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About Gabriel
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I am able to volunteer my expertise in music composition, music theory, and songwriting. NOTE: I am *not* able to offer expertise in singing; AllExperts.com still hasn't separated "singing" from this category (it does not belong here). I answer a variety of questions. I have multiple music degrees and years of experience in the field. When asking your question: 1. Please be clear in your message. 2. Provide actual question(s). 3. Please keep it short and concise. 4. Save my one-question-per-day for someone else if you can find the answer on your own.

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You are here:  Experts > Music/Performing Arts > Musicians' Exchange > Musical Composition, Theory, Songwriting, and Singing > Keys

Musical Composition, Theory, Songwriting, and Singing - Keys


Expert: Gabriel - 6/24/2007

Question
Hello,
First of all, thanks for the help you offer to all those who need it! Much appreciate it!
My question is regarding the tonality in modern songs, from beatles onwards, anything really. What famous songs that you know are set in a MODAL tone? And why are some songs using modes and not major/minor keys? What's the advantage/difference?? Im a bit confused...
I hope you may help,
Take care and best wishes,
Seneca

Answer
Hello,

"What famous songs that you know are set in a MODAL tone?"

To be exact: every song. Even the major and minor keys are modes, though commonly not referred to by their synonymous names unless in context with other modes.

"And why are some songs using modes and not major/minor keys?"

To clarify, the major key is the Ionian mode and the natural (or pure) minor key is the Aeolian mode. Though in reference to other modes, why are some contemporary songs in keys/modes other than major/minor? The best place to go would be the composer of the music, next best would be interviews people have done with the composer, then to check articles in magazines and periodicals by individuals - musicologists, specifically - who have done extensive research on the music of that composer and music of that specific sub-genre. More than likely, the "why" behind a lot of contemporary musicians modal efforts is either a goal to simply get a different flavor in their sound, an intent to be "different" for namesake, an unknown alteration (some may not even know they're doing it), or an intelligent decision from a contemporary musician who has professional training in at least some of the fundamental applications of music theory in composition.

"What's the advantage/difference??"

There really is no advantage or disadvantage. They're all apples and oranges. The difference is just that, more often than not the musician simply wants something different, and the difference is the "flavor" in the scale/mode from which the song is derived.

Best of luck!

G.S.Darby

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