Violin/violin appraisal etc

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Question
i have a 1924 german made violin by wurlitzer and it is signed inside in german. there is a sticker inside which says made in germany and by wurlitzer and so on but someone has signed it right across the sticker before it was properly made. also there is another sticker with two army figures with drums hanging infront of them and rifles down by there side. some text i can read as its hard to see in there properly and i see the word churchhill etc etc written below the two army figures. i cant read german so i cant read whos name is signed inside it neither

Answer
Hi Mark

The violin that you have was not actually made by Wurlitzer but rather imported by the Wurlitzer firm that settled in Cincinnati in 1896. Any instruments that he might have made after that time would not be labeled from Germany. There are no known instruments made by him of that late a date. It was, as it is stated in the instrument. "Made in Germany". Since that was written all in English, it had to be made after 1921 and so the 1924 date is probably correct.

With just your description of the labels inside I can't shed any light on a specific maker in Germany. If you could somehow get some photos of the labels - even if it has to be several, and send them to me, I can see if I can tell any more. Often times there will be clues as to the actual maker, bot more often that information is lost to the ages.

The name Churchill and the label with the soldiers and armaments could have something to do with the end of WW1 when Churchill was the British Cabinet minister who was responsible for all economic and financial matters. If the instrument had been imported from the US into England, that label for instance could be part of that procedure.

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David Lashof

Expertise

I can answer questions on violin, viola, cello and bass making, repair and maintenance as well as supply general violin value ranges and information on instrument makers’ assuming the instrument's as labeled. I don't give values for modern makers as many of these modern makers are yet unknown to me. I can only give you feedback based on what information you give me, and no authority on the instrument can know every maker's work that ever lived. I have access to many books on makers and auction prices on over 25,000 makers, as well as having 36 years of experience with selling and appraising violins. Without having the instrument in hand, any estimate over the internet is just a guess as the label inside an instrument is more often wrong than right, so just having that information is not very useful. Pictures can sometimes be helpful but only so much, as the "feel" of the instrument along with small clues in workmanship and varnish cannot be seen in pictures. Any pictures should be high quality close-ups of the top and back. Additional photos of the front and treble side of the neck are also useful. It is always best to have an instrument seen in person at a violin shop that does appraisals. I can also provide advice on bows, rosin, strings and other string instrument accessories. As I am now retired, I have no bias towards selling anything; I only wish to share my knowledge and experience by providing information for those that may be getting confused by misinformation, misdirection or conflicting statements. (While I have seen many thousands of instruments and have performed numerous appraisals; if I have not evaluated an instrument in person, any information I set forth in an opinion is just that, an opinion based solely on what you have provided. Thusly, no financial decision should be based on that opinion, but rather, further investigation should be performed by having the instrument examined in person.)

Experience

I am a retired violin maker and repairman with 35 years experience having worked in Chicago and Maryland at 5 different violin shops and music stores including the first violin repairman at William Harris Lee in Chicago, the head repairman at Weavers Violins in Maryland, and in my own shop of 25 years. I have made 160 instruments and have restored countless professional level and student grade instruments. I am an accomplished violinist having performed with semi-professional as well as amateur groups although I haven't played for years and mostly stay away from questions about playing. I have taught violin making and restoration to about 20 students; three of which have gone on professionally and now have their own shops. I know violins from playing, selling, repairing, making and teaching.

Organizations
Violin Society of America (VSA). American String Teachers Association (ASTA)

Education/Credentials
I graduated from the prestigious 4 year Chicago School of Violin Making in 1981 under Master Violin Maker Tschu Ho Lee. I also studied with violin maker Willis M. Gault in Washington DC from 1973-75, who was the former owner of the oldest known example of an instrument from the modern violin family, an Andreas Amati Viola.

Awards and Honors
2008 Chester Petranek Award for service to the music community. ASTA award for service. Top All Expert in Violin for 2014 and 2015.

Past/Present Clients
I have worked with many professional musicians from DC area Symphonies as well as players from all over the US. Here are just a few, Leonard Slatkin - Former conductor of the National Symphony Orchestra. Doris Gazda - Nationally renowned string specialist and composer. Bernard Greenhouse, Tanya Anisimova - Internationally renowned Solo Cellists. Jody Gatwood, Mark Pfannschmidt, Lori Barnet, Doug Dubé, Judy Silverman - National Philharmonic Orchestra. Robert Blatt, David Hardy, Glen Garlick - National Symphony Orchestra. Eddie Stubbs, Brendan Mulvahill, Nate Leath - Professional Fiddle Players. David Basche, Pat Braunlich, John Knudson, Romano Solano, Ed Ferris, Fred Lieder - freelance musicians.

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