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Classical Music/pedaling in Beethoven's Tempest

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Question
Hi Jim,
 Thankyou so much for your answer to my previous question about the 3rd mvt. of Beethoven's Tempest. It all makes sense. Do you have any advice for pedaling in this movement, especially the first part?
Thanks again,
Jamie

Answer
Always pedal changes in harmony.  You might be able to keep the pedal down for the first 3 measures (since the harmony is the same)and the next 4 measures (where the harmony is also constant) but you may need to change it with the measure change.  Pedaling really depends on acoustics sometimes and how alive or dead the sound is in any particular room.  In general, listen to yourself when pedaling, particularly when the harmony does not change and you have the option of possibly keeping the pedal down longer.

By the way, Beethoven is notorious for his strange pedal marks.  He often extends pedal markings due to the weaker sustaining action of the pianos during his time.  Other times, he doesn't mark anything and it's left up to the performer. Take a look at the pedal markings in the 3rd movement of the Waldstein (Op 53) and you'll see an example of what I'm referring to.

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Jim Frimmer

Expertise

I can answer any questions on classical piano music and am very familiar with the piano in chamber ensembles. I'm also very familiar with the big names in the piano world and can answer questions about the best piano recordings.

Experience

I am active in my community as a performer in chamber and solo music. I also have a part-time job in a store that sells classical music.

Organizations
San Diego Association of Realtors; National Association of Realtors; California Association of Realtors

Education/Credentials
Bachelor of Music in Piano Performance and Master of Music in Piano Performance; University of Redlands; Redlands, California

Awards and Honors
College: School of Music Service Award; Concerto competition winner MTA Young Artists Competetion Redlands Bowl Young Artist Winner

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