Expert: Peter Messaline - 7/10/2009

Question
Hi, I am having trouble getting started.  I have been to many agencies who claim to be legitament but it never feels right, they always say stuff like "you need to buy our $1100 class" or "you need to pay for our photographer".  I've read everything there is to know about getting on T.V./Film and they make it seem like you can just up and grab an agent if you are talented but I've got loads of theatre, an independant film, years of drama experience, can use all kinds of accents, have ten years dance experience,I look marketable, What else do I really need? What is the best way for a minor with huge dreams and talent to get into legitament T.V. and Film without getting scammed or just doing something where half your face is out of the shot? Do you know what I should do? Should I be joining SAG/ AFTRA? I am determined to make it to the big leagues and expecting to have to work my butt off I just need a kickstart.  I hope to hear from you soon.
-Erica

Answer
You're reading the wrong books if they say you can get an agent easily. Every time a legitimate agent sends you to an audition, you are taking some of his reputation with you, and of course legitimate agents make money only from commissions on your work, so for both reasons they are as hard to get as good work.

Your instincts about the agents you quote are right on target. Typically, if you signed on, and took the class or had the photos done, you'd then be told you need to have your photos done or take some classes. And that continues as long as your wallet lasts -- after the money's gone, suddenly they don't answer your calls.


Working minors typically have been working professionally for years, so they are known to producers and casting people, or at least their relatives are known. It's very hard for a minor to start working professionally. There really aren't many minor actors out there -- look at young characters and you'll see they are generally played by young-looking older actors. Legal and contractual reasons restrict the use of minors on set, so everyone has to work around them and make the most of what time is available.

When people cast actors, they are taking a lot on faith. They can't know how a chosen actor will actually work with the director, or the material, or the rest of the cast. That is why you get short obscure parts to start with -- if you are a disaster, they can cut around you and not simply abandon the scene. If you can show them that you are reliable and talented and that professionals have worked with you without horrible stories getting around, you'll be in with a chance of better work.

Don't rush into union membership, which will not help you yet. Union members cannot easily work in a whole range of experience-building productions.

I don't know how old you are, nor where you live, but although the details will change, I'd give you the same general advice right now. Search in your area for any opportunity to do professional film and TV -- cable TV, student film, your own material, Fringe productions ... . Anything to start a professional résumé. Don't look for an agent, look for connections. Is there a filmmakers' club around? They always need actors and gophers on set, and by building your reputation you'll start being offered more responsible stuff.

Carry on reading, and keep on trusting your instincts. Don't try to shortcut your way through the process of building professional skills and a professional reputation. And enjoy the trip!