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Careers: Arts/Collage and fiber art

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Question
Hello Gianina,

     I am starting in a new direction for me involving collages and perhaps fragmented fiber collages.  My main question is how to transfer my own words onto either paper collage or fabrics. Also when involved with paper collages what type of paper and glue works best? Any ideas would be greatly appreciated.

             Thanks in advance.

                Jennifer M.  

Answer
Dear Jennifer,

What kind of effect exactly are you looking for in the transferring words department? There are numerous ways to do this, and the more you brainstorm, the more methods you can come up with. You can collage actual printed text (either hand-written or printed)…you can paste book pages, you can right directly on the collage…or use stencils. Perhaps try a turpentine transfer with Xeroxed words. To do a turpentine transfer, make copies of text on a Xerox machine (Note: If you want them to appear in the right direction, you'll need to write the words backwards or have them reversed by computer or other means). The cheaper the Xerox machine, the better your transfer will be. Take your Xerox copy and lie it face down on the collage or on another piece of paper (you can use vellum as well, which can create interesting layers in a collage, allowing whatever's in the background to show through a little) and apply a good amount of turpentine to the back of the sheet. Rub down using the back of a spoon and slowly peel away the copy. The turpentine melts the ink of the Xerox onto your surface creating a great effect for any collage or mixed media piece. Let me know if you would like to know anything more specific about transferring your words to achieve a certain tone to your piece.

Just about any paper works well for collage, although too thin a paper, such as magazine clippings, can tear and bubble really easily. If you're excruciatingly careful, they're still useful, and if any bubbles form, you can pierce them with a small pin to let the air out, and flatten as best as you can. I like to use a clean rubber brayer when pasting paper, to help squeeze out excess air (a brayer is a little roller that you can find wherever they sell printmaking supplies). I normally try and stay away from too thick a paper because they can be difficult to adhere securely. Also, if the paper is particularly fibrous, I tend to give it a light soak in water first, allowing the paper to expand.

As to glue, this is a good place to experiment. I stick with Acrylic Matte Medium (or gloss medium, depending on the finish that I want) because it serves as an all purpose glue and sealant, and it works well if you're also combining other media into the piece. I normally apply a thin layer of medium first to the needed area, lay the paper down, and use the brayer to roll out the air and flatten wrinkles. I keep a paper towel handy to make sure my brayer stays super clean, wiping off any medium that might stick to it. I really like “Liquid Laminate” when using fabric in my collages. That also works nicely with tissue paper, which can be a pain because of the way it curls, wrinkles and sometimes bleeds color. Though with practice, the translucency of tissue can be quite beautiful. Mod Podge, though I haven't worked with it too much, is also a great and popular product, and even good old Elmer's glue (Talk about a flashback to grade school years!) can work…though use a brush that you never want to use for anything else.

Above all…just experiment to your heart's content. Try and think of items you wouldn't ordinarily use at first. I have a box where I just store scrap paper and materials…from paper bags, to receipts that have an interesting look to them, to paper I would otherwise recycle. Even photographs that developed incorrectly (where you have a blurred image or the like) can create wonderful texture.

I hope this helps you in some way. Just let me know if I can provide any additional feedback. Good luck and have fun!

Sincerely,
Gianina

Careers: Arts

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Gianina L.

Expertise

I can answer questions concerning most traditional mediums such as acrylics, watercolor, colored pencils, collage/cut paper, graphite, charcoal, and pen and ink. I also have strong, advanced knowledge of Photoshop, Powerpoint and Publisher; and beginner to immediate level knowledge in Illustrator, Freehand, After Effects, and Flash. In addition, I can cover miscellaneous subjects such as portfolio preparation, applying to art schools, art school study skills, color theory, basic design and drawing principles, basic animation techniques, working on personal art styles and exploring new artistic techniques. Topics such as the detailed legal aspects of art, web programming and Flash action scripting do not fall under my area of expertise.

Experience

Experience in the Area
I graduated summa cum laude with a double BFA in Illustration and Computer Art (specializing in 2-dimensional animation) from the Savannah College of Art and Design, where as a student, I happily tutored fellow peers in all aspects of art and created numerous illustrations for the school newspaper. For the past several years, I have been illustrating seminar books, designing numerous graphics, and creating short animation sequences for use in video. In addition, I work as a private tutor and am co-director / co-owner of a company that focuses on and promotes the local music industry. I assist with all the day-to-day operations of this company as well as manage all art direction and design.

Education/Credentials
Savannah College of Art and Design
BFA Computer Art, Illustration
Summa Cum Laude
Dean's List, GPA 4.0

Awards and Honors
Induction into Alpha Pi Beta honor society for art and design, 2002
Outstanding Achievement in Computer Art, 2002
Outstanding Student for the academic year 2001-2002
Awarded "Most Dependable" for District, the student newspaper, 2002
Who's Who Among American Colleges and Universities, May 2001
Better Business Bureau Honesty in Advertising Essay Competition, Merit Award, November 1998
Mary Renee Whelan Scholarship, Savannah College of Art and Design

Exhibitions and Festivals:
Embodiement; Myths in Animal Form, www.postpicasso.com, December 10 - January 10, 2005
SCAD Alumni Show, Stardust Café, Orlando, FL; December 2004
Finalist, International Juried Online Symbolist Art Show, www.dracoblu.com, May 2004 - April 2005
Finalist, International Juried Online Symbolist Art Show, www.dracoblu.com, May 2003 - April 2004
Senior Showcase, SCAD Pei Ling Chan Gallery, Savannah, GA; May 2002
2D or not 2D, SCAD Trustees Theatre, Savannah, GA; April 2002
Small Works, SCAD Exhibit A Gallery, Savannah, GA; November 7 - December 31, 2001; art was purchased
Magnanimata Animation Festival, May 1999

Publications
Quoted briefly in Animation World Magazine, "Predicting the Future of Futurama" (April 1999) and "Ed, Edd, n Eddy: A Unique Approach" (June 1999)

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