Question My further research in this area has led me to some differences in prints from this series. I have talked to a few different people and gotten information from a few different sources, but there doesn't seem to be much of a consensus. For clarity, I am talking about block signed prints (no hand signatures). So there are two different possible watermarks that also correspond to other differences in the prints. One is a 'B.F.K Rives' watermark in a script font and the other is 'B.F.K Rives France' in a block font. The script font is supposedly from the original woodblocks and the French printing from the 60's. The paper is a cream color and the torn edge is on the bottom. The block font supposedly corresponds to a different printing from a different set of woodblocks. The paper is white and the torn edge is on the right side. Also, I have seen evidence that the actual print is different, less colors and just doesn't look as good in general. Can you confirm or repudiate any of these claims? From what I have seen it really looks like the prints are from different woodblocks and on different paper (I have compared side by side pictures of both and a real print with a block watermark to a picture of one with a script watermark). The quality of the prints is clearly different. I would assume that the value is less and they would not be considered original prints if they are from lower quality, non-original woodblocks. Thanks.
Answer Chris--according to info. in catalog raisonee and you can even find online sights that describe the Suite, ALL pieces were pulled at the 'same time' in the 60s. I am not aware of a bogus series produced later from different woodblocks, but your description is compelling. And your assumption is correct: they would not be considered original prints and the value would be less. Frankly, I would call them 'fakes' and not pay more than $20 each. Thanks for bringing this to my attention. Good luck. Alan Klevit.
check out Alan's latest book, "Art Collecting 101," at www.booklocker.com.
I can provide sound advice on buying, collecting & understanding fine art, especially original works by 20th century masters and leading contemporary artists. I can also explain techniques used to create original works and offer tips on how to tell whether or not a piece is an original work of art.
I have been active in the art world for twenty-seven years. I owned and operated four galleries and a wholesale showroom on both coasts. We specialized in original works by 20th century masters and emerging artists. I have been an art consultant, artist's representative, lecturer, auctioneer, and curator. I had a radio show for two years, "Today's Art World with Alan Klevit" [Washington, D.C.]; hosted two television shows on the arts for six years [Los Angeles Area]; have written for numerous local papers and international art magazines; and currently write a syndicated column, "The Art Beat." I conduct art auctions for charities throughout the United States, and am a frequent speaker/auctioneer on upscale cruise ships, and at civic organizations and local television shows.
Publications ART NEWS, ART IN AMERICA, FORECAST MAGAZINE, MALIBU MAGAZINE, PANTARBE.COM, MALIBU CHRONICLE, POTOMAC ALMANAC, GAITHERSBURG GAZETTE, ART DECOR, REGARDIES MAGAZINE.
Education/Credentials Undergraduate and graduate degrees from Georgetown University and The American University