AboutGeorge Armstrong Expertise I can answer almost any question regarding Blues. My main interest areas are Chicago, Delta, and Texas Blues. I can explain playing techniques, song writing, and other technical aspects. I can also explain the styles and techniques of many of the artists.
Experience I have been studying the Blues since the 1960's. I followed many of the Chicago artists from local clubs to concerts. I started playing in blues/rock bands during the early 1970's, and have continued through the years. I also sing.
Education/Credentials I have a BS degree in Computer Science.
I have 36 years of experience playing lead guitar.
Question QUESTION: What type (key) and brand does James Cotton use? Does the microphone he uses change the sound of the harp?
ANSWER: Hi Mot,
YIPPEEEEE! A real technical question!!!! James Cotton mostly uses the Hohner 532/20, key of C. He' also played the 560/20, and the CX12. On Mojo, he uses the key of E. Yes, the microphone plays a big part. In the 60's he used the big round metal Shure and Astaic. Later, he used the SM57 almost exclusively. The head of the SM57 is
small, and fits the hand, and can be moved and angled for effect. The small head is not that much larger than the harmonica. The Key of C harmonica is very versatile. It is the natural relative minor of A, often used for blues. The notes in the C also can be bent to form blues minor scales for a wide range of songs and effects. But, It's darn handy to have an E and a G also. Thanks for the question! Regards, George
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QUESTION: Hey George,
Thanks for the information. I have more questions.
What does the 532/20 stand for?
So it's basically impossible to achieve the same sound that James Cotton plays without the microphones he uses. Does he ever play without the microphone? Isn't it cheating a bit to enhance the true sound coming from the harp? I'm a rooky as you can see....
Thanks, Mot
Answer Hello Mot,
A 532/20 is a Hohner 20 Reed Blues Harp with a wood comb. It is easy to bend the notes using this harmonica. I would never say it was impossible to get the same sound as James Cotton; If you work at it you can likely get some of his sounds. I suggest developing a style of your own; Find some people to jam with. Hohner sells a small practie amp that's good for small stage settings. A smart move is to also play guitar or bass, then you can get a kneck mount and perform as a single. I hope this helps! Regards, George