AboutBeth Expertise I can help you troubleshoot your playwriting process. I am an NEA award-winning
playwright, with work produced across the country. I studied extensively with Edward
Albee, and currently teach a playwrighting workshop in LA. I can`t read your play for
you, but I can help you with basic playwrighting theory, and exercises to get you in the
right direction.
My question is rather involved, yet brief. I have written a few plays yet never once was I entertained by my English professors with the "correct" way in which to write a play. That is, what are the technical aspects of play writing (how to cut scenes, give stage directions, etc.)? Also, how much should the writer include in nonverbal directions before the directives become overbearing; where should one draw the line and leave it to the director? It would be very much appreciated if you could locate for me some websites that might be able to help my situation. Thank you for your time and I hope that you have a wonderful day.
Answer Hi Benjamin,
I think this is a great question. Part of the reason why you'll be hard-pressed to find a really direct answer on playwrighting format is that there are no hard and fast rules about it. Whereas film scriptwriting has all sort of industry standards that one can look to, it only takes a cursory look at several different play scripts to see wild differences. It often comes down to a matter of taste and clarity.
If I were you, I would take a look at the scripts of some of your favorite modern plays. Or even just recent plays that have done well. Check those out and see what styles you find most engaging and readable.
Here is one place where you can research and purchase playbooks that might interest you:
And you can always pop on amazon.com for more current plays, and you may get that sweet "look inside" option for a free peak.
My opinion on it is this - look to audience comfort and engagement when cutting scenes. Think also in terms of theatrical practicality. You don't cut a million scenes a minute like you do in film, but rather cut the scene when it feels right. You may not need any scene cuts at all depending on your play's length. Stage directions can become overbearing (hence ignored) if the writer becomes too heavy handed or precious about them. But if you have something important that you want the director and actors to understand, clarify your intention with stage direction. They may or may not take it, but you cannot be blamed for lack of trying.
So, in summary - a play can be just about anything you want it to be. Trust your gut and your sense of theatricality when writing. Look to other modern plays for ideas and formats to borrow from. Use stage directions when you feel they will be helpful or truly necessary to the play.
