Saxophone/wectklang saxophone


wectklang saxophone
wectklang saxophone  

Serial no 56578
May I ask you if a valuation and or history is possible re above.I keepbgoing around in circles on the internet.your help would be appreciated please thankyou



Weltklang and B&S saxophones

B&S only made the 4 standard types of saxophones: Bb soprano, Eb alto, Bb tenor, and Eb baritone saxophones. The company offered basically only 2 model ranges of saxophones: The simpler Weltklang engraved horns, and the somewhat better saxes designated B&S. In addition to the names that B&S used for its horns, they also stencilled for other companies, which resulted in a great many B&S-made horns, with a wide variety of names. Some of these names include: Akustik, Berg Larsen, Paul Beuscher, University, Sonora, and others. Check out the Blechblas- und Signal-Instrumenten-Fabrik gallery on Bassic Sax Pix to find more names, and see some of the horns I’ve found to date.

Weltklang was introduced in the early 1960s as a replacement for the Akustiks, and were made for approximately 30 years. The line was discontinued in 1994.

In German, Weltklang means “world sound”.

Weltklang vs. B&S: What’s the difference?

In Saxophone: Ein Kompendium, Uwe Ladwig refers to a discussion he had with Gerhard Lederer1. Lederer worked for B&S for 30 years, including a 13-year stint as the Divisional Director of Saxophone Production. According to Gerhard Lederer, the main difference between the Weltklang and B&S saxophones was their tone hole placement.

Weltklang saxophones had inline tone holes. Vintage horn players are likely very familiar with the feel of inline tone holes, since Conn, Martin, Buescher, and even pre-Mark VI Selmers had the main tone holes in their body tube arranged in a line, one under another.
I would say this sax is worth 650. but a horn is only worth what someone would pay for it.
Thanks Grant Koeller


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Grant R. Koeller


I'm a Professional Jazz Saxophone soloist recently retired from 23 years with the USAF Band Of Flight, WPAFB, OHIO, experienced in performance, technique and equipment. I'm not a buyer/seller or dealer. I have 40 years Alto, Tenor, Soprano and Bari Saxophone performance experience with additional years on the Flute, Clarinet, Bass Clarinet, Bass Guitar, Piano, Drum-set, Guitar and Voice. I'm a third generation professional military musician, my father, Bill Koeller(1939-1997) was in the USAF 1958-1962, and played Jazz Hammond B-3 organ from 1957-1997, and my fathers Uncle, Alfred Koeller (1912-1993), was a professional Acoustic Bassist in the Army Air Corps in WWII, and also performed on Jazz Guitar, Hammond organ, Piano and tenor saxophone.


Professional Saxophone Soloist, 23 total years with the USAF Bands, 6 years with the USAF Band of Flight, Wright-Patterson AFB, Ohio, performing on Tenor, Alto, Soprano, Clarinet, and Flute. 4 years in Japan, at Yokota AFB with the USAF Band of the Pacific. An Avid Composer and Arranger for the Night Hawk Protocol Combo. Former Lead Alto Saxophonist with the USAF Night Flight Big Band performing the music of Glenn Miller as well as other hits of the Big Band Era. I collect LP records of Jazz, blue's, classical and rock, and have over 12,000 records.

USAF,Phi MU Alpha Sinfonia, Men's National Music Fraternity, Johnny Mack Super Big Band, Tom Daugherty Orchestra, Kim Kelly Orchestra, Dayton Jazz Orchestra, Eddie Love Big Band, Gem City Big Band, Jazz Central Big Band, Shin Sings Orchestra, Kim Kelly Orchestra,USAF Night Flight Jazz Ensemble, Different Hats Big Band, Jimmy Baker Blues Band, This Side Up, Freelance, KING KOELLER Quartet, Jazz Central Big Band, GB Work, Sax On The Web,

Saxophone On the Web; Anchorage Daily News; All Experts; Augustana College Public Radio, WVIK;

North Texas State University School of Music, Jazz Studies 1982-1986 Lead Alto, Lab bands 1982-83 and small group leader 1983-1984, Jazz Radio Host WVIK 90.1 FM NPR affiliate Rock Island, IL United States Collegiate Wind Band European tour 1980 Augustana College, Rock Island IL, Liberal Arts Music Mentors/Teachers:My father Bill Koeller, a Jazz Hammond B-3 Organist (1939-1997) Great Uncle Alfred Koeller, Acoustic Bass 1912-1993

Awards and Honors
Paul Shartle Musician of the Quarter Spring 2008; Glenn Miller Festival, Clarinda, Iowa featured soloist; McDonald's All-American Band and Jazz Ensemble 1979; US Collegiate Wind Bands,Paul Lavalle Conductor, tour of Europe,1980; John Phillip Sousa Award, 1980 Dimond HS Anchorage, Alaska; USAF National Defense Service Medal with Bronze Star; USAF Achievement Medal with 5 Oak Leaf Clusters; USAF Good Conduct Medal with 6 Oak Leaf Clusters

Past/Present Clients
Performed with, Bob Hope, The Platters, Four Tops, Jimmy Dorsey, Crystal Gail, Helen Ready, James Williams, Dallas Jazz Orchestra, Jack Jones, The Mills Brothers, the G-Clef's, Lionel Hampton at Carnegie Hall, Performed for the King Of Thailand 2005, Tom "Bone's" Malone, Roy Hargrove, Tommy Turrentine, Performed for President Gerald Ford, President George W. Bush, The Maguire Sisters, The USO Girls-Andrew Sisters Tribute, The Four Lads, Lincoln Berry, The Dayton Jazz Orchestra, Louis Bellson, Buddy DeFranco, Walter Bishop Jr, Sadao Watanabe, Bobby Shew, Pete Jolly, Quad City Jazz Ensemble, Augustana College Symphonic Band, Jack Scott, Catfish Jazz Society, Intrigue-Boston Wedding Band, The Mark Herbert Little Big Band, The Pacesetters Big Band, The Ambassadors Jazz Ensemble, Pacific Showcase Big Band, Jimmy Dorsey Big Band under the direction of Lee Castle, Ronny Scott Orchestra, Big Al's Hot Dance Orchestra, The Dayton Sidewinders, Tom Daugherty Orchestra, Johnny Mack Super Big Band, Ken Peplowski, Eddie Daniels, Buddy Guy, Roy Hargrove, Warren Parrish, John OMeara Jr., Dave Holcomb, Albia Silva,Vinnie Demartino, Clon VonFitz, The G Clef's

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