AllExperts > Experts 
Search      

Musical Composition, Theory, Songwriting, and Singing

Volunteer
Answers to thousands of questions
 Home · More Questions · Answer Library  · Encyclopedia ·
More Musical Composition, Theory, Songwriting, and Singing Answers
Question Library

Ask a question about Musical Composition, Theory, Songwriting, and Singing
Volunteer
Experts of the Month
Expert Login

Awards

About Us
Tell friends
Link to Us
Disclaimer

 
 
 
 
About Clare Redfarn
Expertise
All aspects of the academic/theoretical side of music, including harmony, counterpoint, elementary composition, history, harmonic analysis, aural training, sightreading - the lot! Please note: I'm neither a professional composer nor a singing teacher.

Experience
49 years as pianist (professional soloist and accompanist); 34 years as harpsichordist (professional soloist and continuist); 10 years as violinist and 6 years as bassoonist (youth orchestras/chamber groups); 36 years as piano teacher, coach in performance/interpretation (all ages, instruments and levels) and private tutor (mainly the old O'level, Grade VI+ ABRSM theory/practical musicianship, A'level and undergraduates).

Organizations
I've been a member of the Musicians' Union in Britain since 1978.

Publications
I've written many programme notes and a few articles for an online magazine. During the '90s I was also a Music Assessor for London Arts and as such regularly wrote critiques of concerts given by recipients of Arts Council funding.

Education/Credentials
MA in European Cultural Policy & Administration (Warwick University, 1994)
B Mus with Honours (London University, 1977)
Postgraduate Diploma in Arts Administration (City University, 1982)
Licentiate of Royal Academy of Music in Piano Teaching (1976)
Licentiate of Royal Academy of Music in Harpsichord Teaching (1978)

Studied RAM Junior School (1966-74), then as full-time student (1974-78).
 
   

You are here:  Experts > Music/Performing Arts > Musicians' Exchange > Musical Composition, Theory, Songwriting, and Singing > theory

Topic: Musical Composition, Theory, Songwriting, and Singing



Expert: Clare Redfarn
Date: 6/14/2008
Subject: theory

Question
hi clare, i have come across an x next to a note in the music text i was hoping you could tell me what it means.

thankyou kindly.

Answer
Hello John,

It's a double sharp.  There are also double flats, written as two flat signs next to each other (bb).  A double sharp raises a "normal" note by two semitones, a double flat lowers it by two semitones.

You first encounter these little blighters in minor keys with five or more sharps in the key signature.  Bear in mind that a diatonic scale, by definition, contains one of each pitch name in sequence.  So, say we want to write out the scale of G# minor without a key signature.  

We can start by writing the notes G A B C D E F G.  Our key signature is five sharps so we can put those in = G# A# B C# D# E F#.  Now we need to sharpen the leading note, which is already F#, so it becomes Fx.  **!!NB This is not the same note as G natural!!**.  It cannot be G natural because you can't have Gnat followed by G# in the same scale.

(As I've said before, there's a difference between saying eg Dbb is the same as C, *which it isn't*, and saying that due to our mathematically inaccurate system of tuning (equal temperament) the two notes sound at the same pitch, which is correct.)          

To cancel double sharps - say you're moving chromatically and you want to write Gx followed by G# - you write a natural sign and a sharp sign before the G, and the same goes for Ebb followed by Eb.

Hope this helps.

Add to this Answer    Ask a Question



  Rate this Answer
   Was this answer helpful?
Not at allDefinitely              
   12345  

     
About Us | Advertise on This Site | User Agreement | Privacy Policy | Help
Copyright  © 2008 About, Inc. About and About.com are registered trademarks of About, Inc. The About logo is a trademark of About, Inc. All rights reserved.