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Fine Art/Identifying artist... 1840s Europe

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Picture
Picture  
A friend has recently been left this painting with dimensions ~ 1.2m x 0.8m. It is dated 1842 and signed but the signature is not very legible... it seems to be G R M?????best  (or bist).
I append three images one with my attempts at clarifying the signature using PHotoshop.
Can you provide any further information?

Answer
Re; The painting.
Very briefly, I can find no track record for the artist in question.
Having examined the picture in some detail, I have come to the following conclusions;
1) It is painted by an amateur, rather than a professional working artist.
2) The understanding of the basics, regarding the use of perspective is absent.
3) The technical accomplishment of the artist regarding anatomy and human proportions, leaves a great deal to be desired.
4) If indeed it was executed in 1842, only a "hands on" examination would provide the necessary evidence.
5) The chair in the painting would appear not to be of a (pure period) European manufacture; as it is far too close to the Federal Style.

Conclusion.
There are numerous unidentifiable paintings in the world today, this is but one of the many.
My best educated guess would be, that is might be a younger family member being painted by an older relative and who had perhaps an interest in painting. This is not at all uncommon, during that particular period.
Very good luck with the painting and any further searches, as to who the artist might be.
A parting thought before leaving; since the execution of the girl is far better than that of the chair, it may in fact have been painted by two different people; working in collaboration. This is by no means unknown in some past cases, which I have examined.
Please leave some feedback, if you feel so inclined.
Take care.
David  

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D. E. Lombardo

Expertise

I am unable to answer enquiries concerning objects, which are NOT related to the areas of Fine Art and Antiques. Nor will I; on the sole basis of any photographic images be willing to give any definitive monetary valuations, or monetary opinions. In such cases I would always advise on getting “real time” valuations and opinions from reputable and qualified auction houses, or third parties. In some applicable cases, I may perhaps give general indications of value, based on the presented materials. True valuations always need a direct “hands on” approach, with perhaps also the necessary research and verifications. Broadly open to almost all questions, regarding the majority of both European, American quality objects, which are related to both Antiques and Fine Art. This also includes modern 20th century designer objects such as furniture etc. My own particular comfort zone areas would be; The decorative Arts, marble, stone, furniture, ivory, bone, amber, ceramics and porcelain, sculpture, glass, silver and metal objects etc. I will also answer inquiries, and give opinions concerning Dutch 17th, 18th and 19th century paintings. Please note that I do have limitations and cannot possibly answer all questions, as the field is very extensive. VERY IMPORTANT and PLEASE NOTE: Please note that; providing > GOOD CLEAR and Preferably High Resolution < photo's of the object(s)in question, is vital. Pics taken with a cell/mobile phone, are of a poor quality and best avoided. Posting signatures only, or just fragments of an artifact - will only provide me with insufficient information and it is often quite misleading. So please; Do post good clear overall images, with your question(s). Failing to do so, may cause rejection, which is also a great pity.

Experience

Since the early 90’s I lead a team of very enthusiastic staff at a business, where have the following disciplines; Restoration and refurbishment of historical buildings and gardens, including interior design. The restoration and care of Fine Art and Antiques at our restoration studio We are also Fine Art and Antique dealers, besides being collectors ourselves for a great number of years.

Organizations
The main professional organization of which I am a member is the BNA, or Association of Dutch Architects, which is equivalent to the US; American Institute of Architects. Affiliated to the Art Loss Register in London and the International Cites Organization in Geneva, Switzerland.

Publications
Villa Rufolo; The forgotten paradise on earth. Published by the University of Aarhus, Denmark Book reviews and articles for International Archis Magazine, in the Netherlands.

Education/Credentials
Since I wished to become a Restoration Architect, firstly I took my BA degree in Art History. Then after graduation, I followed this immediately by studies to graduate and become a Restoration Architect. Ever since then, I have been an established Restoration Architect and Antiquarian. Since a great number of buildings are also inhabited by Fine Art fixtures and furnishings, I also became absorbed by all the artifacts, which go to fill them and not only the edifices themselves. This and much more, was the reason for gaining an advisory post on the City Commission; For The Protection and Care of Historic Monuments of Amsterdam - Amstelveen.

Awards and Honors
Citations and gratitude; “From the Town of Amalfi” for the groundwork achieved in order bring back the Historical past to the Medieval Villa Rufolo and its vital role in the region. BA in Art Hisory. Graduation Diploma as an Architect & Antiquarian; and also practicing as such. I have also completed a 3 year course in antiques, at the VHOK in Amsterdam VHOK is translated as; ( "The Association of Fine Art Dealers In The Netherlands.")

Past/Present Clients
With a view to the present lawmaking on privacy and reasons of confidentiality, this topic will remain private.

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