Musicians/use of modes


mwtzzz wrote at 2012-10-24 20:17:09
A mode is just a fancy (and misused) way of saying "chord."

Now how to use them, here's where everyone gets mixed up. For each mode there is one or two specific avoid tones. You must know what these tones are otherwise you will not know how to improvise using modes.  


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Jessica Vaughan


I can answer questions about the musical genres of folk, country, bluegrass, rock, swing, and early jazz. I can answer general questions about the performance of and history of country, bluegrass, rock, swing, dixieland, folk music, and early jazz, and also more specific questions pertaining to not-classical-music fiddle playing such as: technique (vibrato, bowing, reading/playing music, etc.), music theory, style, ear training, feel, tradition, culture, authenticity, execution of various classes of fiddle tunes (i.e. reel, jig, hoedown, waltz, strathspey, hornpipe, etc.) and improvising your own solos, fills, and breaks. I have some knowledge (limited) of recording artists or performers. I can answer questions about lyrics and titles, especially questions about what they mean (as they are filled with colloquialisms). I can also answer questions about violin/fiddle lessons (clarification, extra help, what to expect, suggestions, questions to ask, etc.). I CANNOT answer questions pertaining to: brand name, age, authenticity, value, worth, production, etc. or anything that has to do with major repairs.

***PLEASE DO NOT ASK ME WHAT YOUR INSTRUMENT IS WORTH*** (or anything to that affect). It is impossible to put a value on them sight-unseen because musical instruments need to be individually evaluated visually.


As a fiddler, I was 3rd in the State of Ohio in 2007. I am also a session musician who is hired by recording studios to play on the cds of recording artists and for stage performances. Though classically trained, I have a preference for country, bluegrass, rock, and swing. I am also a guitar player and vocalist. I have a college degree; however, instead of pursuing a career in law I have been a private teacher and performer for over 10 years. I play by ear, I read music very well, and I can also improvise. I have played in bands ranging from bluegrass to punk rock to heavy metal to classical orchestra.


For my actual fiddling education, I began my classical instruction at the age of 9 and studied under Mr. Keith Holliday (currently of the Akron Symphony Orchestra, the Ohio String Quartet, and the Divertimento String Quartet) through high school. I studied privately, for many years, under Mrs. Simma Korostyshevsky, former Master Violinist with the Toledo Symphony. My education in musicianship is in that I have also played the piano since the age of 5 (of which I play ragtime, stride, and pop/rock), the trumpet since the age of 10 (of which I am a member of Bugles Across America), guitar since the age of 16 (country and rock), and electric bass since the age of 16. I also received instruction from my mother, Ms. Shirley Ann M. Walker, M.M.

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