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Fine Art/Fine art or junk?



My grandfather recieved this artpiece, as a christmasgift from Victor Hasselblad, some time before 1978.

Since the giver was a very wealthy man, it`s a small chance, that it has some value.

My questions are :
Do you know who made it?
Has the piece any value?

Hei Lars
Mange takk for bildene og spørsmålet.
Ja. vel jeg både forstår og snakker også Norsk, men jeg også tilfeldigvis liker myltebaer.
Ja, jeg selv mener at er det er ganske verdifull.
Det finnes imidlertid en rekke problemer.
Det må bli identifisert, hvis materialet er lavet av ekte sølv, som også bærer de juridiske analysen merker av landet; hvor det ble produsert.
Det må være absolute sikkere, at det ikke er alpca, eller kanskje en lignende legering f.eks.
Videre må du sjekke objektet nøye, for å fastslå om det er noen signaturer - eller noen andre merker?
Også det må etableres nøyaktig, hvis det er "brukskunst" eller noe annet?
Dette er de første skritten  langs vejen til at etablere nøyaktig; hva det er -  og hvem som kan ha gjort det.
Å finne svar på disse spørsmålene vil trolig føre til både en produsent og dato.
Til slutt markedsverdien, kan være acertained.
Den kan tilhøre den "Cobra Group" eller det kan ogsa hører til en tilsvarende gruppe av senere kunstner/handvaerker.
Etter at du har sjekket objektet for flere skilt og informasjonstavler, så vennligst gi meg beskjed.
Da kan vi ta neste skritt som er nødvendig ..
Havde Det Godt og farvel.


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D. E. Lombardo


I am unable to answer enquiries concerning objects, which are NOT related to the areas of Fine Art and Antiques. Nor will I; on the sole basis of any photographic images be willing to give any definitive monetary valuations, or monetary opinions. In such cases I would always advise on getting “real time” valuations and opinions from reputable and qualified auction houses, or third parties. In some applicable cases, I may perhaps give general indications of value, based on the presented materials. True valuations always need a direct “hands on” approach, with perhaps also the necessary research and verifications. Broadly open to almost all questions, regarding the majority of both European, American quality objects, which are related to both Antiques and Fine Art. This also includes modern 20th century designer objects such as furniture etc. My own particular comfort zone areas would be; The decorative Arts, marble, stone, furniture, ivory, bone, amber, ceramics and porcelain, sculpture, glass, silver and metal objects etc. I will also answer inquiries, and give opinions concerning Dutch 17th, 18th and 19th century paintings. Please note that I do have limitations and cannot possibly answer all questions, as the field is very extensive. VERY IMPORTANT and PLEASE NOTE: Please note that; providing > GOOD CLEAR and Preferably High Resolution < photo's of the object(s)in question, is vital. Pics taken with a cell/mobile phone, are of a poor quality and best avoided. Posting signatures only, or just fragments of an artifact - will only provide me with insufficient information and it is often quite misleading. So please; Do post good clear overall images, with your question(s). Failing to do so, may cause rejection, which is also a great pity.


Since the early 90’s I lead a team of very enthusiastic staff at a business, where have the following disciplines; Restoration and refurbishment of historical buildings and gardens, including interior design. The restoration and care of Fine Art and Antiques at our restoration studio We are also Fine Art and Antique dealers, besides being collectors ourselves for a great number of years.

The main professional organization of which I am a member is the BNA, or Association of Dutch Architects, which is equivalent to the US; American Institute of Architects. Affiliated to the Art Loss Register in London and the International Cites Organization in Geneva, Switzerland.

Villa Rufolo; The forgotten paradise on earth. Published by the University of Aarhus, Denmark Book reviews and articles for International Archis Magazine, in the Netherlands.

Since I wished to become a Restoration Architect, firstly I took my BA degree in Art History. Then after graduation, I followed this immediately by studies to graduate and become a Restoration Architect. Ever since then, I have been an established Restoration Architect and Antiquarian. Since a great number of buildings are also inhabited by Fine Art fixtures and furnishings, I also became absorbed by all the artifacts, which go to fill them and not only the edifices themselves. This and much more, was the reason for gaining an advisory post on the City Commission; For The Protection and Care of Historic Monuments of Amsterdam - Amstelveen.

Awards and Honors
Citations and gratitude; “From the Town of Amalfi” for the groundwork achieved in order bring back the Historical past to the Medieval Villa Rufolo and its vital role in the region. BA in Art Hisory. Graduation Diploma as an Architect & Antiquarian; and also practicing as such. I have also completed a 3 year course in antiques, at the VHOK in Amsterdam VHOK is translated as; ( "The Association of Fine Art Dealers In The Netherlands.")

Past/Present Clients
With a view to the present lawmaking on privacy and reasons of confidentiality, this topic will remain private.

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