Question What is the best resource for learning how to develop one's portfolio? I am currently applying to graduate school for master of Architecture (I have no architecture background) and am required to submit a portfolio. I am currently taking an drawing course and have created some work to display. However, I have no clue on how to put together a portfolio? ARe there some general guidelines I should follow? How do I make copies of work? Most of my work is on 18"x24" paper, how do I get this into an 8"x11" portfolio size. Thanks for your help and i hope to hear from you soon.
Marcia
Answer Hello Marcia,
I have answered similar questions, so if in case I skip any key points, please peruse earlier answers I have given. One resource that I can highly recommend is "The Ultimate Portfolio" by Martha Metzdorf. This book outlines all the basics for establishing a good presentation with your portfolio.
I would say that three of the most important points are presentation, cleanliness, and rhythm. Presentation: present your work well within a nice binder, portfolio book, self-bound book, or any other container that matches your personality and the work being displayed. You don't necessarily have to spend a fortune on this. Don't forget to make your name visible somewhere and include drawing names, or media, or similar information if you want to. Cleanliness: Be clean, plain and simple. You don't want a portfolio to be difficult to look at. You want clean pages, background paper that compliments but does not distract. Make sure everything is lined up straight and trimmed neatly. Rhythm: How you arrange your images can create a rhythm. For example, if you did some work with pen and ink, and some in pencil, you can alternate between the two with your image order or you can gradually move from your pencil pieces to your pen and ink pieces. You can create such rhythm by being aware of the media, the value, the hue if applicable, and so on. Always put your second best piece first and your absolutely best piece last.
To capture the image for a portfolio, especially when you have larger paper, you need to take a photo of it. Do so by laying the drawing flat over a dark or black background, making sure you have even light over the entire surface. An easy way to do this is to use ambient daylight. Whether you lay the drawing against a wall, or on a table, or on the floor, be sure that you are taking the photo absolutely straight on to avoid creating strange angles. Try to get the whole drawing in with as little black background as possible. If you have any drawings that are especially detailed, feel free to take a close-up on an area for a detail shot. If you have a scanner at home, you can also scan larger pieces in sections and assemble them in a photo/design program such as Photoshop, but that can take some more experienced finesse to get the image to look correct. Either way, you will want to use the photos or scanned images to get a clean print out of your piece at your neighborhood printing company or on your home printer. Trim out the image and adhere onto another sheet of paper, preferably black but you can be creative with the color. This paper, which should be at least a little bit sturdy, will act as the matte to your pictures.
Now, since you are applying to a school, some require that you submit your portfolio in slide form. Double check in advance that you have all the correct requirements for submission.
Hope this has been of use. Let me know if I can help you further.
I can answer questions concerning most traditional mediums such as acrylics, watercolor, colored pencils, collage/cut paper, graphite, charcoal, and pen and ink. I also have strong, advanced knowledge of Photoshop, Powerpoint and Publisher; and beginner to immediate level knowledge in Illustrator, Freehand, After Effects, and Flash. In addition, I can cover miscellaneous subjects such as portfolio preparation, applying to art schools, art school study skills, color theory, basic design and drawing principles, basic animation techniques, working on personal art styles and exploring new artistic techniques. Topics such as the detailed legal aspects of art, web programming and Flash action scripting do not fall under my area of expertise.
Experience
Experience
in the Area
I graduated summa cum laude with a double BFA in Illustration and Computer Art
(specializing in 2-dimensional animation) from the Savannah College of Art and
Design, where as a student, I happily tutored fellow peers in all aspects of art
and created numerous illustrations for the school newspaper. For the past
several years, I have been illustrating seminar books, designing numerous
graphics, and creating short animation sequences for use in video. In addition,
I work as a private tutor and am co-director / co-owner of a company that
focuses on and promotes the local music industry. I assist with all the
day-to-day operations of this company as well as manage all art direction and
design.
Education/Credentials
Savannah College of Art and Design
BFA Computer Art, Illustration
Summa Cum Laude
Dean's List, GPA 4.0
Awards and Honors
Induction into Alpha Pi Beta honor society for art and design, 2002
Outstanding Achievement in Computer Art, 2002
Outstanding Student for the academic year 2001-2002
Awarded "Most Dependable" for District, the student newspaper, 2002
Who's Who Among American Colleges and Universities, May 2001
Better Business Bureau Honesty in Advertising Essay Competition, Merit
Award, November 1998
Mary Renee Whelan Scholarship, Savannah College of Art and Design
Exhibitions and Festivals:
Embodiement; Myths in Animal Form, www.postpicasso.com, December 10 - January
10, 2005
SCAD Alumni Show, Stardust Café, Orlando, FL; December 2004
Finalist, International Juried Online Symbolist Art Show, www.dracoblu.com, May
2004 - April 2005
Finalist, International Juried Online Symbolist Art Show, www.dracoblu.com, May
2003 - April 2004
Senior Showcase, SCAD Pei Ling Chan Gallery, Savannah, GA; May 2002
2D or not 2D, SCAD Trustees Theatre, Savannah, GA; April 2002
Small Works, SCAD Exhibit A Gallery, Savannah, GA; November 7 - December 31,
2001; art was purchased
Magnanimata Animation Festival, May 1999
Publications
Quoted briefly in Animation World Magazine, "Predicting the Future of
Futurama" (April 1999) and "Ed, Edd, n Eddy: A Unique Approach"
(June 1999)