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Careers: Arts/Hard to be designer

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Question
I think I have answer for myself, I can make good living working for company, I reject several offers, although I still need to go to many intervicew.  Today I had very good contact with a potential client, that is a really big landscape design project, if I am going to get that job, I will have opportunity to get more custom home projects.  

My dream is to design architecture, interiors and landscape all together, nobody done that, I want to be the first one.  Life is too short, I don't know anyone, and I don't have strong background, but I am willing to give it a try, what do you think?


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Followup To
Question -
I want to pursue my dream, so I start my own design service, I enjoy doing design work, but connect with right clients is very hard.  Most of people do not respect my design work, no matter what I say, they only concern about price, some people cheated me, some ignored me.  I only have few pleasant experience, the rest are all nightmares.  I spend lots of time and energy search for clients, extra long meeting, study, research… the rewards is so little.  I am a sensitive person, I cannot be super sales.  

After few months of working alone, I totally lose energy, I think about working for company again, the life is much simple there.   

What is wrong when I work for myself? I believe I always think positive. Can you analyze me and give me direction?

Answer -
Dear JJ,

   First, let me start by saying there is nothing wrong with you. Second, you should be proud of yourself for having the courage to pursue a dream. Not everyone is brave enough to venture out into that cold, unforgiving world of self-employment. Now, when it comes to doing design work for money, or any creative work for that matter, you can't expect clients to necessarily respect the work. This is business; it's all about the bottom line. A client has to fill a void in the most efficient, cost-effective way possible. Granted, I don't want to make all people out to seek design work sound like heartless art-grabbing robots. Many love design, and when you find those special individuals, you can hope for a very rewarding working relationship. However, keep in mind that designers, illustrators, and all artists alike have rights, and if you find a client violating these, find methods to rectify the situation. If it is a serious situation, consider seeking legal advice. Always work with a contract to protect your rights and to keep all details, including payment, clear for all jobs. If you don not already own the Graphic Artists Guild's Handbook of Pricing and Ethical Guidelines, wrap your sweet hands around a copy as soon as possible. It is an invaluable resource to anyone in the business.
   Now, I notice you mention your dislike for the extensive time you spend speaking with clients, meetings, and research and that you cannot be “super sales.” Although I sympathize - this aspect of freelancing may be on my list of least favorite things to do, behind mopping and going to the dentist  – but networking, client interaction and promotion are large aspects to the design world that cannot be avoided whatsoever. You can consider hiring someone more tailored to the sales profession to do your client research and acquisition, or look at alternative means of advertising. Put yourself in the yellow pages, or a design annual, or do a direct mailer to your community. Research and brainstorm for ways to creatively promote your work in a way that's attention grabbing and more entertaining for yourself. If, at the end of the day, you feel completely unrewarded and unsatisfied, maybe working on your own isn't really what you want.
   Keep that positive attitude of yours high and dry and smiling. The road will be long and bumpy, but rewards come to those who strive for it. Never be afraid to admit you may need a change, though. Working for a company is no less admirable of a living and can offer many benefits such as insurance, a steady paycheck, and retirement plans. Use your logic and sense to pick the right path, but I'm also a strong believer of following your gut. Sometimes that tiny little voice inside whispering opinions may have a point. If you do find that self-employment as a designer isn't for you, do not, at all costs, consider yourself a failure! So many never live long enough to discover what they truly want, and many more still never bother looking. You have taken an active role in your career and life, and that is something to be proud of, no matter the outcome.

Much luck!!!
Gianina


Answer
Hello JJ,

    Well, seems like you are already excited about this contact, and since it seems to be in the arena you want to work, it could lead to future work in that same area. Actually, looks like I don't need to answer a question here. I think you have already answered it yourself. With or without a strong background, you have to begin somewhere. Every book has a first page. Take classes, read books, do internet searches, and locate professionals in your area of interest to fill up any holes and to continue to grow creatively. You're right, life is short, and if you're following your heart, then more power to you! The best we can do with anything is try. Good luck and I wish you the absolute best!

Careers: Arts

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Gianina L.

Expertise

I can answer questions concerning most traditional mediums such as acrylics, watercolor, colored pencils, collage/cut paper, graphite, charcoal, and pen and ink. I also have strong, advanced knowledge of Photoshop, Powerpoint and Publisher; and beginner to immediate level knowledge in Illustrator, Freehand, After Effects, and Flash. In addition, I can cover miscellaneous subjects such as portfolio preparation, applying to art schools, art school study skills, color theory, basic design and drawing principles, basic animation techniques, working on personal art styles and exploring new artistic techniques. Topics such as the detailed legal aspects of art, web programming and Flash action scripting do not fall under my area of expertise.

Experience

Experience in the Area
I graduated summa cum laude with a double BFA in Illustration and Computer Art (specializing in 2-dimensional animation) from the Savannah College of Art and Design, where as a student, I happily tutored fellow peers in all aspects of art and created numerous illustrations for the school newspaper. For the past several years, I have been illustrating seminar books, designing numerous graphics, and creating short animation sequences for use in video. In addition, I work as a private tutor and am co-director / co-owner of a company that focuses on and promotes the local music industry. I assist with all the day-to-day operations of this company as well as manage all art direction and design.

Education/Credentials
Savannah College of Art and Design
BFA Computer Art, Illustration
Summa Cum Laude
Dean's List, GPA 4.0

Awards and Honors
Induction into Alpha Pi Beta honor society for art and design, 2002
Outstanding Achievement in Computer Art, 2002
Outstanding Student for the academic year 2001-2002
Awarded "Most Dependable" for District, the student newspaper, 2002
Who's Who Among American Colleges and Universities, May 2001
Better Business Bureau Honesty in Advertising Essay Competition, Merit Award, November 1998
Mary Renee Whelan Scholarship, Savannah College of Art and Design

Exhibitions and Festivals:
Embodiement; Myths in Animal Form, www.postpicasso.com, December 10 - January 10, 2005
SCAD Alumni Show, Stardust Café, Orlando, FL; December 2004
Finalist, International Juried Online Symbolist Art Show, www.dracoblu.com, May 2004 - April 2005
Finalist, International Juried Online Symbolist Art Show, www.dracoblu.com, May 2003 - April 2004
Senior Showcase, SCAD Pei Ling Chan Gallery, Savannah, GA; May 2002
2D or not 2D, SCAD Trustees Theatre, Savannah, GA; April 2002
Small Works, SCAD Exhibit A Gallery, Savannah, GA; November 7 - December 31, 2001; art was purchased
Magnanimata Animation Festival, May 1999

Publications
Quoted briefly in Animation World Magazine, "Predicting the Future of Futurama" (April 1999) and "Ed, Edd, n Eddy: A Unique Approach" (June 1999)

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