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Saxophone/Lyon-Healy American Climax

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QUESTION: I'm getting into playing saxophone. I have a Lyon-Healy American Climax tenor sax made by Conn--it could be a stencil or an outsourced design, though I would assume it'd a stencil. I can't find ANYTHING about the history or age of the thing online. Could you shed some light on the subject?

ANSWER: Please send me a ton of photos!
thanks
Grant Koeller

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Engraving
Engraving  

Main body
Main body  
QUESTION: It won't allow me to attach more than two. Would you like any specific angles?

Answer
Please remember that Lyon and healy were stencils made by Buescher, Martin or Couturier in LaPorte INDIANA. YOUR SAX IS FROM after 1923...This is not a Conn...
E.A. Couturier Co., Ltd.

1913 patent referenced on #3939.

Couturier cornet #3939 built in 1919 with a York-inspired predecessor to his 1922 patented quick-change Bb/A rotary valve and adjustable valve slides.
After resigning from Holton in 1913, achieving his first patent, and seeing that patent built by the J.W. York company as the Couturier Wizard Model,[1] Ernst Albert Couturier bought the derelict William Seidel Band Instrument Company and renamed it. He did so with two partners, Melvin G. Lathrop and William N. Barlow. His company built a full line of brass band instruments in the conical bore style as well as a saxophone.[2] In 1918 the firm moved from New York to La Porte, Indiana where the bulk of the instruments bearing the company name were made. In 1923 Couturier's eyesight failed and shortly after the company went into receivership and was sold to Lyon & Healy. In 1928 Lyon & Healy sold the band instruments division to the Frank Holton Company which halted production of Couturier instruments in 1929.[6] Instruments built under Couturier's control between 1918 and 1923 can be identified by serial numbers ranging from 1000 to 9500.[7]
Couturier was known to say, "After training for breath control and technical perfection, why must we remain at the mercy of inferior instruments?[8] Couturier turned to instrument design to address that problem, as did Vincent Bach, Elden Benge, Renold Schilke and Jerome Callet.[9]
The continuous conical bore construction patented by Couturier was a core principle in his designs. E.A. Couturier company was known for the unique shape of the valve tubing, which, in its original and purest form did not support any tuning slide for fine pitch adjustment.[2] This design was to support the most continuously conical bore possible and also offered less resistance to air flow through the horn. Slides, when present, continued a conical progression by varying the wall thickness in order to achieve a movable cylindrical exterior. Those instruments built without valve slides tasked the players to bend some notes using their lips and also to rotate the horn to free the instrument of condensation during rests.[2] The Couturier cornet was typically available in a Bb/A model with a rotary valve[7] for selecting the key of the horn while other makers of the era such as H.N. White used interchangeable tuning slides.[10] Couturier and the company received numerous patents for conical bore instruments, a phonograph, the A/B-flat "quick change valve", and a mute design.[2]


I need to know your serial number...

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Grant R. Koeller

Expertise

I'm a Professional Jazz Saxophone soloist recently retired from 23 years with the USAF Band Of Flight, WPAFB, OHIO, experienced in performance, technique and equipment. I'm not a buyer/seller or dealer. I have 40 years Alto, Tenor, Soprano and Bari Saxophone performance experience with additional years on the Flute, Clarinet, Bass Clarinet, Bass Guitar, Piano, Drum-set, Guitar and Voice. I'm a third generation professional military musician, my father, Bill Koeller(1939-1997) was in the USAF 1958-1962, and played Jazz Hammond B-3 organ from 1957-1997, and my fathers Uncle, Alfred Koeller (1912-1993), was a professional Acoustic Bassist in the Army Air Corps in WWII, and also performed on Jazz Guitar, Hammond organ, Piano and tenor saxophone.

Experience

Professional Saxophone Soloist, 23 total years with the USAF Bands, 6 years with the USAF Band of Flight, Wright-Patterson AFB, Ohio, performing on Tenor, Alto, Soprano, Clarinet, and Flute. 4 years in Japan, at Yokota AFB with the USAF Band of the Pacific. An Avid Composer and Arranger for the Night Hawk Protocol Combo. Former Lead Alto Saxophonist with the USAF Night Flight Big Band performing the music of Glenn Miller as well as other hits of the Big Band Era. I collect LP records of Jazz, blue's, classical and rock, and have over 12,000 records.

Organizations
USAF,Phi MU Alpha Sinfonia, Men's National Music Fraternity, Johnny Mack Super Big Band, Tom Daugherty Orchestra, Kim Kelly Orchestra, Dayton Jazz Orchestra, Eddie Love Big Band, Gem City Big Band, Jazz Central Big Band, Shin Sings Orchestra, Kim Kelly Orchestra,USAF Night Flight Jazz Ensemble, Different Hats Big Band, Jimmy Baker Blues Band, This Side Up, Freelance, KING KOELLER Quartet, Jazz Central Big Band, GB Work, Sax On The Web,

Publications
Saxophone On the Web; Anchorage Daily News; All Experts; Augustana College Public Radio, WVIK;

Education/Credentials
North Texas State University School of Music, Jazz Studies 1982-1986 Lead Alto, Lab bands 1982-83 and small group leader 1983-1984, Jazz Radio Host WVIK 90.1 FM NPR affiliate Rock Island, IL United States Collegiate Wind Band European tour 1980 Augustana College, Rock Island IL, Liberal Arts Music Mentors/Teachers:My father Bill Koeller, a Jazz Hammond B-3 Organist (1939-1997) Great Uncle Alfred Koeller, Acoustic Bass 1912-1993

Awards and Honors
Paul Shartle Musician of the Quarter Spring 2008; Glenn Miller Festival, Clarinda, Iowa featured soloist; McDonald's All-American Band and Jazz Ensemble 1979; US Collegiate Wind Bands,Paul Lavalle Conductor, tour of Europe,1980; John Phillip Sousa Award, 1980 Dimond HS Anchorage, Alaska; USAF National Defense Service Medal with Bronze Star; USAF Achievement Medal with 5 Oak Leaf Clusters; USAF Good Conduct Medal with 6 Oak Leaf Clusters

Past/Present Clients
Performed with, Bob Hope, The Platters, Four Tops, Jimmy Dorsey, Crystal Gail, Helen Ready, James Williams, Dallas Jazz Orchestra, Jack Jones, The Mills Brothers, the G-Clef's, Lionel Hampton at Carnegie Hall, Performed for the King Of Thailand 2005, Tom "Bone's" Malone, Roy Hargrove, Tommy Turrentine, Performed for President Gerald Ford, President George W. Bush, The Maguire Sisters, The USO Girls-Andrew Sisters Tribute, The Four Lads, Lincoln Berry, The Dayton Jazz Orchestra, Louis Bellson, Buddy DeFranco, Walter Bishop Jr, Sadao Watanabe, Bobby Shew, Pete Jolly, Quad City Jazz Ensemble, Augustana College Symphonic Band, Jack Scott, Catfish Jazz Society, Intrigue-Boston Wedding Band, The Mark Herbert Little Big Band, The Pacesetters Big Band, The Ambassadors Jazz Ensemble, Pacific Showcase Big Band, Jimmy Dorsey Big Band under the direction of Lee Castle, Ronny Scott Orchestra, Big Al's Hot Dance Orchestra, The Dayton Sidewinders, Tom Daugherty Orchestra, Johnny Mack Super Big Band, Ken Peplowski, Eddie Daniels, Buddy Guy, Roy Hargrove, Warren Parrish, John OMeara Jr., Dave Holcomb, Albia Silva,Vinnie Demartino, Clon VonFitz, The G Clef's

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