AboutDavid Barry Expertise I have a lot of experience in most traditional forms of photography, so I`m quite knowledgeable about things like camera types and formats, techniques, exposure, film types, colour, filters, lighting, standard colour and black and white developing and printing.
I do not make recommendations about brands or models, and I am not a camera technician so I may not be able to tell you what is wrong with your equipment if it`s not working .
I also know a little about digital photography and imaging with scanners and digital cameras, so ask me and I will answer if I can.
Experience Experience in the area
I have been seriously involved in photography for over 25 years, including about 4 years as a professional, as well as 2 years providing administrative service to government photographers, requiring interpreting photographers' requirements and trade technicalities for those unfamiliar with such.
I have successfully trained several beginners in photography, helping them to become competent in basic techniques.
Organizations belong to:
None at present, but have been in about 4 camera clubs, having won or had placings in 2 club competitions.
Publications:
A lot of my photos have been in educational / training manuals, books and some photography magazines, as well as 2-3 dozen images been on the Web so far.
Education/Credentials:
Completed 4-year diploma in professional photography technique at Sydney's Technical College
Awards and Honors:
3 placings and / or merits in camera club competitions.
Question Hello. I'm a senior citizen who had a darkroom years ago.
I will soon venture into a digital SLR, but my only goal
is a b/w image. In the old days, I could add a toner to
the print tray, like selenium etc. and alter the temperature
warm/cool of the finished print. If the new cameras are offering a b/w mode, then I'm assuming processing software
would take the image and add tone to it, as though it were
color to start with. I'm not sure if there are varieties of
papers for a printer like there used to be in the fiber days
of Kodak & Ilford. Have you run into this category of discussion?
Answer There are not so much varieties of paper (to my knowledge), in terms of say, warm, neutral or cool tone, or contrast grades.
You are right on the point that it is mostly software, either in-camera or post processing on computer, that determines tone, contrast and those types of image qualities.
But there are categories of surface finish such as high gloss, normal gloss, satin, lustre, pearl, matte etc,
and paper weight such as e.g. 80 gsm, 160 gsm, 200 to 300 gsm and above, similar to the old single weight or double weight fibre bartya papers.
Speaking of Baryta fibre and that, there are actually some companies (such as Epson, Ilford and Chromajet to name just a few) that make traditional style fibre papers for inkjet printing.
