Comic books (Comics)/comics

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QUESTION: In order to publish a comic book, do you have to pay$? Or is it covered by the company? I'm looking at Image inparticular...

ANSWER: Hi, Trevor -

Thanks for your question!

In the industry, there are two ways of publishing work - either work-for-hire (having been hired by the company and creating projects under their umbrella) or independently publishing comics on your own (creating the character, creating the art and story for the comic and, thereby, owning it, and paying to publish it yourself).  

The writing and drawing talent for Marvel and DC were very frequently pooled from previous independent projects, but Image tends to do that, now, as well.  However, Image is a bit different, in that they will put their label on the comic to give it attention if they think that it is worthwhile, but profits are only realized after all costs are covered, so the creator doesn't get paid unless the book makes a buck.  There are also instances in which rights for a character created by individuals were transferred to the publisher, even though the creator had a deal with the publisher to retain the rights.

For instance, Bill Willingham, who writes and draws "Shadowpact" for DC started out  writing and drawing the "Elementals" for a small, independent company called "Comico", who promised him complete control and ownership of his own creations, but later filed bankruptcy and withheld his ability to transfer his creation to another company and even sold the rights to the Elementals out from under him.  He went on to create "Fables" for Vertigo and has written much more than he has drawn lately, but is a very popular creator.

That same company had a deal with Matt Wagner, who wrote and drew "Mage" and "Grendel", but Wagner ended up obtaining his rights to those characters after the whole bankruptcy thing was handled.

Also, Peter Laird and Kevin Eastman, who published their own comic book in the mid-1980's are now multi-millionaires because the Teenage Mutant Ninja Turtles belonged wholly to them and were subsequently licensed for movies, television and toys.

If you have an idea for a character/comic, I highly recommend publishing your own book.  And luckily for you, the "How To" on such things has been published recently.  You can find it here:

http://www.amazon.com/gp/product/0823024555/104-6656371-2017513?v=glance&n=28315

Also, there is a company that will publish as many or as few comics as you want for cheap, here:

http://www.ka-blam.com/

Best of luck to you!  I hope you enjoy great success!

Pax, harmonia,

Brian G. Philbin
http://www.metropolisplus.com/comics

---------- FOLLOW-UP ----------

QUESTION: Also, how will you be paid and for that matter what is the average amount of pay that would be given to the crew? (there are two of us and we cover everything, pencil,ink, color ect.)

ANSWER: That has a lot to do with the deal that you strike if you're working for a company like DC or Marvel.  They're the only ones who pay a regular paycheck that entails a per-page rate.  However, that information is an industry secret, as contracts with for-hire workers are confidential.

Image strikes a different kind of deal, but they don't pay a per-page rate, they figure out how much your book makes and then pays you a percentage of that.

If you're publishing it yourself, then you get all of the money you make from doing so.

Hope that's helpful!

Pax, harmonia,

Brian



---------- FOLLOW-UP ----------

QUESTION: How would(if I published my own comics)I distribute them?

Answer
Hi, again, Trevor -

You would need to go through Diamond and there is a process to getting accepted, but that would be something that you'd have to look into in the book that I gave you the link for - here it is again:

http://www.amazon.com/gp/product/0823024555/104-6656371-2017513?v=glance&n=28315

If you want just the basics, I recommend you look at Diamond's submission package information, starting at:

http://vendor.diamondcomics.com/public/

Hope that's helpful!

Pax, harmonia,

Brian

Comic books (Comics)

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Brian G. Philbin

Expertise

I`ve been collecting comics for over 40 years and am able to answer most questions regarding comics, creators, fandom and the industry from the Golden Age through to today`s comics, with an emphasis on super and action heroes and most of my expertise ranges in the Silver to Modern Ages. My expertise lies in DC Comics/National Periodical Publications, although my general knowledge extends well into Marvel, Tower, Archie, Charlton & many of the "Independent" companies that began in the late 70`s & 80`s. I do have some knowledge of the Western, Funny Animals, Romance and other genres, but to a lesser degree, so please don't grade me on specific knowledge of these areas if you choose to ask me questions on those topics. For questions related to or similar to "How much are my comics worth?", please see my website, which will provide quick answers and tools for you to obtain those answers at:

HEY, KIDS! COMICS!!

Experience

I have been a comics reader/fan for over 42 years now and have followed industry trends from distribution to creation to fandom to retail and back again. I have had articles and letters published in Comic Buyers Guide, Comic Book Marketplace, Comic Effect, have appeared on several comic book podcasts and have several websites dedicated to comics at:

HEY!! KIDS' COMICS!

If there's a question I don't know the answer to, I usually know who to ask and have been providing online information to a wealth of inquirers for over 10 years now. I'll do my utmost to answer your question, whether it is simple or in-depth, as long as it isn't: "How much are my comics worth?" - that question can be answered by visiting my page at:

Basics of Comics Collecting



Publications
Comic Buyers Guide, Comic Book Marketplace, Comic Effect and opinions & writings mentioned or featured on several podcasts.

Education/Credentials
Baccalaureate of Science, Eastern Michigan University Panelology Studies w/ Robert Beerbohm, Mark Evanier, Scott Shaw, Ron Goulart, Jim Steranko, Roy Thomas and Q & As with Bob Rozakis, Elliot S. Maggin and John Byrne.

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