write your own story about why the character makes the  choices she did.

You must look at speeches until one catches your attention. If you liked it straight off, it's probably worth looking at more closely.
Ask for help at your library. Playscripts and books of audition speeches are around the 800 to 812 area in the Dewey Decimal system.

If the audition is soon, you might not have the words quite learned. Carry the script! It's not ideal, but it will enable you to show that you can develop a real character and tell a story to the audience.

Make the speech short!! Better one minute than two minutes and five seconds. They don't need a lot of time, the director has probably decided about you before you begin to speak. You either feel right to him or not.

Start the audition as you head for the audition room. Play the part of a young actress celebrating her success by showing off to her friends-- "this is what I did at that great audition." Don't be distracted from what you have prepared around the play and your character.
Casting isn't deciding who's best, it's looking for the best match with the director's ideas. There's nothing you can do to affect that, so the audition is really just an exercise, and so that the director can look at you.

A lot of work ahead. Enjoy it as you do it. Enjoy the chance to skim through a couple of dozen plays. Enjoy being the Star!

Actors` Exchange

All Answers


Answers by Expert:


Ask Experts

Volunteer


Peter Messaline

Expertise

Career advice for high-school students and beginning performers. Canadian tax advice for artists of all sorts. Research resources for those looking for performance-related answers.

Experience

I am a Canadian performer, tax preparer and writer.
I have supported myself as an arts entrepreneur for thirty-five years.
I am the most-published writer in the business of being a Canadian artist.
I have written on arts tax matters and prepared performer taxes for fifteen years.

Organizations belong to
ACTRA, CAEA, AEA, British Equity.

Publications
CAEA Newsletter
ACTRA Branchline
The Agents Book
Actor's Survival Kit
Tax Kit 2000+
Making It (Federal government career management for culture workers)

©2012 About.com, a part of The New York Times Company. All rights reserved.